Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Rhoda Broughton | Critics have pointed to a range of influences and allusions in this novel. Kate Flint
has suggested that the representation of the sorrowful-eyed aesthete Francis Chaloner was a satiric jab at Oscar Wilde
, who... |
| Intertextuality and Influence | Buchi Emecheta | During her schooldays literature was her greatest escape. Emecheta, Buchi. Head Above Water. Heinemann, 1994. 19 |
| Intertextuality and Influence | Henrietta Camilla Jenkin | The subtitle of this novel (which in earlier centuries had been the title of a bawdy song) here alludes to a proverb about the impossible perfections of maids' husbands and bachelors' children. This first novel... |
| Intertextuality and Influence | Regina Maria Roche | Critic Amanda Burgess
sees this as perhaps the earliest example of the Irish national tale, and of a shift in RMR
's literary focus from England to Ireland which coincided with her own move in... |
| Intertextuality and Influence | Pamela Hansford Johnson | This is a satirical novel set on a US campus—though not, PHJ
insists, embodying any identifiable place or people. The title, from Shakespeare
's Midsummer Night's Dream, suggests that the campus of the story... |
| Intertextuality and Influence | Anna Maria Mackenzie | The title-page bears a quotation from Shakespeare
; the dedication argues that the rebel Monmouth was wrong but deserving of pity. The story traces the fate of a family named Bruce; it opens with a... |
| Intertextuality and Influence | Elizabeth Sarah Gooch | In this version of her life-story, ESG
traces her fall back to her mother's refusal to allow her to marry her first love. She accords this refusal a passage of purple prose beginning Ah! wherefore... |
| Intertextuality and Influence | Elizabeth Boyd | |
| Intertextuality and Influence | Naomi Jacob | Her theatrical memoirs are unchronological, unsorted, anecdotal, and vivid. She enjoys relating clashes or conflicts in which she comes out on top. She describes herself as solidly patriotic, though not one of the Union-Jack-waving Britishers... |
| Intertextuality and Influence | Margaret Atwood | Several stories in Good Bones delight in giving something to say for themselves to literary characters generally understood to be beyond sympathy (the stepmother, the ugly sister, Gertrude in Shakespeare
's Hamlet). Others employ... |
| Intertextuality and Influence | Rhoda Broughton | A Beginner tells the story of Emma Jocelyn, a young woman who writes a novel called Miching Mallecho. (The title, drawn from Hamlet, elicits the following exchange between Emma and her aunt in... |
| Intertextuality and Influence | Sarah Scudgell Wilkinson | The title-page quotes Shakespeare
's Macbeth. A vivid, to-the-moment opening introduces a tale of revenge and restored inheritance. Add another fagot [sic] to the fire, and replenish the flask, said the aged Martin to... |
| Intertextuality and Influence | Jane Harvey | The title-page quotes Shakespeare
. This novel follows, with serious concern as well as satirical humour, the career choices made by the sons of the Cleavland family. Their father favours science and agriculture, which he... |
| Intertextuality and Influence | Mary Julia Young | The earlier Adelaide and Antonine, whose lovers take refuge from the French Revolution in England, is balanced by Agnes, or The Wanderer, whose protagonist (another Revolution victim) is ordered by her doomed husband... |
| Intertextuality and Influence | Regina Maria Roche | The heroine suffers under not one but two bad mother-figures, neither of whom is her birth mother. It opens with Greville, a country curate whose spirit has been wounded by the vice and deceit of... |
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