Lady Mary Wortley Montagu

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Standard Name: Montagu, Lady Mary Wortley
Birth Name: Mary Pierrepont
Styled: Lady Mary Pierrepont
Nickname: Flavia
Nickname: Sappho
Married Name: Lady Mary Wortley Montagu
Indexed Name: Lady Mary Wortley Montagu
Pseudonym: Strephon
Pseudonym: Clarinda
Pseudonym: A Turkey Merchant
LMWM , eighteenth-century woman of letters, identified herself as a writer, a sister of the quill
Montagu, Lady Mary Wortley. The Complete Letters of Lady Mary Wortley Montagu. Halsband, RobertEditor , Clarendon Press, 1967.
3: 173
haunted by the daemon of poetry. She wrote poems, essays, letters (including the letters from Europe and Turkey which she later recast as a highly successful travel book), fiction (including adult fairy-tale, oriental tale, and full-length mock romance), satire, a diary, a play, a political periodical, and a history of her own times. Not all of these survive. Best known in her lifetime for her poetry, she is today still best known for her letters.
Montagu, Lady Mary Wortley. The Complete Letters of Lady Mary Wortley Montagu. Halsband, RobertEditor , Clarendon Press, 1967.
3: 173, 183
Photo of a full-length painting of Lady Mary Wortley Montagu by Jonathan Richardson recording her time in Turkey. She stands outdoors, with famous buildings of Constantinople (Istanbul) visible beyond. She is dressed in gold: a caftan whose deep V-neck and open skirt reveal a lace shift and long harem drawers. She also wears a gold cap which she calls a talpock on her dark hair, a blue cloak edged with ermine, pearl drop earrings, and pointed slippers. The presence of the young Black boy behind her is start
"Lady Mary Wortley Montagu" Retrieved from https://upload.wikimedia.org/wikipedia/commons/4/40/Jonathan_Richardson_d._J._001.jpg. This work is licensed under the Creative Commons CC0 1.0 Universal (CC0 1.0) Public Domain Dedication license. This work is in the public domain.

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Henrietta Battier
HB (if it is she) presents herself as a brand-new author: a Bardling! - bursting from her Shell!
Battier, Henrietta. The Mousiad. P. Byrne, 1787.
prelims
Her satire on the sexuality of a male ecclesiastic suggests works of several generations earlier by...
Intertextuality and Influence Fanny Aikin Kortright
FAK 's literary allusions here are interesting. Thomas Hood 's The Song of the Shirt is cited more than once, though Kortright insists that the governess is worse off than the seamstress because she is...
Intertextuality and Influence Aphra Behn
Lady Mary Pierrepont (later Wortley Montagu) wrote an imitation of A Voyage to the Island of Love at the age of about fourteen.
Intertextuality and Influence Louisa Stuart Costello
These first two volumes were not well-received. The Athenæum reviewer suggested that the dust of the road is ill-exchanged by Miss Costello for the dust of the library.
Athenæum. J. Lection.
857 (1844): 287
The ensuing two volumes...
Intertextuality and Influence Sappho
Sappho 's name was an honorific for women writers for generations. George Puttenham may have been the first to use it to compliment a writing woman: in Parthienades, 1579, he said that Queen Elizabeth
Intertextuality and Influence Mary Anne Schimmelpenninck
MAS adds a new aesthetic category, the contemplative sublime, alongside the Burke an or terrible sublime and other categories related to the Burkean beautiful. She derives her thinking from women as well as men. In...
Intertextuality and Influence Elizabeth Beverley
The title-page further develops the ship image of the title into a full-blown allegory, a kind of commercialised version of the voyages to an island of love depicted by Madeleine de Scudéry , Aphra Behn
Intertextuality and Influence Lady Louisa Stuart
Despite family discouragement of her literary interests, with reference to the awful example of her grandmother (Lady Mary Wortley Montagu ), LLS , at the age of nine, had plans for writing full-length works...
Intertextuality and Influence Julia Pardoe
JP compares her experience of Belgrade (then a part of the Ottoman Empire, now the capital of Serbia) to Lady Mary Wortley Montagu 's observations from over a century before. While she echoes Montagu in...
Intertextuality and Influence Emma Parker
EP says she has studied to avoid a dictatorial tone . . . considering herself rather as one of those [women] she is addressing.
Parker, Emma. Important Trifles. T. Egerton, 1817.
prelims
Feminist Companion Archive.
She writes as a strong-minded Christian, and makes use of...
Intertextuality and Influence Anne Burke
A quotation from Shakespeare 's The Tempest intruces an opening scene of storm and shipwreck on a lonely western coast. The only survivor, a six-month-old baby girl in a cradle, is rescued with a gold...
Intertextuality and Influence Edith Templeton
The epigraph alerts the reader to expect an unusually disillusioned example of the voyage-to-the-island-of-love genre (previously written by Aphra Behn and the future Lady Mary Wortley Montagu ). This novel begins, as did the two...
Intertextuality and Influence Madeleine de Scudéry
As a consequence of this work's success, MS became popularly known as Sappho or the modern Sappho, particularly in connection with her salon.
McDougall, Dorothy. Madeleine de Scudéry. Benjamin Blom, 1972.
vii, 89, 224, 226
The Grand Cyrus (often called by its...
Intertextuality and Influence Mary Astell
MA influenced a whole generation of writing women: Lady Mary Wortley Montagu , Mary Chudleigh , Elizabeth Thomas , Judith Drake , Damaris Masham (although Masham's opinions were markedly different), Elizabeth Elstob , and Jane Barker
Intertextuality and Influence Madeleine de Scudéry
Aphra Behn took from the Carte de tendre some of the topographical imagery of her verse-and-prose romance A Voyage to the Island of Love (which in turn was the model behind The Adventurer, written...

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