Lady Mary Wortley Montagu

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Standard Name: Montagu, Lady Mary Wortley
Birth Name: Mary Pierrepont
Styled: Lady Mary Pierrepont
Nickname: Flavia
Nickname: Sappho
Married Name: Lady Mary Wortley Montagu
Indexed Name: Lady Mary Wortley Montagu
Pseudonym: Strephon
Pseudonym: Clarinda
Pseudonym: A Turkey Merchant
LMWM , eighteenth-century woman of letters, identified herself as a writer, a sister of the quill
Montagu, Lady Mary Wortley. The Complete Letters of Lady Mary Wortley Montagu. Editor Halsband, Robert, Clarendon Press, 1965–1967, 3 vols.
3: 173
haunted by the daemon of poetry. She wrote poems, essays, letters (including the letters from Europe and Turkey which she later recast as a highly successful travel book), fiction (including adult fairy-tale, oriental tale, and full-length mock romance), satire, a diary, a play, a political periodical, and a history of her own times. Not all of these survive. Best known in her lifetime for her poetry, she is today still best known for her letters.
Montagu, Lady Mary Wortley. The Complete Letters of Lady Mary Wortley Montagu. Editor Halsband, Robert, Clarendon Press, 1965–1967, 3 vols.
3: 173, 183
Photo of a full-length painting of Lady Mary Wortley Montagu by Jonathan Richardson recording her time in Turkey. She stands outdoors, with famous buildings of Constantinople (Istanbul) visible beyond. She is dressed in gold: a caftan whose deep V-neck and open skirt reveal a lace shift and long harem drawers. She also wears a gold cap which she calls a talpock on her dark hair, a blue cloak edged with ermine, pearl drop earrings, and pointed slippers. The presence of the young Black boy behind her is start

Connections

Connections Author name Excerpt
Textual Features Dorothea Du Bois
After seven pages on grammar, she offers pattern letters: those in verse are in effect an anthology of epistolary poems by women, a patriotically generous selection of Irish writers (Mary Monck , Mary Barber
Textual Features Catherine Sinclair
In Lady Mary Pierrepoint the title character is a Protestant whose virago widowed mother-in-law (Lady Pierrepont) intends to disinherit her son Sir Cosmo (Mary's husband) and leave her lands to the Roman Catholic Church ...
Textual Features Anna Seward
The series (completed in 1791) developed from AS 's strictures on John Weston 's contributions to a book entitled Records of the Woodmen of Arden. She compared Dryden with Pope to the advantage of...
Textual Features Clara Reeve
Her Address to the Reader notes the recent increase in the number of women writers commanding critical respect, and observes that every woman publishing with success will inspire a couple of others to try. Most...
Textual Features Sarah Murray
In this volume the social restrictions on women's minds (which have often been silently in evidence in the earlier volumes) seem to come more into question, though they are never debunked. Maria reports that the...
Textual Features Anna Letitia Barbauld
ALB draws on Hannah More , her niece Lucy Aikin , and (anonymously) Joanna Baillie . She is even-handed in that she includes six excerpts from James Fordyce 's Sermons to Young Women, a...
Textual Features Anna Seward
The sonnets are written in strict Milton ic form. One of their favourite themes is love of nature and the countryside; one or two deal with Seward's love for Honora Sneyd . In rendering Horace...
Textual Features Jane Collier
The commonplace-book throws light on Collier's other extant writings as well. A casual mention of what Sally calls the Turba proves definitively that at least one neologism in The Cry stemmed not from her but...
Textual Features Clara Reeve
In her preface a character named Preceptor makes Reeve's didactic purpose clear by enunciating a recipe for forming model citizens: It is a mark of a well-disposed mind, to believe your own country is the...
Textual Features Elizabeth Nihell
Like Elizabeth Cellier , Nihell claims authority for women from ancient history. It was probably Eve, she says, not Adam, who delivered the first human babies. The mother of Socrates was a midwife, and inoculation...
Textual Features Elizabeth Sophia Tomlins
Though Theresa writes most of the letters in the book, the opening one, as often in women's epistolary novels at this date, is an exchange between men. Tomlins, however, does not attempt to capture a...
Textual Features Elizabeth Ogilvy Benger
EOB writes in terms of a women's tradition: for instance, she praises Barbauld for praising Elizabeth Rowe . She makes confident judgements and attributions (she is sure that Lady Pakington is the real author of...
Textual Features Delarivier Manley
The New Atalantis is crammed with offensive personal attacks on individuals (women as well as men); most though not all of them pertain to the misuse of political or sexual power. Particularly notorious is the...
Textual Features Barbarina Brand Baroness Dacre
An epilogue by Thomas Moore sounds flippantly critical of Bluestockings (not the historical group of this name, but in the more general sense of intellectual women). A speaker appears wondering much what little knavish sprite...
Textual Features Eliza Haywood
Spedding rejects the dubious works: Vanelia; or, The Amours of the Great (a musical entertainment staged and printed in 1732) which mocks the Prince of Wales whom EH had flattered; and Mr. Taste. The Poetical...

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