William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Anna Maria Porter
The new Juvenilia Press edition, like the original first volume, contains five stories: Sir Alfred; or, The Baleful Tower, The Daughters of Glandour, The Noble Courtezan, The Children of Fauconbridge, and...
Intertextuality and Influence Elizabeth Hamilton
EH seeks to raise the canonical status of the novel in this work not only by serious politico-philosophical content, but also by chapter-heading quotations from the classics (from Horace , Shakespeare , and Milton to...
Intertextuality and Influence Elizabeth Meeke
Jane, a widow whose only child is dead, decides to marry again, and picks the young Marquess of Montrath, heir to an earldom, whom she has first seen as a fellow visitor to the spunging-house...
Intertextuality and Influence Jane West
JW 's preface invokes Shakespeare , Virgil , Homer , and Sir Walter Scott (she later adds Thomas Percy ) as more acceptable exemplars for romance than either the French romances (implicitly those of Madeleine de Scudéry
Intertextuality and Influence Dorothy L. Sayers
The academic background gives DLS an excuse for lavish literary quotation: from Greek, from Shakespeare and other canonical writers, many of them Elizabethan, and from moderns like Humbert Wolfe . Her Oxford is the preserve...
Intertextuality and Influence Ann Hatton
Here AH opens by quoting Shakespeare , and applies her usual vivacious style and sense of immediacy to the story of a man who is wrongfully imprisoned, and eventually released only to find his wife...
Intertextuality and Influence Hannah More
The title-page quotation from Paradise Lost features the archangel Raphael's pronouncement that it is better for human beings to know That which before us lies in daily life than things remote.
Feminist Companion Archive.
According to critic...
Intertextuality and Influence Angela Carter
According to Linden Peach , the writings of Bertolt Brecht and Mikhail Bakhtin influenced AC 's notions of theatre and the carnivalesque, which are central features of Nights at the Circus. However, Peach went...
Intertextuality and Influence Elizabeth Jolley
The narrative voice (a Scottish one, apparently as a kind of joke) is complex and shifting, with irony fed by unstable reference to the central couple (now Muriel and Henry, now Mother and Father, and...
Intertextuality and Influence Hélène Cixous
Reading myths, she finds, she has equal difficulty inhabiting characters of hyper-masculine men and of oppressed women: she wants instead to read about women who love themselves, who are alive, who are not debased, overshadowed...
Intertextuality and Influence Zadie Smith
The book's epigraph from Shakespeare 's The Tempest (What's past is prologue)
qtd. in
Smith, Zadie. White Teeth. Penguin, 2001.
prelims
provokes the narrator's question, how far back do you want? How far will do?
Smith, Zadie. White Teeth. Penguin, 2001.
83
What's past in this book...
Intertextuality and Influence Ngaio Marsh
The theatre where the action unfolds is the Dolphin, from Marsh's novel of 1966. The personages include a range of life-larger actors including a mysterious young New Zealander of Maori blood and the looming, awful...
Intertextuality and Influence Mary Elizabeth Braddon
MEB 's Hostages to Fortune, also published in 1875, gives a more sustained view of the theatre milieu than did A Strange World. It tells the story of Herman Westray's struggle to succeed...
Intertextuality and Influence Louisa Anne Meredith
Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)...
Intertextuality and Influence U. A. Fanthorpe
The hospital poems in this volume present experiences of fear, pain, and alienation, with tirelessly exact observation and tireless compassion. The artist (that is, a typist concerned about the quality of her work) who speaks...

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