Theatre Royal, Drury Lane

Connections

Connections Sort descending Author name Excerpt
Performance of text Susanna Centlivre
SC 's Molière adaptation Love's Contrivance; or, Le Medecin Malgre Luy opened anonymously at Drury Lane .
The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols.
2: 37
Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press, 1952.
51
Performance of text Hannah Cowley
HC 's unpublished interlude The School of Eloquence (a satire on the currently fashionable debating clubs) was performed at Drury Lane .
The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols.
5: 328
Performance of text Maria Theresa Kemble
MTK performed the role of Lady Julia at Drury Lane in her second play, Personation; or, Fairly Taken In, a farce or comic interlude.
Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press, 1973–1993.
326
Feminist Companion Archive.
Performance of text Susanna Centlivre
SC 's comedy The Basset Table opened at Drury Lane .
The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols.
2: 107
Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press, 1952.
68
Performance of text Hester Lynch Piozzi
The Regent, by Bertie Greatheed (one of the Della Cruscans ) appeared at Drury Lane with an epilogue by HLP .
Clifford, James L. Hester Lynch Piozzi (Mrs Thrale). Clarendon Press, 1987.
331
Performance of text Hannah Cowley
HC 's tragedy The Fate of Sparta; or, The Rival Kings opened at Drury Lane .
The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols.
5: 1038
Performance of text Susanna Centlivre
SC unveiled at Drury Lane another comedy which was to hold the stage for generations: The Wonder: A Woman Keeps a Secret.
The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols.
2: 321
Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press, 1952.
152
Performance of text Harriet Lee
HL 's comedy The New Peerage; or, Our Eyes may Deceive Us opened at Drury Lane .
The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols.
5: 1019
Performance of text Frances Sheridan
FS 's first play, the comedy The Discovery (which had been in rehearsal the previous November), opened at Drury Lane .
The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols.
4: 976
Sheridan, Frances. “Introduction”. Memoirs of Miss Sidney Bidulph, edited by Jean Coates Cleary et al., World’s Classics, Oxford University Press, 1995.
xiv
Performance of text Susanna Centlivre
SC 's only mature tragedy, The Cruel Gift; or, The Royal Resentment (said to have been written in collaboration with Nicholas Rowe , though its several editions give her name alone), opened at Drury Lane .
Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press, 1952.
207
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
English Short Title Catalogue. http://estc.bl.uk/.
Performance of text Catherine Cuthbertson
A play entitled Anna opened at Drury Lane , ascribed to Miss Cuthbertson.
Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press, 1996.
385
Performance of text Sophia Lee
SL 's tragedy Almeyda, Queen of Granada began its four-night run at Drury Lane , after repeated delays amounting to two and a half years.
Lee, Sophia. “Introduction”. The Recess, edited by April Alliston, University Press of Kentucky, 2000, p. ix - lii.
xxxiii, xlvii
Performance of text Frances Sheridan
FS 's second comedy, The Dupe (called by editor Joyce Coates Cleary an interesting cross between a farce and a morality play), opened at Drury Lane ; but it flopped.
The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols.
4: 1025
Sheridan, Frances. “Introduction”. Memoirs of Miss Sidney Bidulph, edited by Jean Coates Cleary et al., World’s Classics, Oxford University Press, 1995.
xiv
Performance of text Susanna Centlivre
SC 's final comedy, The Artifice, opened at Drury Lane .
The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols.
2: 688
Performance of text Catherine Gore
CG 's second comedy, Lords and Commons, opened at the patent theatre of Drury Lane , almost within five months of her first.
Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, 1999, pp. 1-34.
5

Timeline

6 September 1817: Drury Lane Theatre installed gas lighting...

National or international item

6 September 1817

Drury Lane Theatre installed gas lighting in the auditorium and on stage.
Booth, Michael R. et al. Three Tragic Actresses: Siddons, Rachel, Ristori. Cambridge University Press, 1996.
83

By September 1819: Facing debts of £90,000, Drury Lane Theatre...

Building item

By September 1819

Facing debts of £90,000, Drury Lane Theatre was forced to close.
Roose-Evans, James. London Theatre from the Globe to the National. Phaidon, 1977.
76, 78
Dobbs, Brian. Drury Lane: Three Centuries of the Theatre Royal, 1663-1971. Cassell, 1972.
141-3

19 February 1820: Madame Vestris starred in a comic opera at...

Building item

19 February 1820

Madame Vestris starred in a comic opera at Drury Lane Theatre to mixed reviews; she did not achieve fame until she started playing male roles.
Appleton, William Worthen. Madame Vestris and the London Stage. Columbia University Press, 1974.
16-19, 29, 33

1822: Drury Lane Theatre was closed for a complete...

Building item

1822

Drury Lane Theatre was closed for a complete internal overhaul.
Roose-Evans, James. London Theatre from the Globe to the National. Phaidon, 1977.
79
Mander, Raymond, and Joe Mitchenson. The Theatres of London. Rupert Hart-Davis, 1963.
67, 282
Dobbs, Brian. Drury Lane: Three Centuries of the Theatre Royal, 1663-1971. Cassell, 1972.
143

1825: Alexander Sergeevich Pushkin published his...

Writing climate item

1825

Alexander Sergeevich Pushkin published his historical drama Boris Godunov.
Weinstock, Herbert, and Wallace Brockway. The World of Opera: The Story of its Origins and the Lore of its Performance. Pantheon Books, 1962.
283, 446
Vickery, Walter N. Alexander Pushkin. Revised ed., Twayne, 1992.
52
Drabble, Margaret, editor. The Oxford Companion to English Literature. 5th ed., Oxford University Press, 1985.

27 June 1828: Joseph Grimaldi, famous clown of English...

Building item

27 June 1828

Joseph Grimaldi , famous clown of English pantomime, gave a farewell performance at Drury Lane , aged forty-eight.
Roose-Evans, James. London Theatre from the Globe to the National. Phaidon, 1977.
98
Roose-Evans, James. London Theatre from the Globe to the National. Phaidon, 1977.
98
Dobbs, Brian. Drury Lane: Three Centuries of the Theatre Royal, 1663-1971. Cassell, 1972.
129

8 June 1829: Douglas William Jerrold's play Black-Ey'd...

Writing climate item

8 June 1829

Douglas William Jerrold 's play Black-Ey'd Susan premiered at the Surrey Theatre in London.
Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder, 1908–2025, 22 vols. plus supplements.
Drabble, Margaret, editor. The Oxford Companion to English Literature. 5th ed., Oxford University Press, 1985.
Sutherland, John, b. 1938. The Stanford Companion to Victorian Fiction. Stanford University Press, 1989.
333
Cox, Michael, editor. The Oxford Chronology of English Literature. Oxford University Press, 2002, 2 vols.

May 1833: Drury Lane Theatre and Covent Garden Theatre...

Building item

May 1833

Drury Lane Theatre and Covent Garden Theatre came under the same management, with bizarre results for the acting companies.
Wyndham, Henry Saxe. The Annals of Covent Garden Theatre From 1732 to 1897. Chatto and Windus, 1906, 2 vols.
2: 81
Booth, Michael R. Theatre in the Victorian Age. Cambridge University Press, 1991.
99
Dobbs, Brian. Drury Lane: Three Centuries of the Theatre Royal, 1663-1971. Cassell, 1972.
145

1843: Parliament deregulated the London stage by...

Building item

1843

Parliament deregulated the London stage by removing the restriction which had limited the number of patent or fully licensed theatres in the capital to no more than two, Covent Garden and Drury Lane .
Hume, Robert D. “Jeremy Collier and the Future of the London Theatre in 1698”. British Society for Eighteenth-Century Studies (BSECS) Conference, Oxford, 3 Jan. 1998.

12 June 1843: Queen Victoria and Prince Albert became part...

Building item

12 June 1843

Queen Victoria and Prince Albert became part of the theatre-going public when they visited the Drury Lane Theatre in state.
Mander, Raymond, and Joe Mitchenson. The Theatres of London. Rupert Hart-Davis, 1963.
68
Dobbs, Brian. Drury Lane: Three Centuries of the Theatre Royal, 1663-1971. Cassell, 1972.
124

22 August 1843: The Theatres Regulation Act made it legal...

Writing climate item

22 August 1843

The Theatres Regulation Act made it legal for any theatre to become licensed for drama (thus expanding its repertoire) and required all new commercial plays to be approved by the Lord Chamberlain seven days before...

26 February 1851: William Macready made his famous farewell...

Building item

26 February 1851

William Macready made his famous farewell performance at the Drury Lane Theatre wearing the black suit of a gentleman in place of his costume as Macbeth.
Booth, Michael R. Theatre in the Victorian Age. Cambridge University Press, 1991.
22, 99

June 1851: Ingomar the Barbarian; or, the Son of the...

Women writers item

June 1851

Ingomar the Barbarian; or, the Son of the Wilderness, adapted from German by Maria Lovell , premiered at Drury Lane .
Mullin, Donald C. Victorian Plays: A Record of Significant Productions on the London Stage, 1837-1901. Greenwood Press, 1987.
166
Powell, Kerry. Women and Victorian Theatre. Cambridge University Press, 1997.
132

2 October 1862: Dion Boucicault wrote to The Times pointing...

Writing climate item

2 October 1862

Dion Boucicault wrote to The Times pointing out the widely varying rents for West End theatres.
Booth, Michael R. Theatre in the Victorian Age. Cambridge University Press, 1991.
32, 37

1868: The Drury Lane Theatre offered the sensational...

Writing climate item

1868

The Drury Lane Theatre offered the sensational play The Great City, which featured an actual hansom cab and horse as part of its repertoire of special effects.
Dobbs, Brian. Drury Lane: Three Centuries of the Theatre Royal, 1663-1971. Cassell, 1972.
125

Texts

No bibliographical results available.