The London Stage 1660-1800. Southern Illinois University Press.
5: 328
Connections Sort descending | Author name | Excerpt |
---|---|---|
Performance of text | Mary Russell Mitford | MRM
's tragedy Rienzi opened at Drury Lane Theatre
; it ran for thirty-four nights, making her reputation as a dramatist. Sullivan dates the opening 11 October, but MRM
herself, as edited by L'Estrange, suggests... |
Performance of text | Hannah Cowley | HC
's unpublished interlude The School of Eloquence (a satire on the currently fashionable debating clubs) was performed at Drury Lane
. The London Stage 1660-1800. Southern Illinois University Press. 5: 328 |
Performance of text | Eliza Haywood | EH
's comedy A Wife to be Lett opened at Drury Lane. Haywood took the leading comic role of Mrs Graspall (owing to someone else's illness), and also spoke an epilogue. Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press. Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto. 128 |
Performance of text | Susanna Centlivre | SC
's comedy The Basset Table opened at Drury Lane
. The London Stage 1660-1800. Southern Illinois University Press. 2: 107 Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press. 68 |
Performance of text | Hannah Cowley | HC
's tragedy The Fate of Sparta; or, The Rival Kings opened at Drury Lane
. The London Stage 1660-1800. Southern Illinois University Press. 5: 1038 |
Performance of text | Elizabeth Inchbald | The Wedding Day, a comedy by EI
, opened at Drury Lane
. The London Stage 1660-1800. Southern Illinois University Press. 5: 1700 |
Performance of text | Susanna Centlivre | SC
unveiled at Drury Lane
another comedy which was to hold the stage for generations: The Wonder: A Woman Keeps a Secret. The London Stage 1660-1800. Southern Illinois University Press. 2: 321 Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press. 152 |
Performance of text | Maria Theresa Kemble | MTK
's first play, the five-act comedy First Faults, had its single performance (a benefit), at Drury Lane
. Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press. 325 |
Performance of text | Susanna Centlivre | SC
's only mature tragedy, The Cruel Gift; or, The Royal Resentment (said to have been written in collaboration with Nicholas Rowe
, though its several editions give her name alone), opened at Drury Lane
. Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press. 207 Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. English Short Title Catalogue. http://estc.bl.uk/. |
Performance of text | Catherine Cuthbertson | A play entitled Anna opened at Drury Lane
, ascribed to Miss Cuthbertson. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press. 385 |
Performance of text | Maria Theresa Kemble | MTK
performed the role of Lady Julia at Drury Lane
in her second play, Personation; or, Fairly Taken In, a farce or comic interlude. Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press. 326 Feminist Companion Archive. |
Performance of text | Susanna Centlivre | SC
's final comedy, The Artifice, opened at Drury Lane
. The London Stage 1660-1800. Southern Illinois University Press. 2: 688 |
Performance of text | Hester Lynch Piozzi | The Regent, by Bertie Greatheed
(one of the Della Cruscans
) appeared at Drury Lane
with an epilogue by HLP
. Clifford, James L. Hester Lynch Piozzi (Mrs Thrale). Clarendon Press. 331 |
Performance of text | Barbarina Brand, Baroness Dacre | A five-act tragedy by Barbarina Wilmot (later Lady Dacre)
, Ina, set in Anglo-Saxon England, ran for a single night at Drury Lane Theatre
in London. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Performance of text | Catharine Trotter | CT
's only comedy, the didactic Love at a Loss; or, Most Votes Carry It, probably opened on this day at Drury Lane
. Kelley, Anne. Catharine Trotter: An Early Modern Writer in the Vanguard of Feminism. Ashgate. 256 The London Stage 1660-1800. Southern Illinois University Press. 2: 5 |
No bibliographical results available.