Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Dorothy L. Sayers | DLS
's third Harriet Vane detective novel, Gaudy Night, was published; its unusual combination of feminism and romance has made it probably her best-known book. The title is a clever double allusion. Gaudy night... |
Textual Production | Elizabeth Barrett Browning | She did not show the poems to Browning
until July of 1849; he persuaded her to include them in her next edition of Poems, saying I dared not reserve to myself, the finest sonnets... |
Textual Production | Thomas Hardy | TH
's second published novel, Under the Greenwood Tree, as the author of Desperate Remedies, was in a different style: a love-story whose village setting is pastorally depicted, as the title from Shakespeare
suggests. Gittings, Robert. Young Thomas Hardy. Penguin, 1978. 226 |
Textual Production | Mary Robinson | From The WorldMR
moved on to a rival periodical, The Oracle, to which she contributed fairy poems as Oberon—a name which perhaps owes something to Frances Greville
's famous Ode to Indifference... |
Textual Production | Pamela Hansford Johnson | PHJ
issued the first novel of a trilogy which it took her until 1949 to complete: Too Dear for My Possessing, titled from a Shakespearean
sonnet. Lindblad, Ishrat. Pamela Hansford Johnson. Twayne, 1982. 193 Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Textual Production | Edna Lyall | Her general practice was to suggest half a dozen titles and let her publisher choose. With this book she reverted to a three-volume format and to Hurst and Blackett
. Payne, George A. "Edna Lyall:" an Appreciation. John Heywood. 21 OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Charlotte Despard | The title comes from words spoken by Shakespeare
's Hamlet to Ophelia, in a passage expressing reproach and arguably misogyny. CD
's romantic novels belong to the years of her marriage, and were fostered by... |
Textual Production | Marghanita Laski | |
Textual Production | Wendy Cope | Four hundred years after Shakespeare
's death, a volume of poetic responses to his sonnets was assembled. WC
contributed a variation on sonnet 22, My glass shall not persuade me I am old: a... |
Textual Production | Elizabeth Montagu | |
Textual Production | Charlotte Maria Tucker | Her pupils (all boys) were said to love the songs and plays she wrote for them. One of the plays was The Bee and the Butterfly; one of the songs went What is it... |
Textual Production | Hannah Lynch | The English print-run of the Echegaray translation was 400 copies. Lynch's solid, 30-page introduction, in part reprinted from the Contemporary Review, makes no attempt at boosting her subject. She compares Echegaray
in his various... |
Textual Production | Ngaio Marsh | NM
's final detective novel was posthumously published. The title, Light Thickens, is quoted from a foreboding speech in Shakespeare
's Macbeth and the plot revolves around a production of that play, which is... |
Textual Production | Penelope Shuttle | The first book that affected PS
deeply was Brontë
's Jane Eyre, with whose protagonist she identified. Steffens, Daneet. “Penelope Shuttle”. Mslexia, No. 33, Apr. 2007, pp. 46-8. 48 |
Textual Production | Anna Akhmatova | During the years that followed, her writing was sporadic and without hope of reaching print. In 1933 she was translatingShakespeare
's Macbeth, bearing in mind how relevant to her present life was its... |
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