Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Charlotte Nooth | CN
refers to several canonical English names (Pope
, Reynolds
, Garrick
, Shakespeare
, and Edmund Kean
in her first poem), and relates closely to continental women. She praises Germaine de Staël
for... |
Intertextuality and Influence | Catherine Gore | The title-page quotes Shakespeare
's Richard II about the deposing of a king. The novel opens with precision: at five o'clock on 22 June 1791, with aristocrats fearful for their fate in the aftermath of... |
Intertextuality and Influence | Anne Grant | |
Intertextuality and Influence | Georgiana Fullerton | The novel's title foregrounds GF
's perhaps fantastic extrapolation from history, justified in the Introduction with the assertion that Truth and fiction are closely blended in this tale. . . . Those who are sometimes... |
Intertextuality and Influence | Rachel Hunter | Rachel, an heiress, gives her heart to a poor man whose family oppose the match for fear of being seen as mercenary. She is also something of a social rebel, a feminist (fond of gender-bending... |
Intertextuality and Influence | Ketaki Kushari Dyson | KKD
's concern about the treatment of women is further exemplified in her poem on the fetishization of Sylvia Plath
's suicide, Myths and Monsters. Dyson suggests that Plath's martyrdom occurred out of a... |
Intertextuality and Influence | Louisa Anne Meredith | Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)... |
Intertextuality and Influence | Ella Wheeler Wilcox | Without ever owning the complete works of Théophile Gautier
, Alphonse Daudet
, Shakespeare
, Byron
, or Swinburne
, she read bits and pieces of them all, and they helped to shape her style... |
Intertextuality and Influence | U. A. Fanthorpe | The title is ironical, the houses concerned being damaged in the blitz, or such famous fictional dwellings as Ibsen
's Doll's House and Dunsinane Castle in Shakespeare
's Macbeth. Wainwright, Eddie. Taking Stock, A First Study of the Poetry of U.A. Fanthorpe. Peterloo Poets, 1995. 89 |
Intertextuality and Influence | Maria Jane Jewsbury | The book's first and longest piece, The History of an Enthusiast, is strongly influenced by Germaine de Staël
's novel Corinne; ou, L'Italie. Fryckstedt, Monica Correa. “The Hidden Rill: The Life and Career of Maria Jane Jewsbury, II”. Bulletin of the John Rylands University Library of Manchester, Vol. 67 , No. 1, The Library, 1 Sept.–30 Nov. 1984, pp. 450-73. 451 |
Intertextuality and Influence | Regina Maria Roche | The heroine suffers under not one but two bad mother-figures, neither of whom is her birth mother. It opens with Greville, a country curate whose spirit has been wounded by the vice and deceit of... |
Intertextuality and Influence | Margaret Cavendish | Her address to her husband rejoices that he has never bidden her to stop writing and work (that is do needlework) instead. In this connection she quotes from Lord Denny
's attempt to silence Lady Mary Wroth |
Intertextuality and Influence | Sarah Kane | The language, entirely spare and unadorned, links the play on the one hand to contemporary television reports and on the other to the ancient mode of tragedy. Ian with his eyes put out unaffectedly recalls... |
Intertextuality and Influence | Ethel Mannin | Ragged Banners also addresses questions of genre. The text includes an index which lists on the one hand names of notable literary figures (including Ethel M. Dell
, T. S. Eliot
, and Shakespeare
... |
Intertextuality and Influence | Elizabeth Isabella Spence | The title-page quotes are from Nicholas Rowe
's Jane Shore and an unidentified old play. Spence, Elizabeth Isabella. Dame Rebecca Berry. Longman, Rees, Orme, Brown and Green , 1827, 3 vols. prelims |
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