Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Anna Wickham | This collection represents a significant departure from AW
's earlier work in its adoption of literary conventions. Peopled with jesters, knights, witches, and shepherdesses, the poems in this volume incorporate historical (Anglo-Saxon and Elizabethan), mythological... |
Intertextuality and Influence | Mary Sidney Herbert Countess of Pembroke | This play provoked Samuel Daniel
to respond with The Tragedy of Cleopatra (published in another work in 1594), and influenced Shakespeare
's Antony and Cleopatra. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Hannay, Margaret P. Philip’s Phoenix: Mary Sidney, Countess of Pembroke. Oxford University Press, 1990, http://U of A HSS. 253n106 |
Intertextuality and Influence | Margaret Cavendish | Her address to her husband rejoices that he has never bidden her to stop writing and work (that is do needlework) instead. In this connection she quotes from Lord Denny
's attempt to silence Lady Mary Wroth |
Intertextuality and Influence | Laura Ormiston Chant | The novel takes place in the ugly town Chant, Laura Ormiston. Sellcuts’ Manager. Grant Richards, 1899. 9 |
Intertextuality and Influence | Mary Augusta Ward | It is set in the late nineteenth-century on the boundary between Westmorland and Lancashire, an exquisite country Ward, Mary Augusta. Helbeck of Bannisdale. Editor Worthington, Brian, Penguin, 1983. 86 |
Intertextuality and Influence | Naomi Jacob | Her theatrical memoirs are unchronological, unsorted, anecdotal, and vivid. She enjoys relating clashes or conflicts in which she comes out on top. She describes herself as solidly patriotic, though not one of the Union-Jack-waving Britishers... |
Intertextuality and Influence | Helen Oyeyemi | Miranda and Ore try to understand the house's haunting in terms of the soucouyant, a Caribbean supernatural character that sheds skin and traverses boundaries. Ore describes the terror of the soucouyant as the danger of... |
Intertextuality and Influence | Gillian Clarke | Many poems here are about the Welsh countryside, or are based on personal memories. Along with her foremothers, GC
salutes other influences in LLŷr, titled from the Welsh name of the ancient British King... |
Intertextuality and Influence | Muriel Spark | In the opening scene a woman psychiatrist, Dr Hildegard Wolf, is consulted by a man claiming to be the famously missing Lord Lucan
. Inveterate gambler Lucky Lord Lucan
(Richard John Bingham, 7th Earl of... |
Intertextuality and Influence | Henrietta Camilla Jenkin | The subtitle of this novel (which in earlier centuries had been the title of a bawdy song) here alludes to a proverb about the impossible perfections of maids' husbands and bachelors' children. This first novel... |
Intertextuality and Influence | Virginia Woolf | This is the first of Woolf's a London novels, and is set unambiguously in the recent past, in the period of the suffrage struggle before the first world war. It is a story of courtship... |
Intertextuality and Influence | Elizabeth Sophia Tomlins | The title-page quotes Shakespeare
on the divinity that shapes our ends. EST
's preface (dated at Chaldon on 25 June) Tomlins, Elizabeth Sophia. Rosalind de Tracey. Charles Dilly, 1798, 3 vols. 1: vi |
Intertextuality and Influence | Eleanor Sleath | The chapter headings quote a range of canonical or contemporary writers, including Shakespeare
, Milton
, Pope
, Thomson
, Goldsmith
, William Mason
, John Langhorne
, Burns
, Erasmus Darwin
, Edward Young |
Intertextuality and Influence | Pamela Hansford Johnson | This is a satirical novel set on a US campus—though not, PHJ
insists, embodying any identifiable place or people. The title, from Shakespeare
's Midsummer Night's Dream, suggests that the campus of the story... |
Intertextuality and Influence | Anna Maria Mackenzie | The title-page bears a quotation from Shakespeare
; the dedication argues that the rebel Monmouth was wrong but deserving of pity. The story traces the fate of a family named Bruce; it opens with a... |
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