Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Bryher | |
Intertextuality and Influence | U. A. Fanthorpe | The title poem explains the implications of the title: I was set here / To watch. So I do, / And report, in cipher, to headquarters, / Which is an hypothesis. qtd. in Wainwright, Eddie. Taking Stock, A First Study of the Poetry of U.A. Fanthorpe. Peterloo Poets, 1995. 28 |
Intertextuality and Influence | Maria Theresa Kemble | Its plot is of the same type as that of Shakespeare
's The Taming of the Shrew.William Shakespeare |
Intertextuality and Influence | Clemence Dane | Will Shakespeare is written in blank verse, but does not imitate Elizabethan language. Subtitled an invention, the play dramatises Shakespeare
's early career as a writer, focusing on his move from Stratford to London... |
Intertextuality and Influence | Sarah Fielding | This is a work of fiction, not documentary. It relates the stories of four ex-prostitutes sympathetically, presenting a strong argument for social reform. According to scholar Katherine Binhammer
, it is the most feminist among... |
Intertextuality and Influence | Frances Jacson | |
Intertextuality and Influence | Sarah Scudgell Wilkinson | The title-page quotes Shakespeare
's Macbeth. A vivid, to-the-moment opening introduces a tale of revenge and restored inheritance. Add another fagot [sic] to the fire, and replenish the flask, said the aged Martin to... |
Intertextuality and Influence | Bryony Lavery | Ophelia: A Comedy, a rewriting of the play-within-a-play in Shakespeare
's Hamlet, mercilessly scrambles the plot, and has assimilated characters from other plays: Portia, Goneril, Lady Capulet, Juliet's Nurse, and Cleopatra's Charmian. Charmian... |
Intertextuality and Influence | Candia McWilliam | All the characters are fond of aphorisms (from Anne we get Bitterness is wanton, like showing the hangman the gauge of your neck . . . . It also comes easily to lazy sentimentalists McWilliam, Candia. A Case of Knives. Bloomsbury, 1987. 187 |
Intertextuality and Influence | Phyllis Bottome | The book describes the effects of bombing: effects on the cities of London and Liverpool, the Army
, Navy
, and Air Force
, the Women's Auxiliary Services
, and the lives of ordinary... |
Intertextuality and Influence | Ella Hepworth Dixon | EHD
took the title for the collection (and for the first story) from a line in Shakespeare
's Henry IV: Were it good / To set the exact wealth of all our states /... |
Intertextuality and Influence | Jane Harvey | The title-page quotes Shakespeare
. This novel follows, with serious concern as well as satirical humour, the career choices made by the sons of the Cleavland family. Their father favours science and agriculture, which he... |
Intertextuality and Influence | Regina Maria Roche | Critic Amanda Burgess
sees this as perhaps the earliest example of the Irish national tale, and of a shift in RMR
's literary focus from England to Ireland which coincided with her own move in... |
Intertextuality and Influence | Susan Du Verger | The titles, however, reveal that romance is to be countered with romance: The Generous Poverty, The Honourable Infidelity, The Fortunate Misfortune, The Double Rape, etc., sound like novels, and they employ... |
Leisure and Society | Amelia B. Edwards | She was a regular member of the audience at Shakespeare
performances at Sadler's Wells Theatre
. Betham-Edwards, Matilda. Reminiscences. G. Redway, 1898, p. vi, 354 pp. 131 |
Timeline
No timeline events available.
Texts
No bibliographical results available.