Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Margaret Atwood | Several stories in Good Bones delight in giving something to say for themselves to literary characters generally understood to be beyond sympathy (the stepmother, the ugly sister, Gertrude in Shakespeare
's Hamlet). Others employ... |
Intertextuality and Influence | Rhoda Broughton | A Beginner tells the story of Emma Jocelyn, a young woman who writes a novel called Miching Mallecho. (The title, drawn from Hamlet, elicits the following exchange between Emma and her aunt in... |
Intertextuality and Influence | Ella Wheeler Wilcox | Without ever owning the complete works of Théophile Gautier
, Alphonse Daudet
, Shakespeare
, Byron
, or Swinburne
, she read bits and pieces of them all, and they helped to shape her style... |
Intertextuality and Influence | Louisa Anne Meredith | Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)... |
Intertextuality and Influence | Maria Theresa Longworth | Set during the Crimean War, the novel recounts the tragic love affair between the young nurse Thierna and Captain Cyril Etherington. Rosenman, Ellen Bayuk. Unauthorized Pleasures. Cornell University Press, 2003. 164 Longworth, Maria Theresa. Martyrs to Circumstance. R. Bentley, 1861, 2 vols. 95 |
Intertextuality and Influence | Clementina Black | Meanwhile Orlando establishes a relationship of friendship and equality with Viola Cash, a young woman who embodies intelligence, practicality, and activity as well as beauty. She supports improved education for women, and is not afraid... |
Intertextuality and Influence | Ruth Padel | RP
takes the journey as the most central of all poetic images. The first part of her book is a guide to reading poetry, divided under headings of which many include the words journey,... |
Intertextuality and Influence | Sarah Kane | The language, entirely spare and unadorned, links the play on the one hand to contemporary television reports and on the other to the ancient mode of tragedy. Ian with his eyes put out unaffectedly recalls... |
Intertextuality and Influence | Ethel Mannin | Ragged Banners also addresses questions of genre. The text includes an index which lists on the one hand names of notable literary figures (including Ethel M. Dell
, T. S. Eliot
, and Shakespeare
... |
Intertextuality and Influence | Elizabeth Isabella Spence | The title-page quotes are from Nicholas Rowe
's Jane Shore and an unidentified old play. Spence, Elizabeth Isabella. Dame Rebecca Berry. Longman, Rees, Orme, Brown and Green , 1827, 3 vols. prelims |
Intertextuality and Influence | Catherine Gore | CG
calls Quid Pro Quoa bustling play of the Farquhar
, or George Colman
school. Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, 1999, pp. 1-34. 28 |
Intertextuality and Influence | Sarah Grand | This novel, like the others in the trilogy, is set in the fictionalised Norwich: Morningquest. SG
opened it with a quotation from Emilia in Shakespeare
's Othello, claiming the right and duty to... |
Intertextuality and Influence | Rachel Hunter | The preface opens by quoting Johnson
's view of Shakespeare
as the poet of nature who moved away from the universal reliance of dramatists on romantic love as the only motive for action. What a... |
Intertextuality and Influence | Emma Jane Worboise | The title-page quotes Shakespeare
on the marriage of true minds. This novel explores various motives for marriage and traces the experience of a group of married couples. It begins with the five Miss Phipson sisters... |
Intertextuality and Influence | Gillian Slovo | The epigraph is a statement about truth from Shakespeare
's Henry IV Part One. The protagonist of this novel, Sarah Barcant, was born in Smitsrivier, a dusty little South African town dominated by its... |
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