These stories had appeared already in Blackwood's Magazine, whose £30 fee seemed to MKenormous money. The book was published in the same year in the USA as Point-to-Point.

AK 's contributions to The Monthly Packet, an evangelical periodical edited by Charlotte Yonge , began not with a story but with chapters on early Norwegian history, for which she gathered books and did research. Discovering delicious things about runes, she at once translated a little Icelandic song in praise of runes into English verse. One of her latest pieces written for the same journal was Noblesse Oblige, a Christmas story.

IK told the Royal Literary Fund in 1832 that she had written an Epitome of General Knowledge, published by subscription by a non-London publisher, a French Grammar, and Literary Information, written for her own children and pupils. She had also submitted a Scots story to Blackwood's Magazine.

Extracts from HK 's letters appeared, first in the Friends' Magazine, then the same year at Bristol, as a pamphlet bearing her intials: Extracts from the Letters . . . at Sierra Leone.

For publishing poems in newspapers, SK used the pseudonym Sappho.

The Recess is dedicated to Sir John Eliot, Elliot, or Elliott , a Scottish physician who was successful and popular in London. (His wife, Grace, née Dalrymple , had left him for another man, and later achieved fame or notoriety as a courtesan memoirist of the French Revolution.) In twenty years the novel went through five English and two Irish editions. It was translated into German (as Die Ruinen, Leipzig 1786, Prague 1788), Swedish, Spanish, and Portuguese. One of its two French translations was translated back into English as The Cavern; or, The Two Sisters, 1809. This did not end the flow of editions, or condensations in magazines. Recently it has had a scholarly edition by April Alliston , 2000, and it represents Street Gothic in Gary Kelly 's Pickering and Chatto collection Varieties of Female Gothic, 2002.

The English SL , as the author of Woman's Mission, published her only other identified work, a short article On the Social Position of Governesses, in Fraser's Magazine.

Even before this volume, a few of her letters had reached the public: M. E. Kendall had published some passages from 1802, 1803, and 1815 in the Transactions of the Halifax Antiquarian Society in 1950.

This volume was dedicated to the memory of Tarık Okyay , LL 's partner who died of cancer three years earlier. Edwin Morgan , for whom Lochhead wrote The People's Poet, provided a foreword. An edition of 2003 retains the dedication but omits the foreword. Morgan welcomed this substantial and bold, striking collection, emphasised that Lochhead was worth reading as well as listening to, and praised her range of material and confidence of tone which are most impressive. Many of the poems had appeared in little magazines: a cosmopolitan bunch, including Aquarius, Clanjamfrie, Cracked Looking Glass, Forum Germany, Glasgow Magazine, Poetry Australia, and Toronto Life.

Along with the books she published, NL contributed to Cosmopolitan, Ladies' Home Journal, Reader's Digest, Woman's Journal, and Writer.

DNL published during her lifetime, as a contributor to the National Gazette. She did research into family history and edited (though she did not herself publish) a collection of the letters between James Logan (her husband's grandfather) and William Penn . She was instrumental in preserving the fascinating letters of Hannah Callowhill Penn , second wife of William, who took on much of his political as well as his domestic and estate management as his health declined. Others had judged these letters too homely for a place in the family record: DNL was alert to the potential of social, material history. This family archive was published in 1870-2.

The Monthly Review praised her achievement: she had traced events to their origins, and produced accurate rather than flattering portraits of historical figures. Her occasional warmth was warranted by the importance of her subject-matter. The Critical Review notice opened with a retrospective of this majestic work of history, going back almost twenty years. Its tone was celebratory. CM , it said, never fails to support her criticism of royalist positions with a force of observation which justly entitles her to the applause that is due to ingenuity—that is, to intellect. It noted both her inviolable love of constitutional liberty and her denial that she was a republican. Its final bouquet of praise is gendered: her work is one of the most signal instances ever known to the literary world, of the extraordinary abilities and persevering exertion of a female writer. The Westminster Magazine reprinted an anecdote from this volume.

Verses written extempore in Mr A[shley] C[owper] 's Coke upon Littleton (the title of a standard legal textbook) by Judith Cowper (later Madan), appeared, to her dismay, in Ambrose Philips 's The Free-Thinker.

Marishall then turned to Edinburgh's Canongate Theatre , only to have Foote (who had become manager there in November 1770) waste a whole season promising to put it on soon. In the end, after pressure from Marishall and haggling about revisions (which at one point he offered to make himself) he gave a specific promise, with date, to put it on at the Haymarket (where he was working again from summer 1771). He then stopped answering her letters, and did not respond when she asked for her manuscript back. What reason Mr Foote had for not performing a promise so voluntary, and so positively made, the author cannot pretend to say. At this point JM 's account reflects her consciousness of the need to tread carefully. She says that she pretends not to make any comments, but will keep strictly to facts both for and against the merit of the performance. Thrown over by Foote, she published a newspaper statement addressed to the public and Mr Digges (who took over the Canongate lease from Foote in August 1771). But Digges categorically rejected the play. Having therefore fooled away so much time in useless solicitation, her hopes alternately raised and depressed,JM turned to subscription. A certain degree of pride led her to publish a version of the play that was all hers, without the various revisions it had picked up in the course of submission and rejection. Her ten-page subscription list was an impressive one, including James Boswell , his mother Lady Auchinleck , David Hume , and other leaders of Scottish literary and intellectual society. She printed at least one letter in a newspaper puffing the play.

During this time she oversaw the serialization of three of her own novels, and weathered an acrimonious shift of publisher from Bentley to Clowes and Son . She also published stories, novellas, and essays in other periodicals.

KM published her essay The Sanitary Conditions of the Lepers in the Yakoutsk Government in Nursing Record (later incorporated by the British Journal of Nursing).

FMM wrote Miss Browne's Friend—A Story of Two Women, a book published in serial form in the Free Church Suffrage Times.

While at university, Medbh McCaughan (later MMG ) began publishing her writing in various local newspapers and magazines. Subsequently, she has published her work in many periodicals including Antaeus, the Yale Review, the Southern Review, the Chicago Review, the Partisan Review, and the Michigan Quarterly Review.

LAM 's earliest publications were poems and literary reviews in the Birmingham Journal. She also, during her period of involvement with the Birmingham Political Union in the 1830s, published journalism in support of Chartism; the future Australian statesman Henry Parkes was impressed by these political writings.

After the rejection of her fourth novel, BM turned her attention to short stories for John O'London's Weekly and other magazines. She was fascinated by an article by Sartre on the work of Francis Ponge , which she read in early 1945 in a French magazine called Poesie 44. This inspired her to write an article on Ponge for Horizon, which was later reprinted, in French, in a special Ponge issue of Nouvelle revue française. The work that BM continued longest was writing articles and reviews for the Times Literary Supplement and other periodicals.

Virginia Woolf hand-set the edition. The colophon uses the sign of the constellation Ursa Major (as did those of HM 's three novels). Suzanne Henig reprinted it in the Virginia Woolf Quarterly in 1972, in the bowdlerised form which was all its author would permit. In 2007 an important new edition appeared in Gender in Modernism: new geographies, complex intersections, an anthology edited by Bonnie Kime Scott , with critical analysis by Julia Briggs . This was followed by a centenary edition in 2020. In June 2019 a music and dance rendering by Deborah Pearson of the poem (now for several reasons upsettingly topical) premiered in the chapel of King's College, London, as part of a Modernist Revue.

EM is very likely the author of two articles in the Journal Britannique, signed E. M.

CM also published in periodicals. Her Neela, A Tale of the Jews in England appeared in 1842 in Friendship's Offering, and from there it was reprinted as a serial, beginning in January 1844, in Isaac Leeser 's The Occident, and American Jewish Advocate (published at Philadelphia). In April 1846 Leeser printed—as well as her sister Marion's The Return of David, Grace Aguilar 's The Rocks of Elim, and a long and laudatory review of Aguilar's The Women of Israel—CM 's poem The Jewish Martyrs, which relates in blank verse a story carried by the Jewish Chronicle of 12 December 1845. In 1846-7 Leeser serialized CM 's modern tale of a woman's internal religious conflict entitled The Two Pictures, A Sketch of Domestic Life.

MM published and edited the first Jewish women's periodical in modern history, the Jewish Sabbath Journal.