Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto, 2003.
104
Connections Sort descending | Author name | Excerpt |
---|---|---|
Family and Intimate relationships | Martha Fowke | Her writings present herself as erotically involved with other writers. According to scholar Phyllis Guskin, she had an intense affair with Nicholas Hope
, a married lawyer from Barbados who also wrote poetry, not long... |
Friends, Associates | Martha Fowke | She formed close links with a group of male poets who held opposition political views: James Thomson
, Aaron Hill
(who was corresponding with her by June 1721), Richard Savage
(with whom she was exchanging... |
Friends, Associates | Eliza Haywood | At this point in her life EH
entered on literary relationships with Aaron Hill
(who, with some gallant condescension, was a good friend to women writers) and his circle. They included Richard Savage
(who has... |
Literary responses | Delarivier Manley | |
Publishing | Eliza Haywood | EH
worked on this during summer 1720. The title-page said 1721, and bore her name. Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto, 2003. 104 Gerrard, Christine. Aaron Hill: The Muses’ Projector 1685-1750. Oxford University Press, 2003. 89 Whicher, George Frisbie. The Life and Romances of Mrs. Eliza Haywood. Columbia University Press, 1915. 189 |
Textual Features | Eliza Haywood | It includes polite conversation, short novels, and a long poem, A Pastoral Dialogue, between Alexis and Clarinda, Occasioned by Hillarius's intended Voyage to America. Hillarius was Aaron Hill
. Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto, 2003. 226 |
Textual Features | Martha Fowke | This book takes the form of an autobiographical love-letter to Hillario (Aaron Hill
, to whom there is a verse dedication as well), but it is also, as its title implies, a satirical fiction... |
Textual Features | Eliza Haywood | The play's interest in harems, or Turkish life and customs in general, is fairly minimal; its themes are power and its usurpation, female sexuality and male attempts to possess and control it. Set in Constantinople... |
Textual Features | Eliza Haywood | This book builds on the writing of Delarivier Manley
in the mixed genre of scandal novel or allegorised political satire. Prominent among its many targets is EH
's fellow-writer (and fellow associate with Aaron Hill |
Textual Production | Eliza Haywood | It is not clear whether a first edition was published and read out of existence; in any case, no known copy survives. It may be that the collection's first appearance was the one called the... |
Textual Production | Anna Maria Mackenzie | The first volume has a frontispiece (two women meeting a man in armour) and the title-page quotes some lines about the insecurity of a throne won through ambition. These are ascribed to Fielding
's Merope... |
Textual Production | Martha Fowke | MF
may have done some writing for The Plain Dealer, which was run and edited by her two friends or lovers: Hill
and Bond
. Fowke, Martha. “Introduction”. Clio, edited by Phyllis J. Guskin, University of Delaware Press; Associated University Presses, 1997, pp. 15-50. 34 Brewster, Dorothy. Aaron Hill, Poet, Dramatist, Projector. Columbia University Press, 1913. 154 |
Textual Production | Martha Fowke | MF
began showing her poems to Aaron Hill
as soon as their flirtatious relationship was launched in early 1721. Christine Gerrard believes that MF
is the author of a poem printed in Eliza Haywood
's... |
Textual Production | Martha Fowke | It was probably Aaron Hill
's manuscript copy that was published a generation later, just two years after he died. Gerrard, Christine. Aaron Hill: The Muses’ Projector 1685-1750. Oxford University Press, 2003. 84-5 |
Textual Production | Eliza Haywood | Aaron Hill
's Plain Dealer number 53 printed an admiring elegy on the lately-dead Manley
whose author was probably either EH
or Martha Fowke Sansom
. Fowke, Martha. Clio. Editor Guskin, Phyllis J., University of Delaware Press; Associated University Presses, 1997. 34 |