Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Anne Stevenson | AS
says she began to write verse when I was introduced to Shakespeare
and the English Romantics as a child, Stevenson, Anne. Between the Iceberg and the Ship. University of Michigan Press, 1998. 121 |
| Intertextuality and Influence | A. Mary F. Robinson | Our Lady of the Broken Heart, the garden play mentioned in the volume title, is set in a public Italian garden during the seventeenth century, or any time. Robinson, A. Mary F. Songs, Ballads, and a Garden Play. T. Fisher Unwin, 1888. 115 |
| Intertextuality and Influence | Dorothea Gerard | The title is a phrase applied to Shakespeare
's Perdita in The Winter's Tale. This book, like others by DG
, looks at relations between English and middle European characters. |
| Intertextuality and Influence | Judith Kazantzis | Sister Invention is a new name for or new concept of that creative power that has sometimes been called the Muse, which recalls the way St Francis
would address non-human beings as brothers. JK
writes... |
| Intertextuality and Influence | Edna O'Brien | The first half of the story is set in an imaginary western Irish village called Cloonoila, a strange but utterly convincing hybrid of the idyllic and the stultifyingly parochial. The second half is set in... |
| Intertextuality and Influence | Aldous Huxley | Brave New World (titled from the words of Shakespeare
's Miranda on her first sight of human social community) is in some ways remarkably prescient, in its forecast of extra-uterine pregnancy and a universal drug... |
| Intertextuality and Influence | George Bernard Shaw | Shakes
Versus Shav, a puppet play by GBS
dramatizing a confrontation between the two playwrights, was first produced at Malvern by the Waldo Lanchester Marionette Theatre
. Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press, 1998. xxx Weintraub, Stanley, editor. Dictionary of Literary Biography 10. Gale Research, 1982. |
| Intertextuality and Influence | Mary Pix | MP
's Catherine is not (like Shakespeare's) Katherine Parr, but is the French-born widow of Henry V
, who formed an illicit union in about 1429 with the Welsh prince Owen Tudor
, which produced... |
| Intertextuality and Influence | Harriet Corp | A different third-person narrator replaces the somewhat pompous gentleman of An Antidote. The book's subect is the relations between the two Placid women, mother and daughter, and the squire's family, the Bustles (who are... |
| Intertextuality and Influence | Florence Farr | A series of reviews by others precedes Farr's own account of her musical recitations. These experiments in verse performance began as illustrations of Yeats's theories of the music and rhythm of spoken verse, but Farr... |
| Intertextuality and Influence | Susanna Haswell Rowson | This novel covers a historical span from Christopher Columbus
through scenes in New Hampshire in 1645 to the lives of the twin heroine and hero, descendants of Columbus, ten generations after him in Philadelphia in... |
| Intertextuality and Influence | Iris Murdoch | As often, Murdoch has a canonical text in mind for reworking: in this deeply unsettling novel it is Shakespeare
's Much Ado About Nothing. (One scene also recalls the book of Job.) But... |
| Intertextuality and Influence | Laura Ormiston Chant | The novel takes place in the ugly town Chant, Laura Ormiston. Sellcuts’ Manager. Grant Richards, 1899. 9 |
| Intertextuality and Influence | Emily Gerard | This novel has two sections, Dream-Life and The Awakening, with an Intermezzo between the two: love is not part of the dream, but of the awakening to reality. The title-page quotation from La Fontaine |
| Intertextuality and Influence | Gillian Clarke | Many poems here are about the Welsh countryside, or are based on personal memories. Along with her foremothers, GC
salutes other influences in LLŷr, titled from the Welsh name of the ancient British King... |
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