Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Sarah Pearson | The family attends the funeral of Mirabeau
; Pearson, Susanna. The Medallion. G. G. and J. Robinson, 1794, 3 vols. 2: 89 Pearson, Susanna. The Medallion. G. G. and J. Robinson, 1794, 3 vols. 3: 98 |
| Intertextuality and Influence | Ann Hatton | This novel is well supplied with quotations: Macpherson
's Ossian
on the title-page and Robert Blair
(The Grave) to open the first volume, with Shakespeare
and Milton
for the succeeding volumes. It opens... |
| Intertextuality and Influence | Edith Mary Moore | The title-page quotes from Shakespeare
(What's past is Prologue) and Cicero
(That cannot be said too often which is not yet understood). Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co., 1935. prelims |
| Intertextuality and Influence | Dorothea Primrose Campbell | |
| Intertextuality and Influence | Mary Augusta Ward | It is set in the late nineteenth-century on the boundary between Westmorland and Lancashire, an exquisite country Ward, Mary Augusta. Helbeck of Bannisdale. Editor Worthington, Brian, Penguin, 1983. 86 |
| Intertextuality and Influence | Helen Oyeyemi | Miranda and Ore try to understand the house's haunting in terms of the soucouyant, a Caribbean supernatural character that sheds skin and traverses boundaries. Ore describes the terror of the soucouyant as the danger of... |
| Intertextuality and Influence | Antonia Fraser | Jemima here makes her first attempt to be a detective as a fifteen-year-old convent schoolgirl. While many of these pieces, like the sardonically titled Have a Nice Death, are indeed murder stories, On the... |
| Intertextuality and Influence | Muriel Spark | In the opening scene a woman psychiatrist, Dr Hildegard Wolf, is consulted by a man claiming to be the famously missing Lord Lucan
. Inveterate gambler Lucky Lord Lucan
(Richard John Bingham, 7th Earl of... |
| Intertextuality and Influence | Ngaio Marsh | NM
based the overpowering Lamprey family on an actual family of old friends who were a presence both in New Zealand and in England: Tahu Rhodes
and his wife Helen
or Nelly (a peer's daughter)... |
| Intertextuality and Influence | Maureen Duffy | She also says that it can be read as the mirror-image of her earliest novelistic theme: the child's relation to the mother. Duffy, Maureen. That’s How It Was. Virago, 1983. xi |
| Intertextuality and Influence | Virginia Woolf | This is the first of Woolf's a London novels, and is set unambiguously in the recent past, in the period of the suffrage struggle before the first world war. It is a story of courtship... |
| Intertextuality and Influence | Elizabeth Sophia Tomlins | The title-page quotes Shakespeare
on the divinity that shapes our ends. EST
's preface (dated at Chaldon on 25 June) Tomlins, Elizabeth Sophia. Rosalind de Tracey. Charles Dilly, 1798, 3 vols. 1: vi |
| Intertextuality and Influence | Eleanor Sleath | The chapter headings quote a range of canonical or contemporary writers, including Shakespeare
, Milton
, Pope
, Thomson
, Goldsmith
, William Mason
, John Langhorne
, Burns
, Erasmus Darwin
, Edward Young |
| Intertextuality and Influence | Candia McWilliam | Matters begin to come to their melodramatic head when Margaret comes to Daisy to complain, with passionate if suppressed rage, that the cleaners have been in her room while she was in London. It emerges... |
| Leisure and Society | Mary Frere | Though not fond of other forms of exercise, she became a fearless rider and an excellent whip Frere, Georgina, and Herbert Loewe. “Biographical Notice”. Catalogue of the Printed Books and of the Semitic and Jewish MSS. in the Mary Frere Hebrew Library at Girton College, Cambridge, Girton College, 1916, p. v - xii. vi Frere, Georgina, and Herbert Loewe. “Biographical Notice”. Catalogue of the Printed Books and of the Semitic and Jewish MSS. in the Mary Frere Hebrew Library at Girton College, Cambridge, Girton College, 1916, p. v - xii. vi |
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