Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Frances Brooke | Brooke's advertisement to volume 3 says she gave up her plan for an essay on the writing of history, and settled instead on using notes to demonstrate how this work is, as all history ought... |
Textual Features | Marghanita Laski | She insists that even Jane Austen
. . . could write letters of a bitchiness and coarseness not inferrable from the impeccable sense of human values in her books. Laski, Marghanita. “To the Editor: ’George Eliot and Her World’”. Times Literary Supplement, No. 3725, 27 July 1973, p. 869. 869 |
Textual Features | Jean Plaidy | JP
divides this novel into three parts, one for each woman. Much of the section on Catherine of Valois (whom many readers would remember as a charming young woman being wooed in broken French at... |
Textual Features | Thomas Hardy | TH
's earliest poems, written in London, reflect the influence of Shakespeare
and George Meredith
on one hand, Gittings, Robert. Young Thomas Hardy. Penguin, 1978. 122-3 |
Textual Features | Amy Levy | The frontispiece shows a woman sitting beside a well with an empty bucket. The caption, in Latin, indicates that she has despaired of finding Truth, which proverbially lies at the bottom of a well. Many... |
Textual Production | Caroline Bowles | She intended to move, with the publication of Chapters on Churchyards, from poetry to prose fiction. Her letter to Southey
written on 21 October 1833 shows her growing frustration with the very pretty poetry... |
Textual Production | Monica Furlong | MF
titled her single book of poetry God's a Good Man, an assertion made by Shakespeare
's Dogberry which she finds absurd but moving. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Textual Production | Ruth Rendell | RR
's To Fear a Painted Devil, her second published novel and the first of her psychological thrillers, adapted for its title a line from Shakespeare
's Macbeth. Benstock, Bernard, and Thomas F. Staley, editors. Dictionary of Literary Biography 87. Gale Research, 1989. 305 |
Textual Production | Brigid Brophy | |
Textual Production | Angela Thirkell | For O, these Men, these Men!, a non-comic novel, AT
chose a title quotation from Shakespeare
's Othello, in which a wife (Emilia) makes light of a marital situation (with her husband Iago)... |
Textual Production | Dorothy Bussy | The volume contains 267 of the more than one thousand extant letters between Bussy and Gide, translated from French into English. The first volume of their Correspondance had been published in Paris in 1980. In... |
Textual Production | Charlotte Stopes | |
Textual Production | Mary Charlton | Its title-page (as well as bearing a quotation from Shakespeare
) mentions several of her earlier works. |
Textual Production | E. M. Delafield | Its title comes from Shakespeare
's As You Like It, whose heroine, Rosalind, admonishes the haughty Phoebe to go down on her knees and thank heaven,fasting, for a good man's love. |
Textual Production | G. B. Stern | GBS
published another memoir volume, Benefits Forgot (quoted from Shakespeare
's As You Like It), which she says she strung on the theme of gratitude. Stern, G. B. A Name to Conjure With. Collins, 1953. 12 |
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