Milling, Jane. “’In the Female Coasts of Fame’: women’s dramatic writing on the public stage, 1669-71”. Women’s Writing, Vol.
7
, No. 2, 2000, pp. 267-93. 277
Connections Sort descending | Author name | Excerpt |
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Performance of text | Frances Boothby | FB
's Marcelia; or, The Treacherous Friend, a tragicomedy, was performed by the King's Company
at Bridges Street, Drury Lane, before Aphra Behn
began her theatrical career. Milling, Jane. “’In the Female Coasts of Fame’: women’s dramatic writing on the public stage, 1669-71”. Women’s Writing, Vol. 7 , No. 2, 2000, pp. 267-93. 277 |
Reception | Margaret Cavendish | These verse eulogies or testimonials came from distinguished persons and institutions to whom she had presented copies of her work. It circulated widely: the Dutch poet Constantijn Huygens
owned one of her books. Smith, Emma. Shakespeare’s First Folio: Four Centuries of an Iconic Book. Oxford University Press, 2016. 92 |
Textual Production | Marie-Catherine de Villedieu | For her third and last play, the tragi-comedy Le Favory (not translated into English until the twentieth century), Marie-Catherine Desjardins
turned to Molière
's company (the Troupe du Roi
). This play (whose title means... |
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