William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Edna O'Brien
The first half of the story is set in an imaginary western Irish village called Cloonoila, a strange but utterly convincing hybrid of the idyllic and the stultifyingly parochial. The second half is set in...
Intertextuality and Influence Dorothea Primrose Campbell
DPC was one of those claiming serious status for the novel by literary allusion. She uses Horace on her title-page, Pope to head the whole novel, and for chapter-headings Chaucer , Shakespeare , Goldsmith ...
Intertextuality and Influence Flora Thompson
She opened with remarkable clarity, confidence, and accuracy for an entirely self-taught critic: Before Jane Austen began to write, the novelists of her day had depended on involved plot, sensational incident, and the long arm...
Intertextuality and Influence Aldous Huxley
Brave New World (titled from the words of Shakespeare 's Miranda on her first sight of human social community) is in some ways remarkably prescient, in its forecast of extra-uterine pregnancy and a universal drug...
Intertextuality and Influence Eleanor Sleath
At this point Gertrude hears a noise in her late husband's room; Ethelind sees a mysterious armed personage resembling him; Winifred sees a tall, white figure; Ormond offers to lie in wait for the ghost...
Intertextuality and Influence Antonia Fraser
Jemima here makes her first attempt to be a detective as a fifteen-year-old convent schoolgirl. While many of these pieces, like the sardonically titled Have a Nice Death, are indeed murder stories, On the...
Intertextuality and Influence Jane West
JW 's preface invokes Shakespeare , Virgil , Homer , and Sir Walter Scott (she later adds Thomas Percy ) as more acceptable exemplars for romance than either the French romances (implicitly those of Madeleine de Scudéry
Intertextuality and Influence Dorothy L. Sayers
The academic background gives DLS an excuse for lavish literary quotation: from Greek, from Shakespeare and other canonical writers, many of them Elizabethan, and from moderns like Humbert Wolfe . Her Oxford is the preserve...
Intertextuality and Influence Grace Aguilar
GA defends her central subject (which eclipses the requisite romances in the plot) in these terms: if Shakspeare scorned not to picture the sweet influence of female friendship shall women pass it by as a...
Intertextuality and Influence Frances Power Cobbe
The theoretical essay with which FPC headed Josephine Butler 's landmark collection Woman's Work and Woman's Culture, 1869, launches out with wit: Of all the theories current concerning women, none is more curious than...
Intertextuality and Influence Maureen Duffy
While the present-day plot produces a series of surreal confrontations, it is punctuated by a string of glimpses into the past. These begin when Swanscombe Man (the prehistoric human whose bones are the earliest evidence...
Intertextuality and Influence Iris Murdoch
As often, Murdoch has a canonical text in mind for reworking: in this deeply unsettling novel it is Shakespeare 's Much Ado About Nothing. (One scene also recalls the book of Job.) But...
Intertextuality and Influence Catherine Fanshawe
CF assumes an attitude of outraged dignity: can his antiquarian eyes / My Anglo-Saxon C despise?
Fanshawe, Catherine. Memorials of Miss Catherine Maria Fanshawe. Editor Harness, William, Privately printed by Vacher and Sons, 1865.
1
Her tireless parody is here directed at antiquarian and linguistic learning. Ostensibly, she demands to be wholly disassocated...
Intertextuality and Influence Zadie Smith
The book's epigraph from Shakespeare 's The Tempest (What's past is prologue)
qtd. in
Smith, Zadie. White Teeth. Penguin, 2001.
prelims
provokes the narrator's question, how far back do you want? How far will do?
Smith, Zadie. White Teeth. Penguin, 2001.
83
What's past in this book...
Intertextuality and Influence Anna Maria Porter
The new Juvenilia Press edition, like the original first volume, contains five stories: Sir Alfred; or, The Baleful Tower, The Daughters of Glandour, The Noble Courtezan, The Children of Fauconbridge, and...

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