Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Features | Mary Lamb | Mary addressed herself particularly to female readers, because she knew that access to Shakespeare
in the original was likely to be harder for girls than for boys. Sarah Burton argues that she had a hidden... |
| Textual Features | Frances Brooke | The periodical's theatre reports, provided by a little court of female criticism Brooke, Frances. “Introduction”. The Excursion, edited by Paula R. Backscheider and Hope D. Cotton, University Press of Kentucky, 1997, p. ix - xlix. xiv Brooke, Frances. “Introduction”. The Excursion, edited by Paula R. Backscheider and Hope D. Cotton, University Press of Kentucky, 1997, p. ix - xlix. xiv |
| Textual Features | Jean Plaidy | JP
divides this novel into three parts, one for each woman. Much of the section on Catherine of Valois (whom many readers would remember as a charming young woman being wooed in broken French at... |
| Textual Features | Anne Dowriche | Randall Martin notes how Dowriche's use of Gentillet/Patrick brings her work into the anti-Machiavel tradition. Her Machiavel is a female one: Catherine de Medici
(which was not unusual). Her Catherine speaks in gendered terms when... |
| Textual Features | Frances Brooke | This was one of the earliest novels of sensibility, and was probably influenced by Frances Sheridan
's Sidney Bidulph. Its sentimental content, however, co-exists both with comment on politics and with a coherent plot... |
| Textual Features | H. D. | Critic Dianne Chisholm
calls this book an autobiographical fiction in the genre of case history narrative, and argues that it employs the discourse of hysteria Chisholm, Dianne. H.D.’s Freudian Poetics. Cornell University Press, 1992. 77 |
| Textual Features | Frances Brooke | Brooke's advertisement to volume 3 says she gave up her plan for an essay on the writing of history, and settled instead on using notes to demonstrate how this work is, as all history ought... |
| Textual Features | Frances Arabella Rowden | An advertisement (dated at Iver in Buckinghamshire on 3 September 1820) Rowden, Frances Arabella. A Biographical Sketch of the Most Distinguished Writers of Ancient and Modern Times. 1829. 1829, iv |
| Textual Features | Ann Jellicoe | The fanciful science-fiction drama presents a world ruled by Mother, who leads the older women of the world to banish men from society and from history. Schoolgirls are made to repeat the chorus, Shakespeare |
| Textual Features | Margaret Drabble | After harking back to the days in which eminent authors were not public figures, she amusingly described the culture of public performance which arose during the 1960s. Highlights in her narrative were the first Writers'... |
| Textual Features | Marghanita Laski | She insists that even Jane Austen
. . . could write letters of a bitchiness and coarseness not inferrable from the impeccable sense of human values in her books. Laski, Marghanita. “To the Editor: ’George Eliot and Her World’”. Times Literary Supplement, No. 3725, 27 July 1973, p. 869. 869 |
| Textual Features | Laetitia Pilkington | Whereas the ballad-opera (based on Shakespeare
's The Taming of the Shrew) was misogynist, as its title suggests, LP
's prologue was vehemently pro-woman. |
| Textual Features | Anne Thackeray Ritchie | These pieces convey vividly personal memories of people, places, and events from her childhood, and the impact her famous writer father had on her early life. She writes: my memory is a sort of Witches'... |
| Textual Features | Ali Smith | The arborist re-reads Oliver Twist alongside their partner's lectures and urges the partner to consider discussing the musical form of the novel (a request accommodated, as the academic threads it in alongside Auld Lang Syne... |
| Textual Features | Thomas Hardy | TH
's earliest poems, written in London, reflect the influence of Shakespeare
and George Meredith
on one hand, Gittings, Robert. Young Thomas Hardy. Penguin, 1978. 122-3 |
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