McMullen, Lorraine. An Odd Attempt in a Woman: The Literary Life of Frances Brooke. University of British Columbia Press, 1983.
151
Connections Sort descending | Author name | Excerpt |
---|---|---|
Family and Intimate relationships | Iris Tree | Tree's passion for the theatre meant that he was often away from his family, either on tour or at Her Majesty's Theatre
. Moreover, because his profession meant that he was always before the public... |
Family and Intimate relationships | Viola Tree | Throughout her life, VT
took direction from her father, the actor-manager Sir Herbert Beerbohm Tree
, who had abandoned his job in the family corn-trading business to pursue a career on stage, and had changed... |
Family and Intimate relationships | Iris Tree | IT
's father was actor-manager Sir Herbert Beerbohm Tree
, who had given up a job in the family corn-merchant business to pursue acting. After his father told him, An actor can be tolerated only... |
Leisure and Society | Elinor Glyn | EG
appeared on stage in a tableau vivant, one of a series designed by a socialite named Lady Arthur Paget (Minnie)
and directed by Beerbohm Tree
at His Majesty's Theatre
. EG
's grandson biographer,... |
Material Conditions of Writing | Isabel Hill | In the same year as My Own Twin Brother, 1834, IH
's West Country Wooing, a monodrama which she composed over the course of two summer evenings, was staged in the first of... |
Occupation | Frances Brooke | The Haymarket Opera House
was bought for FB
and her actress friend Mary Ann Yates
to run as joint managers. McMullen, Lorraine. An Odd Attempt in a Woman: The Literary Life of Frances Brooke. University of British Columbia Press, 1983. 151 Catto, Susan J. Modest Ambition: The Influence of Henry Fielding, Samuel Richardson, and the Ideal of Female Diffidence on Sarah Fielding, Charlotte Lennox, and Frances Brooke. University of Oxford, 1998. 260 |
Occupation | Frances Brooke | FB
and Mary Ann Yates
launched their first opera season at the Haymarket Opera House
. Brooke, Frances. “Introduction”. The Excursion, edited by Paula R. Backscheider and Hope D. Cotton, University Press of Kentucky, 1997, p. ix - xlix. xlix |
Occupation | Frances Brooke | FB
and Mary Ann Yates
ended their reign as managers of the Haymarket Opera House
. Brooke, Frances. “Introduction”. The Excursion, edited by Paula R. Backscheider and Hope D. Cotton, University Press of Kentucky, 1997, p. ix - xlix. xlix |
Occupation | William Congreve | Congreve was twenty-one when on 22 December 1691 he licensed his first book, a short novel called Incognita: or, Love and Duty Reconcil'd, which was published the following year. Congreve, William. Incognita. Scolar Press, 1971. title-page |
Occupation | Clemence Dane | She got her first chance in Eliza Comes to Stay (by H. V. Esmond
) at the Criterion
when the actress due to play the other woman had to drop out because of illness, and... |
Occupation | Maria Theresa Kemble | Maria De Camp (later MTK
) began her long stage career playing the role of Cupid in Les Ruses de l'Amour at the King's Theatre
. Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press, 1973–1993. 322 Sadie, Stanley, editor. The New Grove Dictionary of Music and Musicians. 6th ed., Macmillan, 1980, 20 vols. 443 |
Occupation | Viola Tree | VT
performed in London for the first time, playing the part of Ariel in her father
's production of The Tempest at His Majesty's Theatre
. “The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive. (16 November 1938): 9 Beerbohm, Max, editor. Herbert Beerbohm Tree: Some Memories of Him and of His Art. Hutchinson, 1920. 131 |
Occupation | Hélène Barcynska | After her dramatic training Daisy Jervis worked on the stage, but with no real success. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Occupation | Hannah Brand | HB
acted the female lead in her own tragedy Huniades at the King's Theatre
in London: this was billed as her first stage appearance, ignoring the earlier one at Norwich. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press, 1996. 381 |
Occupation | Hannah Brand | HB
took the female lead again in her hastily-revised tragedy Agmunda (its title changed from Huniades, the name of the male lead, to the name of the heroine), at the King's Theatre
in London. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press, 1996. 381 |
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