Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Mrs Martin | The title-page quotes Shakespeare
's Romeo and Juliet, Oh serpent heart . . . . Though slightly schematic in plan, the novel features lively and winning pictures of family life. The marriages made by... |
| Intertextuality and Influence | Pat Arrowsmith | PA
kept a very detailed diary between the ages of thirteen and fifteen. She published excerpts and illustrations from it, with passages from her two juvenile novels, in I Should Have Been a Hornby Train... |
| Intertextuality and Influence | Josephine Tey | Although Shakespeare
's Richard III clearly plays a major role in shaping the myth of Richard's villainy against which Tey writes, she alludes to this play only in passing, when a character comments on Laurence Olivier |
| Intertextuality and Influence | Elizabeth B. Lester | |
| Intertextuality and Influence | Mary Webb | The title refers primarily to a legend about a wand of palm (the country name for willow) which brings good luck if it is found on Palm Sunday (when, traditionally, English people carried branches of... |
| Intertextuality and Influence | Mrs Ross | Many chapters are headed with quotations from Shakespeare
or Cowper
. This novel pits domestic (upper-class) ties against destructive passions, the latter aroused by the fascinating Marchioness of Laisville (whose vices do not ruin her... |
| Intertextuality and Influence | Felicia Hemans | The volume provides lavish notes to explain its sometimes quite obscure historical figures and settings, and cites a wide range of authors including Plutarch
, Shakespeare
, Milton
, and Germaine de Staël
. FH |
| Intertextuality and Influence | Mrs E. M. Foster | As an epistolary novel, Concealment lacks the characteristic metanarrative of other MEMF
novels, though an interesting prologue addressed to the reader from the Authoress cautions against the practice of concealment. Foster also identifies herself, in... |
| Intertextuality and Influence | Anne Thackeray Ritchie | The novel opens with an epigraph from a Shakespeare
sonnet. Shankman, Lillian F., and Anne Thackeray Ritchie. “Biographical Commentary and Notes”. Anne Thackeray Ritchie: Journals and Letters, edited by Abigail Burnham Bloom et al., Ohio State University Press, 1994, p. various pages. 215 |
| Intertextuality and Influence | Barbara Hofland | The title-page (like several earlier ones of BH
) quotes Shakespeare
. The novel opens in 1726, with Catherine the first
holding court in Russia after Peter the Great
's death. She had come to... |
| Intertextuality and Influence | Adelaide Kemble | Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of... |
| Intertextuality and Influence | Rose Tremain | Her dedicatee was a bookstore owner in Nashville, Tennessee, where he involved himself in the Civil Rights movement in 1960. (His son Richard
is known as a writer). RT
uses three epigraphs: from St John of the Cross |
| Intertextuality and Influence | Ali Smith | As each book in this series relates to one of Shakespeare
's plays, this one relates to Pericles, and the artist that it relates to is |
| Intertextuality and Influence | Sarah Green | |
| Intertextuality and Influence | Mrs Martin | Indeed, as in MM
's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator... |
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