Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Mary Augusta Ward | It is set in the late nineteenth-century on the boundary between Westmorland and Lancashire, an exquisite country Ward, Mary Augusta. Helbeck of Bannisdale. Editor Worthington, Brian, Penguin, 1983. 86 |
Intertextuality and Influence | Helen Oyeyemi | Miranda and Ore try to understand the house's haunting in terms of the soucouyant, a Caribbean supernatural character that sheds skin and traverses boundaries. Ore describes the terror of the soucouyant as the danger of... |
Intertextuality and Influence | Mary Delany | Janice Thaddeus
discusses the prerogative MD
assumed in giving names of her own invention to people and places. Her uncle Lansdowne was Alcander (a violent man mentioned in Plutarch
's Lives, who was forgiven... |
Intertextuality and Influence | Muriel Spark | In the opening scene a woman psychiatrist, Dr Hildegard Wolf, is consulted by a man claiming to be the famously missing Lord Lucan
. Inveterate gambler Lucky Lord Lucan
(Richard John Bingham, 7th Earl of... |
Intertextuality and Influence | Frances Isabella Duberly | The title-page quotes James Beattie
and Shakespeare
. For dedication, five stanzas from Longfellow
addressed to absent friends invoke again members of the Eighth Hussars
. FID
's preface declares her intention of reporting the... |
Intertextuality and Influence | Virginia Woolf | This is the first of Woolf's a London novels, and is set unambiguously in the recent past, in the period of the suffrage struggle before the first world war. It is a story of courtship... |
Intertextuality and Influence | Roxburghe Lothian | RL
sets out to portray Dante and Beatrice's relationship in the context of the social and political conditions that surrounded them, while simultaneously arguing that the Divina Commedia emerged from this real love, this... |
Intertextuality and Influence | Elizabeth Sophia Tomlins | The title-page quotes Shakespeare
on the divinity that shapes our ends. EST
's preface (dated at Chaldon on 25 June) Tomlins, Elizabeth Sophia. Rosalind de Tracey. Charles Dilly, 1798, 3 vols. 1: vi |
Intertextuality and Influence | Henrietta Rouviere Mosse | The title-page quotes Shakespeare
, who is then cited in the preface to justify the genre of historical fiction. HRM
mentions her consultations of records and documents, and expresses her thanks to the gentlemen of... |
Intertextuality and Influence | Eleanor Sleath | The chapter headings quote a range of canonical or contemporary writers, including Shakespeare
, Milton
, Pope
, Thomson
, Goldsmith
, William Mason
, John Langhorne
, Burns
, Erasmus Darwin
, Edward Young |
Intertextuality and Influence | Rhoda Broughton | Critics have pointed to a range of influences and allusions in this novel. Kate Flint
has suggested that the representation of the sorrowful-eyed aesthete Francis Chaloner was a satiric jab at Oscar Wilde
, who... |
Intertextuality and Influence | Buchi Emecheta | During her schooldays literature was her greatest escape. Emecheta, Buchi. Head Above Water. Heinemann, 1994. 19 |
Intertextuality and Influence | Judith Kazantzis | Sister Invention is a new name for or new concept of that creative power that has sometimes been called the Muse, which recalls the way St Francis
would address non-human beings as brothers. JK
writes... |
Intertextuality and Influence | Edna O'Brien | The first half of the story is set in an imaginary western Irish village called Cloonoila, a strange but utterly convincing hybrid of the idyllic and the stultifyingly parochial. The second half is set in... |
Intertextuality and Influence | Susan Ferrier | The Inheritance opens with what sounds like an allusion to Jane Austen
: It is a truth, universally acknowledged, that there is no passion so deeply rooted in human nature as that of pride. qtd. in Cullinan, Mary. Susan Ferrier. Twayne, 1984. 75 |
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