Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Dorothy L. Sayers | The academic background gives DLS
an excuse for lavish literary quotation: from Greek, from Shakespeare
and other canonical writers, many of them Elizabethan, and from moderns like Humbert Wolfe
. Her Oxford
is the preserve... |
| Intertextuality and Influence | Ann Hatton | Here AH
opens by quoting Shakespeare
, and applies her usual vivacious style and sense of immediacy to the story of a man who is wrongfully imprisoned, and eventually released only to find his wife... |
| Intertextuality and Influence | Hannah More | The title-page quotation from Paradise Lost features the archangel Raphael's pronouncement that it is better for human beings to know That which before us lies in daily life than things remote. Feminist Companion Archive. |
| Intertextuality and Influence | Angela Carter | According to Linden Peach
, the writings of Bertolt Brecht
and Mikhail Bakhtin
influenced AC
's notions of theatre and the carnivalesque, which are central features of Nights at the Circus. However, Peach went... |
| Intertextuality and Influence | Elizabeth Jolley | The narrative voice (a Scottish one, apparently as a kind of joke) is complex and shifting, with irony fed by unstable reference to the central couple (now Muriel and Henry, now Mother and Father, and... |
| Intertextuality and Influence | Hélène Cixous | Reading myths, she finds, she has equal difficulty inhabiting characters of hyper-masculine men and of oppressed women: she wants instead to read about women who love themselves, who are alive, who are not debased, overshadowed... |
| Intertextuality and Influence | Anne Grant | |
| Intertextuality and Influence | Rachel Hunter | Rachel, an heiress, gives her heart to a poor man whose family oppose the match for fear of being seen as mercenary. She is also something of a social rebel, a feminist (fond of gender-bending... |
| Intertextuality and Influence | Mary Elizabeth Braddon | MEB
's Hostages to Fortune, also published in 1875, gives a more sustained view of the theatre milieu than did A Strange World. It tells the story of Herman Westray's struggle to succeed... |
| Intertextuality and Influence | Louisa Anne Meredith | Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)... |
| Intertextuality and Influence | U. A. Fanthorpe | The hospital poems in this volume present experiences of fear, pain, and alienation, with tirelessly exact observation and tireless compassion. The artist (that is, a typist concerned about the quality of her work) who speaks... |
| Intertextuality and Influence | Elizabeth Strutt | The title-page quotes Shakespeare
: later on Pope
, Thomson
, Thomas Tickell
, Charles Cotton
, and others are quoted too. Characters include a seducer and promiser-breaker who dies in a duel. The central... |
| Intertextuality and Influence | Mrs F. C. Patrick | MFCP
's title-page quotes Shakespeare
. Her novel is a first-person narrative by Augusta O'Flaherty, the child of a mixed marriage between an Irish squire of ancient Catholic stock and the violently anti-Irish daughter of... |
| Intertextuality and Influence | Maria Jane Jewsbury | The book's first and longest piece, The History of an Enthusiast, is strongly influenced by Germaine de Staël
's novel Corinne; ou, L'Italie. Fryckstedt, Monica Correa. “The Hidden Rill: The Life and Career of Maria Jane Jewsbury, II”. Bulletin of the John Rylands University Library of Manchester, Vol. 67 , No. 1, The Library, 1 Sept.–30 Nov. 1984, pp. 450-73. 451 |
| Intertextuality and Influence | Angela Carter | The action in the novel takes place over one day, in which the two elderly actresses Dora and Nora Chance (who are twin sisters) are celebrating their seventy-fifth birthday. They share their birthdate with their... |
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