Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press, 1999, 2 vols.
1: 158-9, 244
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Joanna Baillie | Mary Berry
and Anne Damer
both offered comments and revisions four years before this play was published. Lady Louisa Stuart
did the same (through Walter Scott) in 1809. Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press, 1999, 2 vols. 1: 158-9, 244 Slagle, editor of JB |
Textual Production | Bryony Lavery | BL
collaborated with Nona Shepphard
on The Drury Lane
Ghost, staged in London in 1989, Peter Pan, 1991 (in which she played the voice of Tinkerbell), and The Sleeping Beauty, 1992. On... |
Textual Production | Amelia Opie | Despite the volume's title, The Ruffian Boy had been in print well before this, and had spawned several theatrical incarnations. These included one based on the story, written by Edward Ball
and produced at Norwich... |
Textual Production | Hannah Cowley | It was badly presented, by two of the cast in particular. Escott, Angela, and Isobel Grundy. Email about supposed quarrel between Hannah Cowley and Hannah More to Isobel Grundy. 24 Oct. 2002. |
Textual Production | Phebe Gibbes | A musical drama by PG
was accepted for production, but then lost, by Richard Brinsley Sheridan
, new manager of Drury Lane Theatre
. Archives of the Royal Literary Fund, 1790-1918. |
Textual Production | Clotilde Graves | Many of CG
's sixteen plays (often but not all light comedy), have remained unpublished, though produced on stage in London and New York. The earliest of these, the blank-verse tragedy Nitocris, was... |
Textual Production | Marianne Chambers | The same year it played at the Theatre Royal
itself, and also reached print. |
Textual Production | Frances Brooke | FB
's Virginia a Tragedy, with Odes, Pastorals, and Translations appeared in print. David Garrick
and John Rich
had rejected this tragedy for the stage. The play had been in competition with one of the... |
Textual Production | Elizabeth Griffith | EG
's last comedy, The Times (a sentimental piece adapted from Goldoni
), opened at Drury Lane
. Griffith, Elizabeth. “Introduction”. The Delicate Distress, edited by Cynthia Booth Ricciardi and Susan Staves, University Press of Kentucky, 1997, p. vii - xviii. xxxii |
Wealth and Poverty | Caroline Norton | The burning down of Drury Lane Theatre
on 24 February 1809 was a financial catastrophe for CN
's parents, as well as for her grandfather Richard Brinsley Sheridan
. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Wealth and Poverty | Anna Williams | David Garrick
put on a benefit performance at Drury Lane Theatre
for a Gentlewoman of Learning, distressed by blindness, that is AW
. Johnson, Samuel. The Letters of Samuel Johnson. Editor Redford, Bruce, The Hyde Edition, Princeton University Press, 1992–1994, 5 vols. 1: 124 and n3 |
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