Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Production | Margiad Evans | ME
's journals, kept from her youth onwards, often served to write what I want to get rid of. Lloyd-Morgan, Ceridwen. Margiad Evans. Seren, 1998. 54 |
| Textual Production | Deborah Levy | DL
pursued the Shakespeare
-becomes-contemporary idea in her first volume of short stories, Ophelia and the Great Idea. It bore the publication date of 1989. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
| Textual Production | Medora Gordon Byron | It was in four volumes, from the Minerva Press
, with a quotation from Francis Bacon
on the title-page, and further chapter-headings from Shakespeare
, Swift
, Prior
, Thomson
, Goldsmith
, Edward Young |
| Textual Production | Mary Julia Young | The title-page mentions (besides her name) her authorship of the novel Rose-Mount Castle, and quotes the passage from Shakespeare
's Hamlet about Ophelia's death. Paula R. Feldman
and Daniel Robinson
included six sonnets from... |
| Textual Production | Marina Warner | MW
published her retelling of Shakespeare
's play The Tempest: a historical novel, Indigo; or, Mapping the Waters. Moseley, Merritt, editor. Dictionary of Literary Biography 194. Gale Research, 1998. 194: 286-7 |
| Textual Production | Ruth Padel | In Your Life as a WaveRP
, invited to respond to Shakespeare
's sonnets, built on Like as the waves make towards the pebbled shore in two sections based on the successive movement: incoming... |
| Textual Production | Agatha Christie | AC
's play The Mousetrap opened at the Ambassadors Theatre
in London: adapted from the title story in her Three Blind Mice, and Other Stories, 1948. It was still playing in 2014, as... |
| Textual Production | Anne Ridler | Anne Bradby (later AR
) produced, on commission from Oxford University Press
, her first anthology: a World's Classics selection of Shakespeare
criticism since the end of the First World War. Ridler, Anne. Memoirs. The Perpetua Press, 2004, p. 240 pp. 96 |
| Textual Production | Fanny Kemble | FK
published, under her own name, a collection of reviews and essays written over the course of her lifetime as Notes upon Some of Shakespeare
's Plays. Clinton, Catherine. Fanny Kemble’s Civil Wars. Simon and Schuster, 2000. 255 Kemble, Fanny. Notes upon Some of Shakespeare’s Plays. Richard Bentley and Son, 1882. prelims |
| Textual Production | Mary Cowden Clarke | MCC
and her husband finished work on their annotated Shakespeare
; two days later they began on The Shakespeare Key. Clarke, Mary Cowden. My Long Life. Dodd, Mead, 1896. 160 |
| Textual Production | Mary Latter | |
| Textual Production | Carson McCullers | The background to this piece was that Reeves McCullers
, divorced husband of Carson, received a commission in the US Army, and wrote her a dignified and heartfelt letter of apology and conciliation, which reminded... |
| Textual Production | W. H. Auden | The title comes from a Shakespeare
an sonnet where the speaker says his nature is subdued/ To what it works in, like the dyer's hand. In his foreword WHA
expresses resigned regret that poets make... |
| Textual Production | Gladys Henrietta Schütze | GHS
worked with her husband
on a translation of Ferdinand Bruckner
's Rassen, which she describes as a Jewish William ShakespeareRomeo and Juliet. They found the work a rush (it had to be ready... |
| Textual Production | Henrietta Camilla Jenkin | HCJ
's next novel, or pair of novellas, was given different titles for London and for New York publication, and was the first of her works to bear her name (as Mrs. C. Jenkin). The... |
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