Durbach, Errol. “A century of Ibsen criticism”. The Cambridge Companion to Ibsen, edited by James McFarlane and James McFarlane, Cambridge University Press, pp. 233-51.
233-4
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Travel | Vernon Lee | VL
was at this time a guest of Mary Robinson
and her family. She combined her connections with theirs in order to meet a number of major cultural figures: Sir Leslie Stephen
, Robert Browning |
Theme or Topic Treated in Text | A. S. Byatt | She used this work to reinforce her sense that the material and the visual are indispensable, and her interest in artists who use their hands. She revels in the obvious contrasts between her two subjects... |
Textual Production | Henrik Ibsen | Eleanor Marx (daughter of Karl Marx
) played Nora and Aveling played Torvald. They were joined by May Morris
(daughter of William Morris
) as Mrs Linde and Bernard Shaw
as Krogstad. Durbach, Errol. “A century of Ibsen criticism”. The Cambridge Companion to Ibsen, edited by James McFarlane and James McFarlane, Cambridge University Press, pp. 233-51. 233-4 |
Textual Production | Penelope Fitzgerald | She brought to this work her own experience as an amateur artist, and shows great skill in the delineation of character: of William Morris
as well as of Burne-Jones and his wife Georgiana
(who were... |
Textual Production | Penelope Fitzgerald | PF
's publications in the scholarly field include an edition of The Novel on Blue Paper, an unfinished, unpublished work by William Morris
, 1982, and the introduction to a new issue of Oxford University Press |
Textual Production | Annie Besant | AB
left a legacy of lectures to complement her political pamphlets. Responding to William Morris
, who enquired about her lectures, she sent a list of titles such as The Unemployed, Why I am... |
Textual Production | L. S. Bevington | Another essay, Why I am an Expropriationist (Liberty, May 1894), was reprinted the same year, together with an essay by William Morris
, in a Liberty Press
pamphlet called The Why I Ams... |
Textual Production | Mathilde Blind | MB
delivered a public address to an audience at St John's Wood in London on William Morris
's translation of the Volsunga Saga (which had been published earlier that year). Garnett, Richard, and Mathilde Blind. “Memoir”. The Poetical Works of Mathilde Blind, edited by Arthur Symons and Arthur Symons, T. Fisher Unwin, pp. 1-43. 24 |
Textual Production | A. S. Byatt | |
Textual Features | Muriel Jaeger | MJ
's introduction says that the world of this novel is a Bellamy-Morris-Wells world. Stratton, Susan. “Muriel Jaeger’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>The Question Mark</span>, a Response to Bellamy and Wells”. Foundation, No. 80, pp. 62-9. 65 |
Textual Features | Isabella Neil Harwood | The King and the Angel is INH
's attempt to dramatise a story told in Leigh Hunt
's Jar of Honey from Mount Hybla, 1848. The legend behind this story has given rise to... |
Textual Features | A. S. Byatt | The author at the heart of this story is a children's writer, Olive Wellwood, who is married to a wealthy banker and lives in a Kentish farmhouse strangely called Todefright. The actual Edith Nesbit
,... |
Reception | Anna Swanwick | In 1858 AS
became one of the first female members of the Royal Institution
. The Institution, founded in 1799, calls itself on its website the oldest independent research body in the world, and has... |
Reception | Vernon Lee | One of the first and most appreciative readers of VL
's work was John Addington Symonds
, a leading cultural historian of the time. Her book also brought her the notice and friendship of other... |
Reception | Vernon Lee | This book lost Lee the friendship of others who had admired her Studies of the Eighteenth Century in Italy. Broken friendships included those with Oscar Wilde
(refigured as the character Posthlethwaite), Jane
and William Morris |
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