Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Mrs E. M. Foster | As an epistolary novel, Concealment lacks the characteristic metanarrative of other MEMF
novels, though an interesting prologue addressed to the reader from the Authoress cautions against the practice of concealment. Foster also identifies herself, in... |
Intertextuality and Influence | Jennifer Johnston | Its story relates in flashback the life of strong-minded, unsuccessful writerConstance Keating, who has always been something of a misfit to her Irish family. The book opens with a letter she sends to Jacob Weinberg... |
Intertextuality and Influence | Iris Murdoch | The central plot features the relationship between two writers: Bradley Pearson, whose severe standards have caused him to suffer from writer's block, and Arnold Baffin, a more facile and popular author, discovered by Pearson. Baffin's... |
Intertextuality and Influence | Mrs Ross | Southampton turns out to be too bashful to speak in parliament, and also too weak to withstand the mockery of rakish friends for his fidelity to his wife. He suffers agony of conscience over his... |
Intertextuality and Influence | Louise Page | At thirteen, profoundly affected by a Saturday matinee of John McGrath
's Events While Guarding the Bofors Gun and by the idea that theatre can change people's lives, she decided to be a playwright. Page, Louise. “Tissue”. Plays by Women: Volume One, edited by Michelene Wandor and Michelene Wandor, Methuen, 1982, pp. 75-103. 103 |
Intertextuality and Influence | Isabella Kelly | The title-page quotes from Shakespeare
: lines from Othello and Macbeth, about prison and murder. The heroine, Ethelinde, grows up in a poor cottage (among woods and pastures, close by the ruined priory in... |
Intertextuality and Influence | Rumer Godden | RG
found this negotiation among publishers traumatic. She had updated Shakespeare
's The Tempest in the spirit of the entertainments which Graham Greene
used to intersperse among his serious novels. Spencer Curtis
thought the story... |
Intertextuality and Influence | Harriet Martineau | Writing to Mary Russell Mitford
of her hope that they might meet, HM
acknowledged the influence which the spirit of your writings has had over me. qtd. in L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett, 1882, 2 vols. 1: 263-4 |
Intertextuality and Influence | Ann Radcliffe | Influences on AR
's writings include the opera, contemporary travel writers, and Joseph Priestley
's Course of Lectures on Oratory and Criticism, 1777. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 67 |
Intertextuality and Influence | Elizabeth B. Lester | This title-page quotes from William Falconer
and the Latin poet Martial
. The novel opens on the usually flighty Philippa Egerton contemplating her imminent marriage to Sir Thomas Clervaux, whose chief talent is for dancing... |
Intertextuality and Influence | Anne Sexton | She titled the volume from the words of Shakespeare
's character Macduff when he hears of the murder of his wife and children; this borrowing was suggested by James Wright
. Middlebrook, Diane Wood. Anne Sexton: A Biography. Houghton Mifflin, 1991. 163 |
Intertextuality and Influence | Teresia Constantia Phillips | TCP
placed on the title-page of her Apology a quotation from Nicholas Rowe
's The Fair Penitent, the period's most famous treatment of a woman who is deserving although fallen. She later emphasises her... |
Intertextuality and Influence | Mary Delany | Janice Thaddeus
discusses the prerogative MD
assumed in giving names of her own invention to people and places. Her uncle Lansdowne was Alcander (a violent man mentioned in Plutarch
's Lives, who was forgiven... |
Intertextuality and Influence | Claire Luckham | The metatheatrical first act takes place during rehearsals for William ShakespeareRomeo and Juliet (in which Kemble made her triumphant stage debut on 5 October 1829); in it Kemble's aunt Sarah Siddons
instructs her niece on playing... |
Intertextuality and Influence | Iris Murdoch | This time the novel's hidden template is Shakespeare
's The Tempest; IM
also made use of her abortive engagement in 1945 to David Hicks
. Conradi, Peter J. “A Literary Witness to Good and Evil”. Guardian Weekly, Guardian Publications, 21 Feb. 1999, p. 24. 24 Conradi, Peter J. Iris Murdoch. A Life. HarperCollins, 2002. 229 |
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