William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Catherine Gore
CG calls Quid Pro Quoa bustling play of the Farquhar , or George Colman school.
Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, 1999, pp. 1-34.
28
Her prologue makes the point that the rapidity of modern life, symbolised by the railway, leaves no time...
Intertextuality and Influence Matilda Charlotte Houstoun
MCH raises the tone of her work with chapter-headings from Wordsworth , Shakespeare , Dryden , and others, most of them asserting the value of the poor and powerless, or protesting about the deficiencies of...
Intertextuality and Influence May Kendall
The title comes from Mercutio's speech about the Queen of the Fairies in Shakespeare 's Romeo and Juliet; MK quotes the opening of this speech on her title-page.
Intertextuality and Influence Emma Jane Worboise
The title-page quotes Shakespeare on the marriage of true minds. This novel explores various motives for marriage and traces the experience of a group of married couples. It begins with the five Miss Phipson sisters...
Intertextuality and Influence Gillian Slovo
The epigraph is a statement about truth from Shakespeare 's Henry IV Part One. The protagonist of this novel, Sarah Barcant, was born in Smitsrivier, a dusty little South African town dominated by its...
Intertextuality and Influence Frances Jacson
The title-page quotes Pope and Staël . The novel's opening sounds like a tale of mysterious origins, but without the mystery. A quotation from Shakespeare 's Tempest—Prospero telling Miranda the story of her past—introduces...
Intertextuality and Influence Candia McWilliam
The book is simple and singular in plot and sparse in characters compared with CMW 's first, but here too a central character is pregnant through most of the action. Here too literary references come...
Intertextuality and Influence Anna Wickham
This collection represents a significant departure from AW 's earlier work in its adoption of literary conventions. Peopled with jesters, knights, witches, and shepherdesses, the poems in this volume incorporate historical (Anglo-Saxon and Elizabethan), mythological...
Intertextuality and Influence Mary Sidney Herbert Countess of Pembroke
This play provoked Samuel Daniel to respond with The Tragedy of Cleopatra (published in another work in 1594), and influenced Shakespeare 's Antony and Cleopatra.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Hannay, Margaret P. Philip’s Phoenix: Mary Sidney, Countess of Pembroke. Oxford University Press, 1990, http://U of A HSS.
253n106
Though apparently never acted, Antonius was much admired...
Intertextuality and Influence Jane Harvey
Again her title-page quotes Shakespeare . The novel opens with a musical party in the housekeeper's room at Cassilwood House in Northumberland on the fifth of November at the time of the second Jacobite Rebellion...
Intertextuality and Influence Deborah Levy
In Macbeth—False Memory she professed not to be adaptating Shakespeare , but the play features the murder of one businessman by another, followed by a haunting and a quest for revenge, all in an emphatically...
Intertextuality and Influence Dorothea Primrose Campbell
DPC was one of those claiming serious status for the novel by literary allusion. She uses Horace on her title-page, Pope to head the whole novel, and for chapter-headings Chaucer , Shakespeare , Goldsmith ...
Intertextuality and Influence Mary Augusta Ward
It is set in the late nineteenth-century on the boundary between Westmorland and Lancashire, an exquisite country
Ward, Mary Augusta. Helbeck of Bannisdale. Editor Worthington, Brian, Penguin, 1983.
86
whose landscape has a profound effect in the narrative. Alan Helbeck, of an old Catholic family...
Intertextuality and Influence Helen Oyeyemi
Miranda and Ore try to understand the house's haunting in terms of the soucouyant, a Caribbean supernatural character that sheds skin and traverses boundaries. Ore describes the terror of the soucouyant as the danger of...
Intertextuality and Influence Antonia Fraser
Jemima here makes her first attempt to be a detective as a fifteen-year-old convent schoolgirl. While many of these pieces, like the sardonically titled Have a Nice Death, are indeed murder stories, On the...

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