William Shakespeare

-
Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Mary Stewart
The novel is set in southern France: the action begins in Avignon and concludes in Marseilles. Epigraphs to chapters range through the traditional English literary canon—Chaucer , Spenser , Shakespeare , Robert Browning
Intertextuality and Influence Emma Robinson
ER claims to be merely the editor here of an original source. As she tells it in the preface, while doing research for Owen Tudor she happened on some curious particulars that explained everything she...
Intertextuality and Influence Mary Elizabeth Braddon
MEB 's Hostages to Fortune, also published in 1875, gives a more sustained view of the theatre milieu than did A Strange World. It tells the story of Herman Westray's struggle to succeed...
Intertextuality and Influence U. A. Fanthorpe
The hospital poems in this volume present experiences of fear, pain, and alienation, with tirelessly exact observation and tireless compassion. The artist (that is, a typist concerned about the quality of her work) who speaks...
Intertextuality and Influence Roxburghe Lothian
RL sets out to portray Dante and Beatrice's relationship in the context of the social and political conditions that surrounded them, while simultaneously arguing that the Divina Commedia emerged from this real love, this...
Intertextuality and Influence Flora Thompson
From her account it is clear how she respects, even loves, the people she describes, but also how she is not one of them, but is marked off by tiny gradations of knowledge and privilege...
Intertextuality and Influence Henrietta Rouviere Mosse
The title-page quotes Shakespeare , who is then cited in the preface to justify the genre of historical fiction. HRM mentions her consultations of records and documents, and expresses her thanks to the gentlemen of...
Intertextuality and Influence Mrs Showes
The story begins where many novels end: with the happiness of the eponymous heroine as she reaches the age of eighteen as a virtuous, well-educated heiress, married by her own choice to Count Harton. Her...
Intertextuality and Influence Clemence Dane
Will Shakespeare is written in blank verse, but does not imitate Elizabethan language. Subtitled an invention, the play dramatises Shakespeare 's early career as a writer, focusing on his move from Stratford to London...
Intertextuality and Influence Sarah Fielding
This is a work of fiction, not documentary. It relates the stories of four ex-prostitutes sympathetically, presenting a strong argument for social reform. According to scholar Katherine Binhammer , it is the most feminist among...
Intertextuality and Influence Judith Kazantzis
Sister Invention is a new name for or new concept of that creative power that has sometimes been called the Muse, which recalls the way St Francis would address non-human beings as brothers. JK writes...
Intertextuality and Influence Edna O'Brien
The first half of the story is set in an imaginary western Irish village called Cloonoila, a strange but utterly convincing hybrid of the idyllic and the stultifyingly parochial. The second half is set in...
Intertextuality and Influence Margaret Sandbach
Again set in Florence, this play tells the tragic story of orphaned siblings, Laura Amidei and her older brother Count Amidei. They are joined together by an intense bond, felt most strongly by the...
Intertextuality and Influence Eliza Parsons
Each of the three volumes has a different quotation on its title-page: the last is Shakespeare 's defiant Freeze, freeze thou bitter sky, maintaining that harsh weather is mild compared with human injustice.
Parsons, Eliza. An Old Friend with a New Face. T. N. Longman, 1797, 3 vols.
3: title-page
Intertextuality and Influence Phyllis Bottome
The book describes the effects of bombing: effects on the cities of London and Liverpool, the Army , Navy , and Air Force , the Women's Auxiliary Services , and the lives of ordinary...

Timeline

Texts

No bibliographical results available.