Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Catherine Gore | CG
calls Quid Pro Quoa bustling play of the Farquhar
, or George Colman
school. Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, 1999, pp. 1-34. 28 |
| Intertextuality and Influence | Matilda Charlotte Houstoun | MCH
raises the tone of her work with chapter-headings from Wordsworth
, Shakespeare
, Dryden
, and others, most of them asserting the value of the poor and powerless, or protesting about the deficiencies of... |
| Intertextuality and Influence | May Kendall | The title comes from Mercutio's speech about the Queen of the Fairies in Shakespeare
's Romeo and Juliet; MK
quotes the opening of this speech on her title-page. |
| Intertextuality and Influence | Emma Jane Worboise | The title-page quotes Shakespeare
on the marriage of true minds. This novel explores various motives for marriage and traces the experience of a group of married couples. It begins with the five Miss Phipson sisters... |
| Intertextuality and Influence | Gillian Slovo | The epigraph is a statement about truth from Shakespeare
's Henry IV Part One. The protagonist of this novel, Sarah Barcant, was born in Smitsrivier, a dusty little South African town dominated by its... |
| Intertextuality and Influence | Frances Jacson | |
| Intertextuality and Influence | Candia McWilliam | The book is simple and singular in plot and sparse in characters compared with CMW
's first, but here too a central character is pregnant through most of the action. Here too literary references come... |
| Intertextuality and Influence | Anna Wickham | This collection represents a significant departure from AW
's earlier work in its adoption of literary conventions. Peopled with jesters, knights, witches, and shepherdesses, the poems in this volume incorporate historical (Anglo-Saxon and Elizabethan), mythological... |
| Intertextuality and Influence | Mary Sidney Herbert Countess of Pembroke | This play provoked Samuel Daniel
to respond with The Tragedy of Cleopatra (published in another work in 1594), and influenced Shakespeare
's Antony and Cleopatra. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Hannay, Margaret P. Philip’s Phoenix: Mary Sidney, Countess of Pembroke. Oxford University Press, 1990, http://U of A HSS. 253n106 |
| Intertextuality and Influence | Jane Harvey | Again her title-page quotes Shakespeare
. The novel opens with a musical party in the housekeeper's room at Cassilwood House in Northumberland on the fifth of November at the time of the second Jacobite Rebellion... |
| Intertextuality and Influence | Deborah Levy | In Macbeth—False Memory she professed not to be adaptating Shakespeare
, but the play features the murder of one businessman by another, followed by a haunting and a quest for revenge, all in an emphatically... |
| Intertextuality and Influence | Dorothea Primrose Campbell | |
| Intertextuality and Influence | Mary Augusta Ward | It is set in the late nineteenth-century on the boundary between Westmorland and Lancashire, an exquisite country Ward, Mary Augusta. Helbeck of Bannisdale. Editor Worthington, Brian, Penguin, 1983. 86 |
| Intertextuality and Influence | Helen Oyeyemi | Miranda and Ore try to understand the house's haunting in terms of the soucouyant, a Caribbean supernatural character that sheds skin and traverses boundaries. Ore describes the terror of the soucouyant as the danger of... |
| Intertextuality and Influence | Antonia Fraser | Jemima here makes her first attempt to be a detective as a fifteen-year-old convent schoolgirl. While many of these pieces, like the sardonically titled Have a Nice Death, are indeed murder stories, On the... |
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