Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Charlotte Nooth | CN
refers to several canonical English names (Pope
, Reynolds
, Garrick
, Shakespeare
, and Edmund Kean
in her first poem), and relates closely to continental women. She praises Germaine de Staël
for... |
| Intertextuality and Influence | Hélène Cixous | She finds an answer in yet another myth (or rather an embroidered story from history), that of Antony and Cleopatra, where the lovers are not trapped by hierarchy, but connected as equals by love: The... |
| Intertextuality and Influence | Anne Grant | |
| Intertextuality and Influence | Rachel Hunter | Rachel, an heiress, gives her heart to a poor man whose family oppose the match for fear of being seen as mercenary. She is also something of a social rebel, a feminist (fond of gender-bending... |
| Intertextuality and Influence | Susan Du Verger | The titles, however, reveal that romance is to be countered with romance: The Generous Poverty, The Honourable Infidelity, The Fortunate Misfortune, The Double Rape, etc., sound like novels, and they employ... |
| Intertextuality and Influence | Flora Thompson | From her account it is clear how she respects, even loves, the people she describes, but also how she is not one of them, but is marked off by tiny gradations of knowledge and privilege... |
| Intertextuality and Influence | Mrs Showes | The story begins where many novels end: with the happiness of the eponymous heroine as she reaches the age of eighteen as a virtuous, well-educated heiress, married by her own choice to Count Harton. Her... |
| Intertextuality and Influence | Bryher | |
| Intertextuality and Influence | U. A. Fanthorpe | The title poem explains the implications of the title: I was set here / To watch. So I do, / And report, in cipher, to headquarters, / Which is an hypothesis. qtd. in Wainwright, Eddie. Taking Stock, A First Study of the Poetry of U.A. Fanthorpe. Peterloo Poets, 1995. 28 |
| Intertextuality and Influence | Mrs F. C. Patrick | MFCP
's title-page quotes Aulus Gellius
. Her preface claims that she is merely editing an authentic manuscript, and that the preface is her only original contribution to the book. She also claims to have... |
| Intertextuality and Influence | Maria Theresa Longworth | Set during the Crimean War, the novel recounts the tragic love affair between the young nurse Thierna and Captain Cyril Etherington. Rosenman, Ellen Bayuk. Unauthorized Pleasures. Cornell University Press, 2003. 164 Longworth, Maria Theresa. Martyrs to Circumstance. R. Bentley, 1861, 2 vols. 95 |
| Intertextuality and Influence | Clemence Dane | Will Shakespeare is written in blank verse, but does not imitate Elizabethan language. Subtitled an invention, the play dramatises Shakespeare
's early career as a writer, focusing on his move from Stratford to London... |
| Intertextuality and Influence | Sarah Fielding | This is a work of fiction, not documentary. It relates the stories of four ex-prostitutes sympathetically, presenting a strong argument for social reform. According to scholar Katherine Binhammer
, it is the most feminist among... |
| Intertextuality and Influence | Michelene Wandor | It proclaims: this is the story of two people // this is the story of two peoples // and one God / your God or mine? Wandor, Michelene. The Music of the Prophets. Arc Publications, 2006. 34 |
| Intertextuality and Influence | Mary Stewart | The novel is set in southern France: the action begins in Avignon and concludes in Marseilles. Epigraphs to chapters range through the traditional English literary canon—Chaucer
, Spenser
, Shakespeare
, Robert Browning |
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