William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Eleanor Sleath
At this point Gertrude hears a noise in her late husband's room; Ethelind sees a mysterious armed personage resembling him; Winifred sees a tall, white figure; Ormond offers to lie in wait for the ghost...
Intertextuality and Influence John Oliver Hobbes
Pearl Richards (later JOH ) read widely as a child and adolescent, and her parents' liberal views (and considerable fortune) meant that she could pursue her tastes in both the lending libraries and the less...
Intertextuality and Influence Elizabeth Jolley
The narrative voice (a Scottish one, apparently as a kind of joke) is complex and shifting, with irony fed by unstable reference to the central couple (now Muriel and Henry, now Mother and Father, and...
Intertextuality and Influence Antonia Fraser
For readers familiar with the Shakespeare comedy (as Jemima certainly is), parallels are discernible between the personages and situations on stage and those of the actual world—parallels which are unsettling rather than helpful for Jemima...
Intertextuality and Influence Mary Stewart
The title comes from Shakespeare 's Prospero, in the speech in which he abjures his magic and breaks his staff. It plays on a traditional identification of the island of Corfu with the mysterious island...
Intertextuality and Influence Sarah Grand
This novel, like the others in the trilogy, is set in the fictionalised Norwich: Morningquest. SG opened it with a quotation from Emilia in Shakespeare 's Othello, claiming the right and duty to...
Intertextuality and Influence Rachel Hunter
The preface opens by quoting Johnson 's view of Shakespeare as the poet of nature who moved away from the universal reliance of dramatists on romantic love as the only motive for action. What a...
Intertextuality and Influence Louise Page
At thirteen, profoundly affected by a Saturday matinee of John McGrath 's Events While Guarding the Bofors Gun and by the idea that theatre can change people's lives, she decided to be a playwright.
Page, Louise. “Tissue”. Plays by Women: Volume One, edited by Michelene Wandor and Michelene Wandor, Methuen, pp. 75-103.
103
Intertextuality and Influence Regina Maria Roche
The heroine suffers under not one but two bad mother-figures, neither of whom is her birth mother. It opens with Greville, a country curate whose spirit has been wounded by the vice and deceit of...
Intertextuality and Influence Jane West
JW 's preface invokes Shakespeare , Virgil , Homer , and Sir Walter Scott (she later adds Thomas Percy ) as more acceptable exemplars for romance than either the French romances (implicitly those of Madeleine de Scudéry
Intertextuality and Influence Louisa Anne Meredith
Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)...
Intertextuality and Influence Pat Arrowsmith
PA kept a very detailed diary between the ages of thirteen and fifteen. She published excerpts and illustrations from it, with passages from her two juvenile novels, in I Should Have Been a Hornby Train...
Intertextuality and Influence Emily Jane Pfeiffer
Valisneria tells the story of a young couple who decide, since they have abounding wealth and happiness in each other, they will resign the company of all other society. After a time however, the two...
Intertextuality and Influence Flora Thompson
She opened with remarkable clarity, confidence, and accuracy for an entirely self-taught critic: Before Jane Austen began to write, the novelists of her day had depended on involved plot, sensational incident, and the long arm...
Intertextuality and Influence Virginia Woolf
This is the first of Woolf's a London novels, and is set unambiguously in the recent past, in the period of the suffrage struggle before the first world war. It is a story of courtship...

Timeline

Texts

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