Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Mary Stewart | The title comes from Shakespeare
's Prospero, in the speech in which he abjures his magic and breaks his staff. It plays on a traditional identification of the island of Corfu with the mysterious island... |
Intertextuality and Influence | Clemence Dane | Will Shakespeare is written in blank verse, but does not imitate Elizabethan language. Subtitled an invention, the play dramatises Shakespeare
's early career as a writer, focusing on his move from Stratford to London... |
Intertextuality and Influence | Sarah Fielding | This is a work of fiction, not documentary. It relates the stories of four ex-prostitutes sympathetically, presenting a strong argument for social reform. According to scholar Katherine Binhammer
, it is the most feminist among... |
Intertextuality and Influence | Barbara Hofland | The title-page (like several earlier ones of BH
) quotes Shakespeare
. The novel opens in 1726, with Catherine the first
holding court in Russia after Peter the Great
's death. She had come to... |
Intertextuality and Influence | Adelaide Kemble | Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of... |
Intertextuality and Influence | Phyllis Bottome | The book describes the effects of bombing: effects on the cities of London and Liverpool, the Army
, Navy
, and Air Force
, the Women's Auxiliary Services
, and the lives of ordinary... |
Intertextuality and Influence | Ella Hepworth Dixon | EHD
took the title for the collection (and for the first story) from a line in Shakespeare
's Henry IV: Were it good / To set the exact wealth of all our states /... |
Intertextuality and Influence | Sarah Green | |
Intertextuality and Influence | Mrs Martin | Indeed, as in MM
's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator... |
Intertextuality and Influence | Elizabeth Thomas | |
Intertextuality and Influence | Mrs Showes | But as in her previous novel, MS
turns aside from a happy ending which is already within her reach. Ulrich has an affair with Viria, who gives him for Agnes what she claims is a... |
Intertextuality and Influence | Anne Plumptre | |
Intertextuality and Influence | Susan Du Verger | The titles, however, reveal that romance is to be countered with romance: The Generous Poverty, The Honourable Infidelity, The Fortunate Misfortune, The Double Rape, etc., sound like novels, and they employ... |
Intertextuality and Influence | Ada Leverson | This novel is a comedy of manners set in London in springtime, the start of the social season. Critic Charles Burkhart
suggests that the title alludes to Shakespeare
's Twelfth Night; it also, paradoxically... |
Intertextuality and Influence | Edna St Vincent Millay | She writes often here about the landscape and plants at Steepletop, using them as a metaphor for life and joy and the past. The final piece included in her Selected Poems, 2003, a... |
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