Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Production | Dorothy L. Sayers | DLS
's third Harriet Vane detective novel, Gaudy Night, was published; its unusual combination of feminism and romance has made it probably her best-known book. The title is a clever double allusion. Gaudy night... |
| Textual Production | Elinor Mordaunt | The title, quoted from Shakespeare
's Ophelia, hints at madness as well as remembering. |
| Textual Production | Mary Robinson | From The WorldMR
moved on to a rival periodical, The Oracle, to which she contributed fairy poems as Oberon—a name which perhaps owes something to Frances Greville
's famous Ode to Indifference... |
| Textual Production | Judith Cowper Madan | This is apparently a revised and expanded version of the text from early 1721 which Ashley Cowper
copied in 1747 into The Family Miscellany. This first printing adds an extra forty lines, and several... |
| Textual Production | Kate Parry Frye | KFP dreamed of success as a playwright as well as an actress at least from the year 1911. In February 1918 she was working on a play, apparently about divorce, to be entitled Broken... |
| Textual Production | Charlotte Maria Tucker | Her pupils (all boys) were said to love the songs and plays she wrote for them. One of the plays was The Bee and the Butterfly; one of the songs went What is it... |
| Textual Production | Anna Akhmatova | During the years that followed, her writing was sporadic and without hope of reaching print. In 1933 she was translatingShakespeare
's Macbeth, bearing in mind how relevant to her present life was its... |
| Textual Production | Alison Cockburn | AC
's occasional writings include a serious self-examination in rhythmical prose entitled The Character of Mrs C—n by Herself, which begins: Born with too much sensibility to enjoy ease, / With high ideas of... |
| Textual Production | Maureen Duffy | MD
's website features a series of poems indignantly addressed to William Langland
, author of Piers Plowman, of behalf of the new, unacknowledged poor. The New Vision of Piers Plowless sets the scene:... |
| Textual Production | Catherine Fanshawe | She also left large watercolour drawings illustrating the Seven Ages of Man in Shakespeare
's As You Like It, and sketchbooks, many of them filled with Italian scenes. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
| Textual Production | Geraldine Jewsbury | Although she disapproved of The Mill on the Floss, GJ
praised George Eliot
's Adam Bede for its genius and also liked Silas Marner for its depictions of human nature, however humbly embodied it... |
| Textual Production | Lucy Toulmin Smith | LTS
did not produce any more volumes for several years, during which her work as a freelance research assistant perhaps occupied her fully. Finally, in 1879, she issued a new edition of Clement Mansfield Ingleby |
| Textual Production | Ngaio Marsh | She collaborated with her old friend the actor Jonathan Elsom
on a one-man vehicle for him entitled Sweet Mr. Shakespeare, incorporating a mixture of biography, anecdotes, sonnets and speeches. qtd. in Lewis, Margaret. Ngaio Marsh: A Life. Chatto & Windus, 1991. 232 |
| Textual Production | Daphne Du Maurier | DDM
published a biographical study: Golden Lads: A Study of Anthony Bacon
, Francis
and Their Friends (whose title comes from the dirge for Fedele in Shakespeare
's Cymbeline). Forster, Margaret. Daphne du Maurier. Chatto and Windus, 1993. 389 TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 3835 (12 September 1975): 1014 |
| Textual Production | Penelope Shuttle | The first book that affected PS
deeply was Brontë
's Jane Eyre, with whose protagonist she identified. Steffens, Daneet. “Penelope Shuttle”. Mslexia, No. 33, Apr. 2007, pp. 46-8. 48 |
Timeline
No timeline events available.
Texts
No bibliographical results available.