William Shakespeare

-
Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Jane West
JW 's preface invokes Shakespeare , Virgil , Homer , and Sir Walter Scott (she later adds Thomas Percy ) as more acceptable exemplars for romance than either the French romances (implicitly those of Madeleine de Scudéry
Intertextuality and Influence Dorothy L. Sayers
The academic background gives DLS an excuse for lavish literary quotation: from Greek, from Shakespeare and other canonical writers, many of them Elizabethan, and from moderns like Humbert Wolfe . Her Oxford is the preserve...
Intertextuality and Influence Ann Hatton
Here AH opens by quoting Shakespeare , and applies her usual vivacious style and sense of immediacy to the story of a man who is wrongfully imprisoned, and eventually released only to find his wife...
Intertextuality and Influence Hannah More
The title-page quotation from Paradise Lost features the archangel Raphael's pronouncement that it is better for human beings to know That which before us lies in daily life than things remote.
Feminist Companion Archive.
According to critic...
Intertextuality and Influence Angela Carter
According to Linden Peach , the writings of Bertolt Brecht and Mikhail Bakhtin influenced AC 's notions of theatre and the carnivalesque, which are central features of Nights at the Circus. However, Peach went...
Intertextuality and Influence Emma Robinson
Finding hisprogress in a noble art
Athenæum. J. Lection.
858 (1844): 311
unjustly barred, he now writes bitterly of the way that intellectual property is downgraded and exploited in contrasted with all real property, which is...
Intertextuality and Influence John Oliver Hobbes
Pearl Richards (later JOH ) read widely as a child and adolescent, and her parents' liberal views (and considerable fortune) meant that she could pursue her tastes in both the lending libraries and the less...
Intertextuality and Influence Charlotte Nooth
CN refers to several canonical English names (Pope , Reynolds , Garrick , Shakespeare , and Edmund Kean in her first poem), and relates closely to continental women. She praises Germaine de Staël for...
Intertextuality and Influence Hélène Cixous
She finds an answer in yet another myth (or rather an embroidered story from history), that of Antony and Cleopatra, where the lovers are not trapped by hierarchy, but connected as equals by love: The...
Intertextuality and Influence Anne Grant
As well as her central allusion to Barbauld, AG claims authority for her work by quoting Milton on her title-page and later as well, and by echoing, in her deliberately derivative, that is traditional style...
Intertextuality and Influence Rachel Hunter
Rachel, an heiress, gives her heart to a poor man whose family oppose the match for fear of being seen as mercenary. She is also something of a social rebel, a feminist (fond of gender-bending...
Intertextuality and Influence Mary Elizabeth Braddon
MEB 's Hostages to Fortune, also published in 1875, gives a more sustained view of the theatre milieu than did A Strange World. It tells the story of Herman Westray's struggle to succeed...
Intertextuality and Influence Louisa Anne Meredith
Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)...
Intertextuality and Influence U. A. Fanthorpe
The hospital poems in this volume present experiences of fear, pain, and alienation, with tirelessly exact observation and tireless compassion. The artist (that is, a typist concerned about the quality of her work) who speaks...
Intertextuality and Influence Elizabeth Strutt
The title-page quotes Shakespeare : later on Pope , Thomson , Thomas Tickell , Charles Cotton , and others are quoted too. Characters include a seducer and promiser-breaker who dies in a duel. The central...

Timeline

Texts

No bibliographical results available.