Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Production | Ruth Rendell | RR
's To Fear a Painted Devil, her second published novel and the first of her psychological thrillers, adapted for its title a line from Shakespeare
's Macbeth. Benstock, Bernard, and Thomas F. Staley, editors. Dictionary of Literary Biography 87. Gale Research, 1989. 305 |
| Textual Production | Germaine Greer | GG
published a study of Anne or Ann Hathaway
which she entitled Shakespeare
's Wife. Shapiro, James. “Visible Woman”. London Review of Books, 4 Oct. 2007, pp. 29-30. 29 |
| Textual Production | Elspeth Huxley | EH
thought a perfect precept for biography was voiced by Shakespeare
's Othello: nothing extenuate, nor set down ought in malice. qtd. in Nicholls, C. S. Elspeth Huxley. HarperCollins, 2002. 427 |
| Textual Production | George Bernard Shaw | The play was published in 1901, with a preface titled BETTER THAN SHAKESPEARE
? |
| Textual Production | Iza Duffus Hardy | IDH
's A New Othello, A Novel ran as a serial in London Society, before appearing in three volumes in 1890. She radically alters and complicates the plot of Shakespeare
's play. Black, Helen C. Notable Women Authors of the Day. D. Bryce, 1893. 206 |
| Textual Production | Charlotte Stopes | CS
published Shakespeare
's Warwickshire Contemporaries, a collection of biographies which she had written and had already printed separately. Schoenbaum, Samuel. Shakespeare’s Lives. Clarendon Press, 1970. 640 |
| Textual Production | Margaret Bingham Countess Lucan | Her most most notable illustrations were done between 1790 and 1806 for a 5-volume edition of Shakespeare
's history plays, extant at Althorp in Northamptonshire. Behrendt, Stephen C., and George Holmes, editors. “Irish Women Poets of the Romantic Period”. Alexander Street Press, 2008. |
| Textual Production | Gertrude Stein | At the age of eight, GS
tried to write a Shakespeare
an drama. She abandoned this project, however, for the less demanding melodrama, Snatched from Death; or, The Sundered Sisters. Brinnin, John Malcolm, and John Ashbery. The Third Rose: Gertrude Stein and her World. Addison-Wesley, 1959. 11 |
| Textual Production | Barbara Hofland | The publishers were Grant and Griffith
, successors to John Harris
. Butts, Dennis. Mistress of our Tears, A Literary and Bibliographical Study of Barbara Hofland. Scolar Press, 1992. 39 |
| Textual Production | Kate O'Brien | KOB
's first published novel, Without My Cloak, at once established both her public profile and her characteristic subject-matter. It is titled from an image in a Shakespeare
sonnet: the inconsistent lover lures his... |
| Textual Production | Marjorie Bowen | MB
published To Bed at Noon, the last crime novel she wrote as Joseph Shearing. This book is titled from the last words spoken by the Fool in Shakespeare
's King Lear:... |
| Textual Production | Gillian Clarke | Invited to respond to Shakespeare
's sonnets, GC
took off from Let me not to the marriage of true minds for a poem on enduring love with examples from the animal kingdom: swallows homing and... |
| Textual Production | Germaine Greer | GG
's doctoral thesis, The Ethic of Love and Marriage in Shakespeare
's Early Comedies, set out to demonstrate that the lovers' relationships portrayed in these stylised plays are deeply imagined, not merely conventional. Wallace, Christine. Germaine Greer: Untamed Shrew. Richard Cohen Books, 1999. 117 |
| Textual Production | Elizabeth Inchbald | EI
published brief prefaces for a prestigious collection of play-texts: The British Theatre, in 25 volumes of five plays each, Shakespeare
heading the list. Critical Review. W. Simpkin and R. Marshall, 5 series. 3d ser. 16 (1809): 110 Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America, 1987. 35 |
| Textual Production | Ethel Wilson |
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