Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Mary Latter | The first letter, the earliest piece in the volume, was said to have been written seventeen years ago at the age of seventeen: to Myra, which suggests that ML
may have been one among... |
| Intertextuality and Influence | Rhoda Broughton | Critics have pointed to a range of influences and allusions in this novel. Kate Flint
has suggested that the representation of the sorrowful-eyed aesthete Francis Chaloner was a satiric jab at Oscar Wilde
, who... |
| Intertextuality and Influence | Buchi Emecheta | During her schooldays literature was her greatest escape. Emecheta, Buchi. Head Above Water. Heinemann, 1994. 19 |
| Intertextuality and Influence | Emily Jane Pfeiffer | Valisneria tells the story of a young couple who decide, since they have abounding wealth and happiness in each other, they will resign the company of all other society. After a time however, the two... |
| Intertextuality and Influence | Thomas Hardy | Arguably Hardy's most melodramatic qtd. in Sutherland, John, b. 1938. The Stanford Companion to Victorian Fiction. Stanford University Press, 1989. |
| Intertextuality and Influence | Susan Ferrier | The Inheritance opens with what sounds like an allusion to Jane Austen
: It is a truth, universally acknowledged, that there is no passion so deeply rooted in human nature as that of pride. qtd. in Cullinan, Mary. Susan Ferrier. Twayne, 1984. 75 |
| Intertextuality and Influence | Rose Macaulay | This novel is both social history and satire, covering territory similar to that of Virginia Woolf
's The Years and May Sinclair
's The Tree of Heaven. Like these, it traces the lives of... |
| Intertextuality and Influence | Rumer Godden | Its setting is Catford Street, an ordinary, poor street in shabby postwar London, and the elegant Square round the corner. Its protagonist is a child waif, Lovejoy Mason; RG
's theme is the childhood... |
| Intertextuality and Influence | P. D. James | As the work opens, Cordelia, slight of body, determined of will, savvy of mind Gidez, Richard. P. D. James. Twayne, 1986. 56 |
| Intertextuality and Influence | Elizabeth Boyd | |
| Intertextuality and Influence | Naomi Jacob | Her theatrical memoirs are unchronological, unsorted, anecdotal, and vivid. She enjoys relating clashes or conflicts in which she comes out on top. She describes herself as solidly patriotic, though not one of the Union-Jack-waving Britishers... |
| Intertextuality and Influence | Margaret Atwood | Several stories in Good Bones delight in giving something to say for themselves to literary characters generally understood to be beyond sympathy (the stepmother, the ugly sister, Gertrude in Shakespeare
's Hamlet). Others employ... |
| Intertextuality and Influence | Rhoda Broughton | A Beginner tells the story of Emma Jocelyn, a young woman who writes a novel called Miching Mallecho. (The title, drawn from Hamlet, elicits the following exchange between Emma and her aunt in... |
| Intertextuality and Influence | Sarah Scudgell Wilkinson | The title-page quotes Shakespeare
's Macbeth. A vivid, to-the-moment opening introduces a tale of revenge and restored inheritance. Add another fagot [sic] to the fire, and replenish the flask, said the aged Martin to... |
| Intertextuality and Influence | Henrietta Camilla Jenkin | The subtitle of this novel (which in earlier centuries had been the title of a bawdy song) here alludes to a proverb about the impossible perfections of maids' husbands and bachelors' children. This first novel... |
Timeline
No timeline events available.
Texts
No bibliographical results available.