Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Catherine Gore | The title-page quotes Shakespeare
's Richard II about the deposing of a king. The novel opens with precision: at five o'clock on 22 June 1791, with aristocrats fearful for their fate in the aftermath of... |
| Intertextuality and Influence | Maria Theresa Kemble | Its plot is of the same type as that of Shakespeare
's The Taming of the Shrew.William Shakespeare |
| Intertextuality and Influence | Frances Jacson | |
| Intertextuality and Influence | Candia McWilliam | The book is simple and singular in plot and sparse in characters compared with CMW
's first, but here too a central character is pregnant through most of the action. Here too literary references come... |
| Intertextuality and Influence | Anna Wickham | This collection represents a significant departure from AW
's earlier work in its adoption of literary conventions. Peopled with jesters, knights, witches, and shepherdesses, the poems in this volume incorporate historical (Anglo-Saxon and Elizabethan), mythological... |
| Intertextuality and Influence | Mary Sidney Herbert Countess of Pembroke | This play provoked Samuel Daniel
to respond with The Tragedy of Cleopatra (published in another work in 1594), and influenced Shakespeare
's Antony and Cleopatra. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Hannay, Margaret P. Philip’s Phoenix: Mary Sidney, Countess of Pembroke. Oxford University Press, 1990, http://U of A HSS. 253n106 |
| Intertextuality and Influence | Jane Harvey | Again her title-page quotes Shakespeare
. The novel opens with a musical party in the housekeeper's room at Cassilwood House in Northumberland on the fifth of November at the time of the second Jacobite Rebellion... |
| Intertextuality and Influence | Deborah Levy | In Macbeth—False Memory she professed not to be adaptating Shakespeare
, but the play features the murder of one businessman by another, followed by a haunting and a quest for revenge, all in an emphatically... |
| Intertextuality and Influence | Ruth Padel | RP
takes the journey as the most central of all poetic images. The first part of her book is a guide to reading poetry, divided under headings of which many include the words journey,... |
| Intertextuality and Influence | Caryl Churchill | The 1986 deregulation of the stock market—the Big Bang—by fortunate coincidence Churchill, Caryl. Serious Money. Revised and Re-issued Edition in the Methuen Modern Play Series, Methuen, 1990. prelims |
| Intertextuality and Influence | Antonia Fraser | For readers familiar with the Shakespeare
comedy (as Jemima certainly is), parallels are discernible between the personages and situations on stage and those of the actual world—parallels which are unsettling rather than helpful for Jemima... |
| Intertextuality and Influence | Elizabeth Isabella Spence | The title-page quotes are from Nicholas Rowe
's Jane Shore and an unidentified old play. Spence, Elizabeth Isabella. Dame Rebecca Berry. Longman, Rees, Orme, Brown and Green , 1827, 3 vols. prelims |
| Intertextuality and Influence | Catherine Gore | CG
calls Quid Pro Quoa bustling play of the Farquhar
, or George Colman
school. Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, 1999, pp. 1-34. 28 |
| Intertextuality and Influence | Matilda Charlotte Houstoun | MCH
raises the tone of her work with chapter-headings from Wordsworth
, Shakespeare
, Dryden
, and others, most of them asserting the value of the poor and powerless, or protesting about the deficiencies of... |
| Intertextuality and Influence | May Kendall | The title comes from Mercutio's speech about the Queen of the Fairies in Shakespeare
's Romeo and Juliet; MK
quotes the opening of this speech on her title-page. |
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