William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Antonia Fraser
For readers familiar with the Shakespeare comedy (as Jemima certainly is), parallels are discernible between the personages and situations on stage and those of the actual world—parallels which are unsettling rather than helpful for Jemima...
Intertextuality and Influence Mrs Martin
The title-page quotes Shakespeare 's Romeo and Juliet, Oh serpent heart . . . . Though slightly schematic in plan, the novel features lively and winning pictures of family life. The marriages made by...
Intertextuality and Influence Elizabeth B. Lester
Its title-page quotes from Akenside , but the tutelary genius of the novel is Shakespeare , several of whose plays have left their mark on it. The story opens (recalling two of Mrs Ross 's...
Intertextuality and Influence Phebe Gibbes
In addition to its over-riding themes of colonialism and the marriage market, this novel, set in early British Calcutta (and incorporating a good deal of travel book material), is much concerned with literature and with...
Intertextuality and Influence Claire Luckham
The metatheatrical first act takes place during rehearsals for William ShakespeareRomeo and Juliet (in which Kemble made her triumphant stage debut on 5 October 1829); in it Kemble's aunt Sarah Siddons instructs her niece on playing...
Intertextuality and Influence Iris Murdoch
This time the novel's hidden template is Shakespeare 's The Tempest; IM also made use of her abortive engagement in 1945 to David Hicks .
Conradi, Peter J. “A Literary Witness to Good and Evil”. Guardian Weekly, Guardian Publications, 21 Feb. 1999, p. 24.
24
Conradi, Peter J. Iris Murdoch. A Life. HarperCollins, 2002.
229
Among her usual large cast of characters...
Intertextuality and Influence Rose Tremain
Most of the stories concern love, and some make creative use of the lives or works of other authors, like Tolstoy and Daphne Du Maurier . In The Closing DoorRT created a character who...
Intertextuality and Influence Ali Smith
This novel is set in Cornwall, as well as in a contemporary landscape of violent exclusion, lies, suffering.
Harris, Alexandra. “Book of the day. Winter by Ali Smith review—wise, generous and a thing of grace”. theguardian.com, 27 Oct. 2017.
Its protagonist, Sophia, dwells on these things in her mind, while her activist sister, Iris, has...
Intertextuality and Influence Dorothea Primrose Campbell
DPC was one of those claiming serious status for the novel by literary allusion. She uses Horace on her title-page, Pope to head the whole novel, and for chapter-headings Chaucer , Shakespeare , Goldsmith ...
Intertextuality and Influence Barbara Hofland
The title-page (like several earlier ones of BH ) quotes Shakespeare . The novel opens in 1726, with Catherine the first holding court in Russia after Peter the Great 's death. She had come to...
Intertextuality and Influence Adelaide Kemble
Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of...
Intertextuality and Influence Josephine Tey
Although Shakespeare 's Richard III clearly plays a major role in shaping the myth of Richard's villainy against which Tey writes, she alludes to this play only in passing, when a character comments on Laurence Olivier
Intertextuality and Influence Sarah Green
Under a perfunctory pretence of writing about the monarchs Henry VI and Edward IV , with dignifying chapter-headings from Shakespeare , Milton , Thomson , Prior , Gray , Pope , and the poems of...
Intertextuality and Influence Antonia Fraser
Jemima here makes her first attempt to be a detective as a fifteen-year-old convent schoolgirl. While many of these pieces, like the sardonically titled Have a Nice Death, are indeed murder stories, On the...
Intertextuality and Influence Mrs Martin
Indeed, as in MM 's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator...

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