William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Sarah Pearson
The family attends the funeral of Mirabeau ;
Pearson, Susanna. The Medallion. G. G. and J. Robinson, 1794, 3 vols.
2: 89
they are still in France at the onset of the dreadful events of September 1793: the beginning of the Terror.
Pearson, Susanna. The Medallion. G. G. and J. Robinson, 1794, 3 vols.
3: 98
The medallion is...
Intertextuality and Influence Ann Hatton
This novel is well supplied with quotations: Macpherson 's Ossian on the title-page and Robert Blair (The Grave) to open the first volume, with Shakespeare and Milton for the succeeding volumes. It opens...
Intertextuality and Influence Edith Mary Moore
The title-page quotes from Shakespeare (What's past is Prologue) and Cicero (That cannot be said too often which is not yet understood).
Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co., 1935.
prelims
The chapters run from Women and the Struggle...
Intertextuality and Influence Dorothea Primrose Campbell
DPC was one of those claiming serious status for the novel by literary allusion. She uses Horace on her title-page, Pope to head the whole novel, and for chapter-headings Chaucer , Shakespeare , Goldsmith ...
Intertextuality and Influence Mary Augusta Ward
It is set in the late nineteenth-century on the boundary between Westmorland and Lancashire, an exquisite country
Ward, Mary Augusta. Helbeck of Bannisdale. Editor Worthington, Brian, Penguin, 1983.
86
whose landscape has a profound effect in the narrative. Alan Helbeck, of an old Catholic family...
Intertextuality and Influence Helen Oyeyemi
Miranda and Ore try to understand the house's haunting in terms of the soucouyant, a Caribbean supernatural character that sheds skin and traverses boundaries. Ore describes the terror of the soucouyant as the danger of...
Intertextuality and Influence Antonia Fraser
Jemima here makes her first attempt to be a detective as a fifteen-year-old convent schoolgirl. While many of these pieces, like the sardonically titled Have a Nice Death, are indeed murder stories, On the...
Intertextuality and Influence Muriel Spark
In the opening scene a woman psychiatrist, Dr Hildegard Wolf, is consulted by a man claiming to be the famously missing Lord Lucan .
Inveterate gambler Lucky Lord Lucan (Richard John Bingham, 7th Earl of...
Intertextuality and Influence Ngaio Marsh
NM based the overpowering Lamprey family on an actual family of old friends who were a presence both in New Zealand and in England: Tahu Rhodes and his wife Helen or Nelly (a peer's daughter)...
Intertextuality and Influence Maureen Duffy
She also says that it can be read as the mirror-image of her earliest novelistic theme: the child's relation to the mother.
Duffy, Maureen. That’s How It Was. Virago, 1983.
xi
Duffy dedicates the book to St Venus (a saint whose festival is...
Intertextuality and Influence Virginia Woolf
This is the first of Woolf's a London novels, and is set unambiguously in the recent past, in the period of the suffrage struggle before the first world war. It is a story of courtship...
Intertextuality and Influence Elizabeth Sophia Tomlins
The title-page quotes Shakespeare on the divinity that shapes our ends. EST 's preface (dated at Chaldon on 25 June)
Tomlins, Elizabeth Sophia. Rosalind de Tracey. Charles Dilly, 1798, 3 vols.
1: vi
challenges the current prejudice against novels. She argues that the novel deserves some...
Intertextuality and Influence Eleanor Sleath
The chapter headings quote a range of canonical or contemporary writers, including Shakespeare , Milton , Pope , Thomson , Goldsmith , William Mason , John Langhorne , Burns , Erasmus Darwin , Edward Young
Intertextuality and Influence Candia McWilliam
Matters begin to come to their melodramatic head when Margaret comes to Daisy to complain, with passionate if suppressed rage, that the cleaners have been in her room while she was in London. It emerges...
Leisure and Society Mary Frere
Though not fond of other forms of exercise, she became a fearless rider and an excellent whip
Frere, Georgina, and Herbert Loewe. “Biographical Notice”. Catalogue of the Printed Books and of the Semitic and Jewish MSS. in the Mary Frere Hebrew Library at Girton College, Cambridge, Girton College, 1916, p. v - xii.
vi
—that is, a driver of horses in harness.
Frere, Georgina, and Herbert Loewe. “Biographical Notice”. Catalogue of the Printed Books and of the Semitic and Jewish MSS. in the Mary Frere Hebrew Library at Girton College, Cambridge, Girton College, 1916, p. v - xii.
vi
She was a talented amateur actress, most memorable...

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