William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Jane Harvey
Again her title-page quotes Shakespeare . The novel opens with a musical party in the housekeeper's room at Cassilwood House in Northumberland on the fifth of November at the time of the second Jacobite Rebellion...
Intertextuality and Influence Deborah Levy
In Macbeth—False Memory she professed not to be adaptating Shakespeare , but the play features the murder of one businessman by another, followed by a haunting and a quest for revenge, all in an emphatically...
Intertextuality and Influence Hélène Cixous
The book does not reach complete closure in a traditional sense, but the narrator does sense that her father has come back to her consciousness for the last time. She finds solace in her voice:...
Intertextuality and Influence Anne Stevenson
AS says she began to write verse when I was introduced to Shakespeare and the English Romantics as a child,
Stevenson, Anne. Between the Iceberg and the Ship. University of Michigan Press, 1998.
121
and was bewitched by the discovery of rhythm. She began at about twelve to...
Intertextuality and Influence A. Mary F. Robinson
Our Lady of the Broken Heart, the garden play mentioned in the volume title, is set in a public Italian garden during the seventeenth century, or any time.
Robinson, A. Mary F. Songs, Ballads, and a Garden Play. T. Fisher Unwin, 1888.
115
In the dedication, AMFR recalls...
Intertextuality and Influence Dorothea Gerard
The title is a phrase applied to Shakespeare 's Perdita in The Winter's Tale. This book, like others by DG , looks at relations between English and middle European characters.
Intertextuality and Influence Melesina Trench
Particular sketches include an allegory sent to Mary Leadbeater entitled The Birth of Calumny
Trench, Melesina. The Remains of the Late Mrs. Richard Trench. Editor Trench, Richard Chenevix, Second edition, revised, Parker and Bourn, 1862.
162-4
and the later Holland House, written in the person of the Ghost of La Bruyère. This, in a...
Intertextuality and Influence Charlotte Smith
A preface (in the first volume) quotes the words of Samuel Johnson (with apology for applying them to so trifling a matter as novel-writing) about working at his dictionary amid grief and illness, feeling cut...
Intertextuality and Influence Ngaio Marsh
NM based the overpowering Lamprey family on an actual family of old friends who were a presence both in New Zealand and in England: Tahu Rhodes and his wife Helen or Nelly (a peer's daughter)...
Intertextuality and Influence George Bernard Shaw
Shakes Versus Shav, a puppet play by GBS dramatizing a confrontation between the two playwrights, was first produced at Malvern by the Waldo Lanchester Marionette Theatre .
Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press, 1998.
xxx
Weintraub, Stanley, editor. Dictionary of Literary Biography 10. Gale Research, 1982.
Intertextuality and Influence Mary Pix
MP 's Catherine is not (like Shakespeare's) Katherine Parr, but is the French-born widow of Henry V , who formed an illicit union in about 1429 with the Welsh prince Owen Tudor , which produced...
Intertextuality and Influence Candia McWilliam
Matters begin to come to their melodramatic head when Margaret comes to Daisy to complain, with passionate if suppressed rage, that the cleaners have been in her room while she was in London. It emerges...
Intertextuality and Influence Angela Carter
According to Linden Peach , the writings of Bertolt Brecht and Mikhail Bakhtin influenced AC 's notions of theatre and the carnivalesque, which are central features of Nights at the Circus. However, Peach went...
Intertextuality and Influence Susanna Haswell Rowson
This novel covers a historical span from Christopher Columbus through scenes in New Hampshire in 1645 to the lives of the twin heroine and hero, descendants of Columbus, ten generations after him in Philadelphia in...
Intertextuality and Influence Ann Hatton
This novel is well supplied with quotations: Macpherson 's Ossian on the title-page and Robert Blair (The Grave) to open the first volume, with Shakespeare and Milton for the succeeding volumes. It opens...

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