Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Hannah More | The title-page quotation from Paradise Lost features the archangel Raphael's pronouncement that it is better for human beings to know That which before us lies in daily life than things remote. Feminist Companion Archive. |
Intertextuality and Influence | Rose Tremain | Most of the stories concern love, and some make creative use of the lives or works of other authors, like Tolstoy
and Daphne Du Maurier
. In The Closing DoorRT
created a character who... |
Intertextuality and Influence | Sarah Harriet Burney | The Shipwreck presents (with memories of William ShakespeareThe Tempest as well as Daniel DefoeRobinson Crusoe) Sabor, Peter. “Part of an Englishwoman’s Constitution: Sarah Harriet Burney and Shakespeare”. Canadian Society for Eighteenth-Century Studies conference, 12 Oct. 2018. |
Intertextuality and Influence | Ali Smith | This novel is set in Cornwall, as well as in a contemporary landscape of violent exclusion, lies, suffering. Harris, Alexandra. “Book of the day. Winter by Ali Smith review—wise, generous and a thing of grace”. theguardian.com, 27 Oct. 2017. |
Intertextuality and Influence | Elizabeth Jolley | The narrative voice (a Scottish one, apparently as a kind of joke) is complex and shifting, with irony fed by unstable reference to the central couple (now Muriel and Henry, now Mother and Father, and... |
Intertextuality and Influence | Theodora Benson | While the title alludes to Lewis Carroll
, the chapters are headed with quotations which begin with Shakespeare
and Verlaine
, move through such less usual sources as Punch and Rupert Brooke
, and conclude... |
Intertextuality and Influence | Josephine Tey | Although Shakespeare
's Richard III clearly plays a major role in shaping the myth of Richard's villainy against which Tey writes, she alludes to this play only in passing, when a character comments on Laurence Olivier |
Intertextuality and Influence | Julia Constance Fletcher | The Prince of Morocco is an extraordinary fantasy whose implications are hard to fathom. The man who lost his chance of marriage to Shakespeare
's Portia by choosing the golden casket is here only nicknamed... |
Intertextuality and Influence | Ngaio Marsh | The theatre where the action unfolds is the Dolphin, from Marsh's novel of 1966. The personages include a range of life-larger actors including a mysterious young New Zealander of Maori blood and the looming, awful... |
Intertextuality and Influence | Mary Webb | As a child Mary Meredith (later MW
) wrote stories for her younger brothers and sisters. She first had her writing published after the family moved to Stanton-on-Hine Heath, in the parish magazine. Davies, Linda. Mary Webb Country. Palmers Press, 1990. 4 |
Intertextuality and Influence | Mrs Ross | The title-page quotes Shakespeare
. The story has no chapter divisions, though it is often broken by flashback or by letters. While melodramatic, it is unconventional in its avoidance of the standard courtship plot, happy... |
Intertextuality and Influence | Elizabeth Hamilton | |
Intertextuality and Influence | Julia Pardoe | JP
divides the experiences of life into three stages: anticipation—reality—and reminiscence; and it is more difficult than it at first appears to be, to decide on the comparative extent and value of each. Hope is... |
Intertextuality and Influence | Elizabeth Meeke | Jane, a widow whose only child is dead, decides to marry again, and picks the young Marquess of Montrath, heir to an earldom, whom she has first seen as a fellow visitor to the spunging-house... |
Intertextuality and Influence | Pat Arrowsmith | PA
kept a very detailed diary between the ages of thirteen and fifteen. She published excerpts and illustrations from it, with passages from her two juvenile novels, in I Should Have Been a Hornby Train... |
Timeline
No timeline events available.
Texts
No bibliographical results available.