Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Anne Ridler | Anne Bradby (later AR
) produced, on commission from Oxford University Press
, her first anthology: a World's Classics selection of Shakespeare
criticism since the end of the First World War. Ridler, Anne. Memoirs. The Perpetua Press, 2004, p. 240 pp. 96 |
Textual Production | Georgiana Fullerton | When she was nine or ten years old, Geogiana Leveson-Gower (later GF
) began to write scraps of French verses. qtd. in Craven, Pauline. Life of Lady Georgiana Fullerton. Translator Coleridge, Henry James, 2nd revised, R. Bentley and Son, 1888. 9 |
Textual Production | Ann Yearsley | The full title was The Royal Captives: A Fragment of Secret History. Copied from an old manuscript. It was published by Robinson
in four volumes—though it is, as the full title implies, incomplete. They... |
Textual Production | Eliza Nugent Bromley | ENB
dedicated this work, with permission, to the Duke of York
; it had more than a hundred subscribers, including such Tory grandees as Henry Addington
, the current Prime Minister. It does not read... |
Textual Production | Marghanita Laski | |
Textual Production | Gladys Henrietta Schütze | GHS
worked with her husband
on a translation of Ferdinand Bruckner
's Rassen, which she describes as a Jewish William ShakespeareRomeo and Juliet. They found the work a rush (it had to be ready... |
Textual Production | Elizabeth Montagu | |
Textual Production | Theodora Benson | TB
published her first novel, Salad Days, with a dedication to her friend and future collaborator Betty Askwith
. The title-page quotes Shakespeare
's Cleopatra. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Hannah Lynch | The English print-run of the Echegaray translation was 400 copies. Lynch's solid, 30-page introduction, in part reprinted from the Contemporary Review, makes no attempt at boosting her subject. She compares Echegaray
in his various... |
Textual Production | Anna Jane Vardill | AJV
was the second most prolific contributor (after Porden herself) to Eleanor Anne Porden
's Attic Chest during the years of its flourishing, 1808-15. Porden followed the model of Anna, Lady Miller
's Batheaston Vase... |
Textual Production | Ngaio Marsh | NM
's final detective novel was posthumously published. The title, Light Thickens, is quoted from a foreboding speech in Shakespeare
's Macbeth and the plot revolves around a production of that play, which is... |
Textual Production | Sheenagh Pugh | This subject provides her with an unusual angle on intertextuality: SP
investigates not only the proliferation of sequels to Jane Austen
novels (by Joan Aiken
, Emma Tennant
, and many others) but also the... |
Textual Production | Marina Warner | MW
's W. D. Thomas
Memorial Lecture given at the University of Wales
, Swansea, was published the same year under the title Donkey Business; donkey work: magic and metamorphosis in contemporary opera... |
Textual Production | Theodora Benson | TB
published an account of her Asian journey of two years before, entitled (quoting Shakespeare
's Antony) In the East My Pleasure Lies. The same title was later used by Beryl Pogson
for a... |
Textual Production | Alison Uttley |
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