Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Clementina Black | Meanwhile Orlando establishes a relationship of friendship and equality with Viola Cash, a young woman who embodies intelligence, practicality, and activity as well as beauty. She supports improved education for women, and is not afraid... |
| Intertextuality and Influence | Catherine Gore | The title-page quotes Shakespeare
's Richard II about the deposing of a king. The novel opens with precision: at five o'clock on 22 June 1791, with aristocrats fearful for their fate in the aftermath of... |
| Intertextuality and Influence | Maria Theresa Kemble | Its plot is of the same type as that of Shakespeare
's The Taming of the Shrew.William Shakespeare |
| Intertextuality and Influence | Frances Jacson | |
| Intertextuality and Influence | Bryony Lavery | Ophelia: A Comedy, a rewriting of the play-within-a-play in Shakespeare
's Hamlet, mercilessly scrambles the plot, and has assimilated characters from other plays: Portia, Goneril, Lady Capulet, Juliet's Nurse, and Cleopatra's Charmian. Charmian... |
| Intertextuality and Influence | Candia McWilliam | All the characters are fond of aphorisms (from Anne we get Bitterness is wanton, like showing the hangman the gauge of your neck . . . . It also comes easily to lazy sentimentalists McWilliam, Candia. A Case of Knives. Bloomsbury, 1987. 187 |
| Intertextuality and Influence | Rhoda Broughton | RB
's satire here embraces the publishing industry and its pandering to readers' tastes. Emma's cousin Lesbia is apparently representative of a particular type of circulating-library reader; much to Emma's mortification, she likes Miching Mallecho... |
| Intertextuality and Influence | Bernardine Evaristo | BE
substitutes another name for the surname she shares with her father, but gives her mother's birth name as in life. Her narrator is not Bernardine but Lara, short for Owolara, which means the family... |
| Intertextuality and Influence | Ella Wheeler Wilcox | Without ever owning the complete works of Théophile Gautier
, Alphonse Daudet
, Shakespeare
, Byron
, or Swinburne
, she read bits and pieces of them all, and they helped to shape her style... |
| Intertextuality and Influence | Jane Harvey | The title-page quotes Shakespeare
. This novel follows, with serious concern as well as satirical humour, the career choices made by the sons of the Cleavland family. Their father favours science and agriculture, which he... |
| Intertextuality and Influence | Deborah Levy | In Macbeth—False Memory she professed not to be adaptating Shakespeare
, but the play features the murder of one businessman by another, followed by a haunting and a quest for revenge, all in an emphatically... |
| Intertextuality and Influence | Ruth Padel | RP
takes the journey as the most central of all poetic images. The first part of her book is a guide to reading poetry, divided under headings of which many include the words journey,... |
| Intertextuality and Influence | Caryl Churchill | The 1986 deregulation of the stock market—the Big Bang—by fortunate coincidence Churchill, Caryl. Serious Money. Revised and Re-issued Edition in the Methuen Modern Play Series, Methuen, 1990. prelims |
| Intertextuality and Influence | Antonia Fraser | For readers familiar with the Shakespeare
comedy (as Jemima certainly is), parallels are discernible between the personages and situations on stage and those of the actual world—parallels which are unsettling rather than helpful for Jemima... |
| Intertextuality and Influence | Elizabeth Isabella Spence | The title-page quotes are from Nicholas Rowe
's Jane Shore and an unidentified old play. Spence, Elizabeth Isabella. Dame Rebecca Berry. Longman, Rees, Orme, Brown and Green , 1827, 3 vols. prelims |
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