Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Production | Anna Jane Vardill | AJV
was the second most prolific contributor (after Porden herself) to Eleanor Anne Porden
's Attic Chest during the years of its flourishing, 1808-15. Porden followed the model of Anna, Lady Miller
's Batheaston Vase... |
| Textual Production | Mary Boyle | In the Advertisement prefacing her work, MB
professes that this is at best but a feeble attempt to illustrate a favourite subject. Boyle, Mary. The Bridal of Melcha. Henry Colburn, 1844. prelims |
| Textual Production | Carol Ann Duffy | In a volume of poetic responses to Shakespeare
, marking four hundred years since his death, CAD
offered a thoughtful, downbeat response to the well-loved sonnet 116, Let me not to the marriage of true... |
| Textual Production | Ann Yearsley | The full title was The Royal Captives: A Fragment of Secret History. Copied from an old manuscript. It was published by Robinson
in four volumes—though it is, as the full title implies, incomplete. They... |
| Textual Production | Elizabeth Griffith | EG
published a didactic and critical work, The Morality of Shakespeare
's Drama Illustrated. Norton, J. E. “Some Uncollected Authors XXII: Elizabeth Griffith 1727-1793”. The Book Collector, Vol. 8 , 1959, pp. 418-24. 423 |
| Textual Production | W. H. Auden | The title comes from a Shakespeare
an sonnet where the speaker says his nature is subdued/ To what it works in, like the dyer's hand. In his foreword WHA
expresses resigned regret that poets make... |
| Textual Production | Gladys Henrietta Schütze | GHS
worked with her husband
on a translation of Ferdinand Bruckner
's Rassen, which she describes as a Jewish William ShakespeareRomeo and Juliet. They found the work a rush (it had to be ready... |
| Textual Production | Sir J. M. Barrie | Dear Brutus, another fantasy play by SJMB
, opened at Wyndham's Theatre
. Its title quotation, from Shakespeare
's Julius Caesar, says that men themselves, not fate, are to blame for their shortcomings. “Peter Pan: a selling exhibition of memorabilia”. C20th.com. |
| Textual Production | Lady Colin Campbell | The title draws on Shakespeare
's exiled duke in As You Like It, who says retirement in the forest will supply books in the running brooks. (II. i, 17) The collection deals partly with... |
| Textual Production | Marina Warner | MW
's W. D. Thomas
Memorial Lecture given at the University of Wales
, Swansea, was published the same year under the title Donkey Business; donkey work: magic and metamorphosis in contemporary opera... |
| Textual Production | E. Nesbit | EN
's career as a children's writer began in a very small way, with poems and stories to be included in greetings cards or little gift booklets. She and Alice Hoatson
were employed by Robert Ellis Mack |
| Textual Production | Malorie Blackman | MB
published Chasing the Stars, a book for young adults which again features a young couple in love who have the cards stacked against them. However, the Shakespearean
reference (well-suited to the centenary year... |
| Textual Production | Charlotte Despard | CD
published A Modern Iago, A Novel in two volumes (whose very title constitutes an allusion to Shakespeare
, her second in a novel title). British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
| Textual Production | Alison Uttley | |
| Textual Production | Laura Riding | LR
published A Trojan Ending, her novel about Cressida, the Greek heroine of Chaucer
, Robert Henryson
, and Shakespeare
. Friedmann, Elizabeth. A Mannered Grace. Persea Books, 2005. 296 Wexler, Joyce Piell. Laura Riding: A Bibliography. Garland, 1981. 60 |
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