The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols.
5: 192
Connections Sort descending | Author name | Excerpt |
---|---|---|
death | David Garrick | Drury Lane Theatre
was dark this night as a mark of respect for DG
, actor-manager and playwright, who had died that morning at 5 Adelphi Terrace, London. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 192 |
Education | Elizabeth Grant | While the family resided in London, theatre-going provided another much-welcomed form of education and entertainment. EG
once attended a production of The Caravan, featuring John Kemble
, in which Carlo, the famous Newfoundland... |
Employer | Elizabeth Cooper | As a means of earning money she went on the stage. In January 1734 she appeared at Drury Lane
, and in April that year she organised her own benefit at Lincoln's Inn Fields Theatre |
Family and Intimate relationships | Sophia Lee | SL
's father, John Lee
, was a quarrelsome and impecunious actor. The year of her birth he acted at Richmond and Covent Garden
, with an interim desertion to Drury Lane
, where, however... |
Family and Intimate relationships | Delarivier Manley | At the time her first play was produced DM
was said, perhaps not accurately, to be having an affair with Skipwith
, co-manager of Drury Lane
. Manley, Delarivier. “Editorial Materials”. A Woman of No Character: An Autobiography of Mrs Manley, edited by Fidelis Morgan, Faber, 1986, p. various pages. 87-8 |
Family and Intimate relationships | Charlotte Charke | Charlotte's father, Colley Cibber
, was an actor, manager of Drury Lane Theatre
, and Poet Laureate: he had become an unfaithful husband before Charlotte was born, and he was at the peak of his... |
Family and Intimate relationships | Ann Hatton | Actress Sarah Siddons
had her first triumph at Drury Lane
, four months after the birth of her fifth and last child. Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press, 1973–1993. 14: 8 |
Family and Intimate relationships | Caroline Norton | Tom Sheridan
, CN
's father, son of the playwright Richard Brinsley Sheridan
, bore the same name as his famous eighteenth-century grandfather, the actor, and great-grandfather, the clergyman and schoolmaster. He had been an... |
Friends, Associates | Mary Matilda Betham | As well as meeting at Llangollen with Lady Eleanor Butler
and Sarah Ponsonby
(who later talked with high praise of her), Betham, Ernest, editor. A House of Letters. Jarrold and Sons, 1905. 69, 70 |
Intertextuality and Influence | Aphra Behn | There opened at Drury Lane Theatre
a comedy entitled Love in Many Masks, by John Philip Kemble
, which was adapted from AB
's The Rover. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 1233 Critical Review. W. Simpkin and R. Marshall, 5 series. 69 (1790): 593 |
Intertextuality and Influence | Charlotte Lennox | Seventeen years after the brief, inglorious appearance of The Sister, Sir John Burgoyne
raided it for his successful comedy The Heiress, which opened at Drury Lane
on 14 January 1786. Twenty years after... |
Material Conditions of Writing | Elizabeth Boyd | The British Library
copy is 161 g. 56. An advertisement says that William Rufus Chetwood
(prompter at Drury Lane
) had hoped to get it staged, but it was delayed by the author's ill-health. Again... |
Occupation | David Garrick | Garrick
succeeded in a reform which put an end to on-stage audience seating at Drury Lane
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 4: 947, 979 |
Occupation | David Garrick | The Drury Lane
theatre audience demonstrated its consumer power by compelling Garrick
to alter the regular opening time. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 4: 1347, 1356 |
Occupation | David Garrick | Drury Lane Theatre
was left in parlous condition at the retirement of David Garrick
; the next manager to make his mark on it was Richard Brinsley Sheridan
, who now became joint-manager with three others. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 5-6 |
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