Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Anne Burke | A quotation from Shakespeare
's The Tempest intruces an opening scene of storm and shipwreck on a lonely western coast. The only survivor, a six-month-old baby girl in a cradle, is rescued with a gold... |
Intertextuality and Influence | Blanche Warre Cornish | The title-page quotes Shakespeare
and Germaine de Staël
. The novel introduces its protagonist, William Milton, with generalisations about different types of people, especially those who refuse, out of pride or laziness, to compete for... |
Intertextuality and Influence | Eleanor Farjeon | These poems of love and separation have echoes of Shakespeare
and Elizabeth Barrett Browning
. British Book News. British Council. (1959): 551 |
Intertextuality and Influence | Ann Hatton | This novel is well supplied with quotations: Macpherson
's Ossian
on the title-page and Robert Blair
(The Grave) to open the first volume, with Shakespeare
and Milton
for the succeeding volumes. It opens... |
Intertextuality and Influence | Edith Mary Moore | The title-page quotes from Shakespeare
(What's past is Prologue) and Cicero
(That cannot be said too often which is not yet understood). Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co., 1935. prelims |
Intertextuality and Influence | Ruth Padel | RP
takes the journey as the most central of all poetic images. The first part of her book is a guide to reading poetry, divided under headings of which many include the words journey,... |
Intertextuality and Influence | Margaret Cavendish | Her address to her husband rejoices that he has never bidden her to stop writing and work (that is do needlework) instead. In this connection she quotes from Lord Denny
's attempt to silence Lady Mary Wroth |
Intertextuality and Influence | Elizabeth Isabella Spence | The title-page quotes are from Nicholas Rowe
's Jane Shore and an unidentified old play. Spence, Elizabeth Isabella. Dame Rebecca Berry. Longman, Rees, Orme, Brown and Green , 1827, 3 vols. prelims |
Intertextuality and Influence | Catherine Gore | CG
calls Quid Pro Quoa bustling play of the Farquhar
, or George Colman
school. Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, 1999, pp. 1-34. 28 |
Intertextuality and Influence | Ngaio Marsh | NM
based the overpowering Lamprey family on an actual family of old friends who were a presence both in New Zealand and in England: Tahu Rhodes
and his wife Helen
or Nelly (a peer's daughter)... |
Intertextuality and Influence | Emma Jane Worboise | The title-page quotes Shakespeare
on the marriage of true minds. This novel explores various motives for marriage and traces the experience of a group of married couples. It begins with the five Miss Phipson sisters... |
Intertextuality and Influence | Gillian Slovo | The epigraph is a statement about truth from Shakespeare
's Henry IV Part One. The protagonist of this novel, Sarah Barcant, was born in Smitsrivier, a dusty little South African town dominated by its... |
Intertextuality and Influence | Elizabeth Meeke | But the most interesting feature of Midnight Weddings is the discussion of novels and novel-writing with which it opens. Meeke defends the function of novels (which, of course, must offer a good moral) and the... |
Intertextuality and Influence | Roma White | In fact the book deals with gardening in town as well as in the suburbs. The cloth cover is attractively designed with a vignette of London above the title and a country scene below. The... |
Intertextuality and Influence | Janet Schaw | Her editors call her a forerunner of Frances Trollope
in her American critique, though her attitudes are shaped by reactionary political views in a way that Trollope's are not. Schaw, Janet. Journal of a Lady of Quality. Editors Andrews, Evangeline Walker and Charles McLean Andrews, Third Edition, Yale University Press, 1939. 160 note |
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