Wallace, Christine. Germaine Greer: Untamed Shrew. Richard Cohen Books.
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Connections Sort descending | Author name | Excerpt |
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Textual Production | Germaine Greer | GG
's doctoral thesis, The Ethic of Love and Marriage in Shakespeare
's Early Comedies, set out to demonstrate that the lovers' relationships portrayed in these stylised plays are deeply imagined, not merely conventional. Wallace, Christine. Germaine Greer: Untamed Shrew. Richard Cohen Books. 117 |
Textual Production | Elizabeth Inchbald | EI
published brief prefaces for a prestigious collection of play-texts: The British Theatre, in 25 volumes of five plays each, Shakespeare
heading the list. Critical Review. W. Simpkin and R. Marshall. 3d ser. 16 (1809): 110 Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America. 35 |
Textual Production | G. B. Stern | GBS
published another memoir volume, Benefits Forgot (quoted from Shakespeare
's As You Like It), which she says she strung on the theme of gratitude. Stern, G. B. A Name to Conjure With. Collins. 12 |
Textual Production | Charlotte Despard | CD
published A Modern Iago, A Novel in two volumes (whose very title constitutes an allusion to Shakespeare
, her second in a novel title). British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Georgiana Fullerton | When she was nine or ten years old, Geogiana Leveson-Gower (later GF
) began to write scraps of French verses. Craven, Pauline. Life of Lady Georgiana Fullerton. Translator Coleridge, Henry James, R. Bentley and Son. 9 |
Textual Production | Ruth Padel | In Your Life as a WaveRP
, invited to respond to Shakespeare
's sonnets, built on Like as the waves make towards the pebbled shore in two sections based on the successive movement: incoming... |
Textual Production | Mary Robinson | From The WorldMR
moved on to a rival periodical, The Oracle, to which she contributed fairy poems as Oberon—a name which perhaps owes something to Frances Greville
's famous Ode to Indifference... |
Textual Production | Margaret Bingham, Countess Lucan | Her most most notable illustrations were done between 1790 and 1806 for a 5-volume edition of Shakespeare
's history plays, extant at Althorp in Northamptonshire. Behrendt, Stephen C., and George Holmes, editors. “Irish Women Poets of the Romantic Period”. Alexander Street Press. |
Textual Production | Mary Boyle | In the Advertisement prefacing her work, MB
professes that this is at best but a feeble attempt to illustrate a favourite subject. Boyle, Mary. The Bridal of Melcha. Henry Colburn. prelims |
Textual Production | Carol Ann Duffy | |
Textual Production | Jeanette Winterson | JW
published a novel titled The Gap in Time. The Winter's Tale Retold: first in the Hogarth Shakespeare series in which novelists are commissioned to retell a Shakespearean
plot. She dedicated it to the... |
Textual Production | W. H. Auden | The title comes from a Shakespeare
an sonnet where the speaker says his nature is subdued/ To what it works in, like the dyer's hand. In his foreword WHA
expresses resigned regret that poets make... |
Textual Production | Eliza Cook | On Shakespeare
's presumed three hundredth birthday, a Working Men's Shakspeare [sic] Celebration was held, at which Henry Marston
spoke a Tercentenary Ode written for the occasion by EC
. Cook, Eliza. The Poetical Works of Eliza Cook. F. Warne. 586 |
Textual Production | Sheenagh Pugh | This subject provides her with an unusual angle on intertextuality: SP
investigates not only the proliferation of sequels to Jane Austen
novels (by Joan Aiken
, Emma Tennant
, and many others) but also the... |
Textual Production | Germaine Greer | GG
has published a good deal in her scholarly field of seventeenth- and eighteenth-century women's writing. Her anthology (with Susan Hastings
, Jeslyn Medoff
and Melinda Sansone
), Kissing the Rod, has played an... |
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