Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Mary Delany | Janice Thaddeus
discusses the prerogative MD
assumed in giving names of her own invention to people and places. Her uncle Lansdowne was Alcander (a violent man mentioned in Plutarch
's Lives, who was forgiven... |
| Intertextuality and Influence | Rumer Godden | RG
found this negotiation among publishers traumatic. She had updated Shakespeare
's The Tempest in the spirit of the entertainments which Graham Greene
used to intersperse among his serious novels. Spencer Curtis
thought the story... |
| Intertextuality and Influence | Frances Isabella Duberly | The title-page quotes James Beattie
and Shakespeare
. For dedication, five stanzas from Longfellow
addressed to absent friends invoke again members of the Eighth Hussars
. FID
's preface declares her intention of reporting the... |
| Intertextuality and Influence | Ann Radcliffe | Influences on AR
's writings include the opera, contemporary travel writers, and Joseph Priestley
's Course of Lectures on Oratory and Criticism, 1777. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 67 |
| Intertextuality and Influence | Sarah Green | The plot owes something to Charlotte Lennox
's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney
, then Radcliffe
, then Owenson
, then Rosa Matilda |
| Intertextuality and Influence | Naomi Jacob | The book is headed by a quotation from As You Like ItWilliam Shakespeare
: Cupid hath clapped him on the shoulder. qtd. in Jacob, Naomi. The Man who Found Himself. Robert Hale, 1973. prelims |
| Intertextuality and Influence | Eliza Kirkham Mathews | The novel which emerged from so much interference during composition is naive, exaggerated, and badly structured, but highly unusual, with great intensity in its writing. Its title-page quotes Thomas Holcroft
, and its epigraphs to... |
| Intertextuality and Influence | Rhoda Broughton | Critics have pointed to a range of influences and allusions in this novel. Kate Flint
has suggested that the representation of the sorrowful-eyed aesthete Francis Chaloner was a satiric jab at Oscar Wilde
, who... |
| Intertextuality and Influence | Buchi Emecheta | During her schooldays literature was her greatest escape. Emecheta, Buchi. Head Above Water. Heinemann, 1994. 19 |
| Intertextuality and Influence | Emily Jane Pfeiffer | Valisneria tells the story of a young couple who decide, since they have abounding wealth and happiness in each other, they will resign the company of all other society. After a time however, the two... |
| Intertextuality and Influence | Thomas Hardy | Arguably Hardy's most melodramatic qtd. in Sutherland, John, b. 1938. The Stanford Companion to Victorian Fiction. Stanford University Press, 1989. |
| Intertextuality and Influence | Susan Ferrier | The Inheritance opens with what sounds like an allusion to Jane Austen
: It is a truth, universally acknowledged, that there is no passion so deeply rooted in human nature as that of pride. qtd. in Cullinan, Mary. Susan Ferrier. Twayne, 1984. 75 |
| Intertextuality and Influence | Rose Macaulay | This novel is both social history and satire, covering territory similar to that of Virginia Woolf
's The Years and May Sinclair
's The Tree of Heaven. Like these, it traces the lives of... |
| Intertextuality and Influence | Rumer Godden | Its setting is Catford Street, an ordinary, poor street in shabby postwar London, and the elegant Square round the corner. Its protagonist is a child waif, Lovejoy Mason; RG
's theme is the childhood... |
| Intertextuality and Influence | P. D. James | As the work opens, Cordelia, slight of body, determined of will, savvy of mind Gidez, Richard. P. D. James. Twayne, 1986. 56 |
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