Lady Mary Wortley Montagu

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Standard Name: Montagu, Lady Mary Wortley
Birth Name: Mary Pierrepont
Styled: Lady Mary Pierrepont
Nickname: Flavia
Nickname: Sappho
Married Name: Lady Mary Wortley Montagu
Indexed Name: Lady Mary Wortley Montagu
Pseudonym: Strephon
Pseudonym: Clarinda
Pseudonym: A Turkey Merchant
LMWM , eighteenth-century woman of letters, identified herself as a writer, a sister of the quill
Montagu, Lady Mary Wortley. The Complete Letters of Lady Mary Wortley Montagu. Editor Halsband, Robert, Clarendon Press.
3: 173
haunted by the daemon of poetry. She wrote poems, essays, letters (including the letters from Europe and Turkey which she later recast as a highly successful travel book), fiction (including adult fairy-tale, oriental tale, and full-length mock romance), satire, a diary, a play, a political periodical, and a history of her own times. Not all of these survive. Best known in her lifetime for her poetry, she is today still best known for her letters.
Montagu, Lady Mary Wortley. The Complete Letters of Lady Mary Wortley Montagu. Editor Halsband, Robert, Clarendon Press.
3: 173, 183

Connections

Connections Sort descending Author name Excerpt
Friends, Associates Joseph Addison
JA 's time at Charterhouse began, and his time at Oxford confirmed, his friendship with Richard Steele , with whom his name was to become inextricably linked as a result of their shared periodical ventures...
Friends, Associates Elizabeth, Margravine of Anspach
EMA continued to live a crowded social life despite the circles where she was not received. She corresponded with Charles Kirkpatrick Sharpe ,
Elizabeth, Margravine of Anspach,. “Introduction”. The Beautiful Lady Craven, edited by Lewis Saul Benjamin and Alexander Meyrick Broadley, Bodley Head, p. i - cxxxviii.
cvii
and claimed to have built a friendship with Lady Bute (daughter...
Friends, Associates Elizabeth Montagu
The leading figures in the movement were Montagu herself (who spent freely in hospitality, and who was later dubbed the Queen of the Bluestockings or Queen of the Blues) and Carter (the most intellectually...
Intertextuality and Influence Emma Parker
EP says she has studied to avoid a dictatorial tone . . . considering herself rather as one of those [women] she is addressing.
Parker, Emma. Important Trifles. T. Egerton.
prelims
Feminist Companion Archive.
She writes as a strong-minded Christian, and makes use of...
Intertextuality and Influence Anne Burke
A quotation from Shakespeare 's The Tempest intruces an opening scene of storm and shipwreck on a lonely western coast. The only survivor, a six-month-old baby girl in a cradle, is rescued with a gold...
Intertextuality and Influence Edith Templeton
The epigraph alerts the reader to expect an unusually disillusioned example of the voyage-to-the-island-of-love genre (previously written by Aphra Behn and the future Lady Mary Wortley Montagu ). This novel begins, as did the two...
Intertextuality and Influence Madeleine de Scudéry
As a consequence of this work's success, MS became popularly known as Sappho or the modern Sappho, particularly in connection with her salon.
McDougall, Dorothy. Madeleine de Scudéry. Benjamin Blom.
vii, 89, 224, 226
The Grand Cyrus (often called by its...
Intertextuality and Influence Mary Astell
MA influenced a whole generation of writing women: Lady Mary Wortley Montagu , Mary Chudleigh , Elizabeth Thomas , Judith Drake , Damaris Masham (although Masham's opinions were markedly different), Elizabeth Elstob , and Jane Barker
Intertextuality and Influence Madeleine de Scudéry
Aphra Behn took from the Carte de tendre some of the topographical imagery of her verse-and-prose romance A Voyage to the Island of Love (which in turn was the model behind The Adventurer, written...
Intertextuality and Influence Stéphanie-Félicité de Genlis
This work of pedagogy takes the form of an epistolary novel: a picture of contemporary culture, since its range of reference to other texts is wide. It assumes, like Rousseau 's Nouvelle Héloïse, the...
Intertextuality and Influence Marie de Sévigné
These letters have been immensely popular since their first publication, in France, England, and elsewhere. Numerous male critics have written of their almost personal love for MS . One of those impervious to her charm...
Intertextuality and Influence Georgiana Cavendish, Duchess of Devonshire
The feelings of this Emma are all in extremes. During her early passion she quotes Frances Greville on the pains of sensibility.
Georgiana Cavendish, Duchess of Devonshire,. Emma. T. Hookham.
1: 66
She and her father kneel alternately to each other when she...
Intertextuality and Influence Phebe Gibbes
In addition to its over-riding themes of colonialism and the marriage market, this novel, set in early British Calcutta (and incorporating a good deal of travel book material), is much concerned with literature and with...
Intertextuality and Influence Anna Atkins
This novel keeps its good and bad characters carefully distinct. Olive ministers to the fallen Mary; Matthew, when he gets an opportunity, strangles his wife. In due course follows a court scene, and he is...
Intertextuality and Influence Margaret Drabble
The heroine of this novel is unhappy in her marriage (two small children) to an ebullient and overbearing young actor. She is stuck with his theatre company in its seven-month season in Hereford (the birthplace...

Timeline

April 1879: James Murray—editor since 1 March of what...

Writing climate item

April 1879

James Murray —editor since 1 March of what was to become the Oxford English Dictionary—issued an Appeal for readers to supply illustrative quotations.

February 1906: Publisher J. M. Dent launched Everyman's...

Writing climate item

February 1906

Publisher J. M. Dent launched Everyman's Library, aiming to reprint 1,000 classic titles: the first year's 155 volumes included Æschylus , Shakespeare , Jane Austen practically complete,
Clair, Colin. A Chronology of Printing. Cassell.
169
and Lady Mary Wortley Montagu .

Texts

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