Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Thomas Hardy | TH
's second published novel, Under the Greenwood Tree, as the author of Desperate Remedies, was in a different style: a love-story whose village setting is pastorally depicted, as the title from Shakespeare
suggests. Gittings, Robert. Young Thomas Hardy. Penguin, 1978. 226 |
Textual Production | Marina Warner | MW
published her retelling of Shakespeare
's play The Tempest: a historical novel, Indigo; or, Mapping the Waters. Moseley, Merritt, editor. Dictionary of Literary Biography 194. Gale Research, 1998. 194: 286-7 |
Textual Production | Ruth Padel | In Your Life as a WaveRP
, invited to respond to Shakespeare
's sonnets, built on Like as the waves make towards the pebbled shore in two sections based on the successive movement: incoming... |
Textual Production | Elizabeth Ogilvy Benger | Benger wrote an impromptu poem in the presence of one W. J. S., A Lament: on the Paucity of Information Respecting the Life and Character of Shakespeare—a fitting subject for a biographer. Notes and Queries. Oxford University Press. 2nd ser. (1861) xi: 384 |
Textual Production | Pamela Hansford Johnson | PHJ
issued the first novel of a trilogy which it took her until 1949 to complete: Too Dear for My Possessing, titled from a Shakespearean
sonnet. Lindblad, Ishrat. Pamela Hansford Johnson. Twayne, 1982. 193 Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Textual Production | Edna Lyall | Her general practice was to suggest half a dozen titles and let her publisher choose. With this book she reverted to a three-volume format and to Hurst and Blackett
. Payne, George A. "Edna Lyall:" an Appreciation. John Heywood. 21 OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Anne Ridler | Anne Bradby (later AR
) produced, on commission from Oxford University Press
, her first anthology: a World's Classics selection of Shakespeare
criticism since the end of the First World War. Ridler, Anne. Memoirs. The Perpetua Press, 2004, p. 240 pp. 96 |
Textual Production | Georgiana Fullerton | When she was nine or ten years old, Geogiana Leveson-Gower (later GF
) began to write scraps of French verses. qtd. in Craven, Pauline. Life of Lady Georgiana Fullerton. Translator Coleridge, Henry James, 2nd revised, R. Bentley and Son, 1888. 9 |
Textual Production | Ann Yearsley | The full title was The Royal Captives: A Fragment of Secret History. Copied from an old manuscript. It was published by Robinson
in four volumes—though it is, as the full title implies, incomplete. They... |
Textual Production | Eliza Nugent Bromley | ENB
dedicated this work, with permission, to the Duke of York
; it had more than a hundred subscribers, including such Tory grandees as Henry Addington
, the current Prime Minister. It does not read... |
Textual Production | Marghanita Laski | |
Textual Production | Gladys Henrietta Schütze | GHS
worked with her husband
on a translation of Ferdinand Bruckner
's Rassen, which she describes as a Jewish William ShakespeareRomeo and Juliet. They found the work a rush (it had to be ready... |
Textual Production | Elizabeth Montagu | |
Textual Production | Theodora Benson | TB
published her first novel, Salad Days, with a dedication to her friend and future collaborator Betty Askwith
. The title-page quotes Shakespeare
's Cleopatra. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Hannah Lynch | The English print-run of the Echegaray translation was 400 copies. Lynch's solid, 30-page introduction, in part reprinted from the Contemporary Review, makes no attempt at boosting her subject. She compares Echegaray
in his various... |
Timeline
No timeline events available.
Texts
No bibliographical results available.