Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Charlotte Smith | A preface (in the first volume) quotes the words of Samuel Johnson
(with apology for applying them to so trifling a matter as novel-writing) about working at his dictionary amid grief and illness, feeling cut... |
Intertextuality and Influence | Mary Julia Young | The earlier Adelaide and Antonine, whose lovers take refuge from the French Revolution in England, is balanced by Agnes, or The Wanderer, whose protagonist (another Revolution victim) is ordered by her doomed husband... |
Intertextuality and Influence | Ngaio Marsh | NM
based the overpowering Lamprey family on an actual family of old friends who were a presence both in New Zealand and in England: Tahu Rhodes
and his wife Helen
or Nelly (a peer's daughter)... |
Intertextuality and Influence | Caryl Churchill | The 1986 deregulation of the stock market—the Big Bang—by fortunate coincidence Churchill, Caryl. Serious Money. Revised and Re-issued Edition in the Methuen Modern Play Series, Methuen, 1990. prelims |
Intertextuality and Influence | Antonia Fraser | For readers familiar with the Shakespeare
comedy (as Jemima certainly is), parallels are discernible between the personages and situations on stage and those of the actual world—parallels which are unsettling rather than helpful for Jemima... |
Intertextuality and Influence | Elizabeth Meeke | But the most interesting feature of Midnight Weddings is the discussion of novels and novel-writing with which it opens. Meeke defends the function of novels (which, of course, must offer a good moral) and the... |
Intertextuality and Influence | Ann Hatton | |
Intertextuality and Influence | Liz Lochhead | LL
thoroughly enjoyed working on this production, though she admits that it was a bit everything-but-the kitchen-sink on sexual politics. Lochhead, Liz. True Confessions and New Clichés. Polygon Books, 1985. 58 Lochhead, Liz. True Confessions and New Clichés. Polygon Books, 1985. 58 |
Intertextuality and Influence | Phebe Gibbes | In addition to its over-riding themes of colonialism and the marriage market, this novel, set in early British Calcutta (and incorporating a good deal of travel book material), is much concerned with literature and with... |
Intertextuality and Influence | Ali Smith | Smith's take on Iphis and Ianthe begins with sisters Anthea and Imogen listening to their grandfather's stories from when I was a girl in the women's suffrage movement: a sure induction into matters of gender... |
Intertextuality and Influence | Ruth Rendell | The title comes from the Fool in Shakespeare
: Nero is an angler in the lake of darkness.This novel portrays the effects of attempting to control the destinies of others.Three different men are cast... |
Intertextuality and Influence | Josephine Tey | Although Shakespeare
's Richard III clearly plays a major role in shaping the myth of Richard's villainy against which Tey writes, she alludes to this play only in passing, when a character comments on Laurence Olivier |
Intertextuality and Influence | Elizabeth Hamilton | |
Intertextuality and Influence | Antonia Fraser | Jemima here makes her first attempt to be a detective as a fifteen-year-old convent schoolgirl. While many of these pieces, like the sardonically titled Have a Nice Death, are indeed murder stories, On the... |
Intertextuality and Influence | Elizabeth Meeke | Jane, a widow whose only child is dead, decides to marry again, and picks the young Marquess of Montrath, heir to an earldom, whom she has first seen as a fellow visitor to the spunging-house... |
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