Drabble, Margaret, editor. The Oxford Companion to English Literature. 5th ed., Oxford University Press, 1985.
Theatre Royal, Drury Lane
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Production | Robert Browning | RB
's play A Blot in the 'Scutcheon, the fifth instalment of his Bells and Pomegranates series, opened at the Drury Lane Theatre
with Helen Faucit
playing Mildred. Thomas, Donald. Robert Browning: A Life Within Life. Weidenfeld and Nicolson, 1982. 64 |
| Textual Production | Jane Porter | JP
wrote several plays. She had already refused one invitation to write for Drury Lane
when in March 1816 she met and was impressed by both Edmund Kean
and his wife, Mary
. Mary described... |
| Textual Production | Elizabeth Gunning | EG
's confusing preface to her translated melodrama The Wife with Two Husbands, 1803, says she is printing it because she has heard that Drury Lane
is about to put on her first essay... |
| Textual Production | Eliza Fenwick | EF
published, again with Tabart
, The Life of Carlo, the Famous Dog of Drury-Lane Theatre. Grundy, Isobel, and Eliza Fenwick. “Introduction and Appendices”. Secresy, 2nd ed., Broadview, 1998, pp. 7 - 34, 361. 12 |
| Textual Production | Sarah Scudgell Wilkinson | SSW
adapted The Travellers; or, Prince of China: An interesting story from an opera, The Travellers, with music by Domenico Corri
and libretto by Andrew Cherry
, which had opened at the Theatre Royal, Drury Lane |
| Textual Production | Jane Porter | JP
's next play had a long gestation. Nearly finished in November 1817, it was accepted by Drury Lane
in January 1818, then postponed to accommodate Kean
's revival of The Jew of Malta... |
| Textual Production | Joanna Baillie | JB
sent her friend Mary Berry
a prologue for Fashionable Friends, Berry's play produced at Drury Lane
by Anne Damer
in 1802; she also wrote an epilogue for it. Baillie, Joanna. “Editorial Materials”. The Collected Letters of Joanna Baillie, edited by Judith Bailey Slagle, Fairleigh Dickinson University Press, 1999, pp. ix - xiv, 1. 2n7, 3 Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press, 1999, 2 vols. 1: 153n2 |
| Textual Production | Catharine Trotter | CT
's first play, Agnes de Castro. A Tragedy, opened at Drury Lane
. Kelley, Anne. Catharine Trotter: An Early Modern Writer in the Vanguard of Feminism. Ashgate, 2002. 254 Greer, Germaine et al., editors. Kissing the Rod. Virago, 1988. 406 The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 1: 455 |
| Textual Production | Frances Burney | After the triumph of Evelina, FB
's first intention was to write for the stage. She had the encouragement of Richard Brinsley Sheridan
, manager of Drury Lane Theatre
, and of dramatist Arthur Murphy
. Burney, Frances. The Complete Plays of Frances Burney. Editor Sabor, Peter, William Pickering, 1995, 2 vols. 1: xviii, 3 |
| Wealth and Poverty | Caroline Norton | The burning down of Drury Lane Theatre
on 24 February 1809 was a financial catastrophe for CN
's parents, as well as for her grandfather Richard Brinsley Sheridan
. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
| Wealth and Poverty | Anna Williams | David Garrick
put on a benefit performance at Drury Lane Theatre
for a Gentlewoman of Learning, distressed by blindness, that is AW
. Johnson, Samuel. The Letters of Samuel Johnson. Editor Redford, Bruce, The Hyde Edition, Princeton University Press, 1992–1994, 5 vols. 1: 124 and n3 |
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Texts
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