Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Eliza Fenwick | For this anthology EF
gathered mostly improving pedagogical material, drawing on revered literary names like Shakespeare
and Milton
, as well as more recent and controversial writers like Thomas Chatterton
and Helen Maria Williams
... |
Textual Features | Marghanita Laski | She insists that even Jane Austen
. . . could write letters of a bitchiness and coarseness not inferrable from the impeccable sense of human values in her books. Laski, Marghanita. “To the Editor: ’George Eliot and Her World’”. Times Literary Supplement, No. 3725, 27 July 1973, p. 869. 869 |
Textual Features | Mary Butts | Early in the memoir, she discusses her family's relationship with William Blake
and the influence of his art on her life. She claims that just one of his artistic works possessed her, and its hold... |
Textual Features | May Crommelin | It consists of an alphabetical list of English flowers, with excerpts under each from poets who wrote about that flower, from Chaucer
and Shakespeare
onwards. Crommelin, May, editor. Poets in the Garden. T. Fisher Unwin, 1885. |
Textual Features | E. J. Scovell | EJS
is wary of the transformations of poetry: this apparition / A rainbow truth altering for every eye. The real King Richard II
, who died in obscurity after a life of ruin and negation... |
Textual Features | Emmeline Pethick-Lawrence | Turning from history to literature, EPL
notes that whereas in life women are assumed to be weak, in literature they are depicted as and admired for being strong, wilful, and assertive. The only exception she... |
Textual Features | Thomas Hardy | TH
's earliest poems, written in London, reflect the influence of Shakespeare
and George Meredith
on one hand, Gittings, Robert. Young Thomas Hardy. Penguin, 1978. 122-3 |
Textual Features | Amy Levy | The frontispiece shows a woman sitting beside a well with an empty bucket. The caption, in Latin, indicates that she has despaired of finding Truth, which proverbially lies at the bottom of a well. Many... |
Textual Features | Anne Dacier | She insists on admiring the presumed simplicity of manners in the Homeric age in preference to modern, civilized, sophisticated society. Her key image for Homer
's style—of wild, luxuriant, varied growth, the opposite of a... |
Textual Features | Constance Smedley | This first dialogue concerned the Baconian controversy. CS
's father was given to harping on his belief that Sir Francis Bacon
wrote the works of Shakespeare
. This is the position taken by Smedley's Victorian... |
Textual Features | Sally Purcell | The title poem celebrates the time of winter solstice and red berries variously identified in several traditions with shed blood. The poems are often touched with darkness and strangeness: with the sun turning black as... |
Textual Features | Barbarina Brand Baroness Dacre | For this production she made some cuts, and revised the catastrophe or plot-resolution. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Dacre, Barbarina Brand, Baroness. Dramas, Translations and Occasional Poems. John Murray, 1821, 2 vols. 1: prelims |
Textual Features | Elizabeth Heyrick | EH
enlarges on the terrible state of the Irish peasantry, with unemployment surpassing four million and many deaths from starvation. She comments on the Vagrancy Act of 21 June 1824; on the fact that prison... |
Textual Features | Olive Schreiner | Tillie Olsen
in 1978 pointed out a striking anticipation here of Woolf
's A Room of One's Own: what of the possible Shakespeares
we might have had who passed their life from youth upward... |
Textual Features | Bernardine Evaristo | An odd couple on holiday from England (Stanley Williams, his Jamaican immigrant parents' my-son-the-banker, and Jessie O'Donnell, a singer, a foundling raised by nuns in Leeds) drive haphazardly across Europe towards the Middle East... |
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