Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Julia Constance Fletcher | The Prince of Morocco is an extraordinary fantasy whose implications are hard to fathom. The man who lost his chance of marriage to Shakespeare
's Portia by choosing the golden casket is here only nicknamed... |
Intertextuality and Influence | Sarah Green | |
Intertextuality and Influence | Mrs Martin | Indeed, as in MM
's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator... |
Intertextuality and Influence | Ada Leverson | This novel is a comedy of manners set in London in springtime, the start of the social season. Critic Charles Burkhart
suggests that the title alludes to Shakespeare
's Twelfth Night; it also, paradoxically... |
Intertextuality and Influence | Edna St Vincent Millay | She writes often here about the landscape and plants at Steepletop, using them as a metaphor for life and joy and the past. The final piece included in her Selected Poems, 2003, a... |
Intertextuality and Influence | Elizabeth Thomas | |
Intertextuality and Influence | Mrs Showes | But as in her previous novel, MS
turns aside from a happy ending which is already within her reach. Ulrich has an affair with Viria, who gives him for Agnes what she claims is a... |
Intertextuality and Influence | Anne Plumptre | |
Intertextuality and Influence | Felicia Hemans | The volume provides lavish notes to explain its sometimes quite obscure historical figures and settings, and cites a wide range of authors including Plutarch
, Shakespeare
, Milton
, and Germaine de Staël
. FH |
Intertextuality and Influence | Margaret Sandbach | Again set in Florence, this play tells the tragic story of orphaned siblings, Laura Amidei and her older brother Count Amidei. They are joined together by an intense bond, felt most strongly by the... |
Intertextuality and Influence | Eliza Parsons | Each of the three volumes has a different quotation on its title-page: the last is Shakespeare
's defiant Freeze, freeze thou bitter sky, maintaining that harsh weather is mild compared with human injustice. Parsons, Eliza. An Old Friend with a New Face. T. N. Longman, 1797, 3 vols. 3: title-page |
Intertextuality and Influence | Sarah Harriet Burney | The Shipwreck presents (with memories of William ShakespeareThe Tempest as well as Daniel DefoeRobinson Crusoe) Sabor, Peter. “Part of an Englishwoman’s Constitution: Sarah Harriet Burney and Shakespeare”. Canadian Society for Eighteenth-Century Studies conference, 12 Oct. 2018. |
Intertextuality and Influence | Barbara Hofland | The title-page (like several earlier ones of BH
) quotes Shakespeare
. The novel opens in 1726, with Catherine the first
holding court in Russia after Peter the Great
's death. She had come to... |
Intertextuality and Influence | Adelaide Kemble | Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of... |
Intertextuality and Influence | Eglinton Wallace | The Address explains how EW
set out with the lofty and pleasurable intention of aiding the poor in the Isle of Thanet, how the playhouse was all set to open to a capacity audience... |
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