William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Maria Theresa Kemble
Its plot is of the same type as that of Shakespeare 's The Taming of the Shrew.William Shakespeare
Intertextuality and Influence Elizabeth Sarah Gooch
In this version of her life-story, ESG traces her fall back to her mother's refusal to allow her to marry her first love. She accords this refusal a passage of purple prose beginning Ah! wherefore...
Intertextuality and Influence Frances Jacson
Chapters are headed with a lavish array of quotations. Among the better-known authors are Ariosto (in the original), Shakespeare , Drayton , Milton , Pope (on the title-page), Young , Gray , Collins , Johnson
Intertextuality and Influence Bryony Lavery
Ophelia: A Comedy, a rewriting of the play-within-a-play in Shakespeare 's Hamlet, mercilessly scrambles the plot, and has assimilated characters from other plays: Portia, Goneril, Lady Capulet, Juliet's Nurse, and Cleopatra's Charmian. Charmian...
Intertextuality and Influence Candia McWilliam
All the characters are fond of aphorisms (from Anne we get Bitterness is wanton, like showing the hangman the gauge of your neck . . . . It also comes easily to lazy sentimentalists
McWilliam, Candia. A Case of Knives. Bloomsbury, 1987.
187
Intertextuality and Influence Elizabeth Boyd
A first prologue addresses Pope , and invokes the ghosts of Shakespeare (The Wonder, as the Glory of the Land) and Dryden (Shakespear's Freind) as mentors to EB 's performance in...
Intertextuality and Influence Jane Harvey
Again her title-page quotes Shakespeare . The novel opens with a musical party in the housekeeper's room at Cassilwood House in Northumberland on the fifth of November at the time of the second Jacobite Rebellion...
Intertextuality and Influence Deborah Levy
In Macbeth—False Memory she professed not to be adaptating Shakespeare , but the play features the murder of one businessman by another, followed by a haunting and a quest for revenge, all in an emphatically...
Intertextuality and Influence Margaret Atwood
Several stories in Good Bones delight in giving something to say for themselves to literary characters generally understood to be beyond sympathy (the stepmother, the ugly sister, Gertrude in Shakespeare 's Hamlet). Others employ...
Intertextuality and Influence Rhoda Broughton
A Beginner tells the story of Emma Jocelyn, a young woman who writes a novel called Miching Mallecho. (The title, drawn from Hamlet, elicits the following exchange between Emma and her aunt in...
Intertextuality and Influence Ella Wheeler Wilcox
Without ever owning the complete works of Théophile Gautier , Alphonse Daudet , Shakespeare , Byron , or Swinburne , she read bits and pieces of them all, and they helped to shape her style...
Intertextuality and Influence Regina Maria Roche
The heroine suffers under not one but two bad mother-figures, neither of whom is her birth mother. It opens with Greville, a country curate whose spirit has been wounded by the vice and deceit of...
Intertextuality and Influence Matilda Charlotte Houstoun
MCH raises the tone of her work with chapter-headings from Wordsworth , Shakespeare , Dryden , and others, most of them asserting the value of the poor and powerless, or protesting about the deficiencies of...
Intertextuality and Influence May Kendall
The title comes from Mercutio's speech about the Queen of the Fairies in Shakespeare 's Romeo and Juliet; MK quotes the opening of this speech on her title-page.
Intertextuality and Influence Catherine Gore
The title-page quotes Shakespeare 's Richard II about the deposing of a king. The novel opens with precision: at five o'clock on 22 June 1791, with aristocrats fearful for their fate in the aftermath of...

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