William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Friends, Associates Ethel Wilson
From 1941 to 1943, the Wilsons received into their home sixteen-year-old Audrey Butler , an evacuee from England. They were generous with both their familial warmth and finances. Audrey shared the Wilsons' love of Shakespeare
Friends, Associates Winifred Holtby
WH met Jean McWilliam at the WAAC unit at Huchenneville. They corresponded throughout Holtby's life, writing to one another as Rosalind and Celia from Shakespeare 's mutually devoted heroines in As You Like It.
Shaw, Marion. The Clear Stream: A Life of Winifred Holtby. Virago, 1999.
79-81
Health Anna Eliza Bray
In the first months of 1834 AEB found herself again in ill-health. She lost her sight and was confined to her bedroom, where she amused herself by repeating passages from Shakespere [sic], or inventing plots...
Intertextuality and Influence Elizabeth Boyd
A first prologue addresses Pope , and invokes the ghosts of Shakespeare (The Wonder, as the Glory of the Land) and Dryden (Shakespear's Freind) as mentors to EB 's performance in...
Intertextuality and Influence Naomi Jacob
Her theatrical memoirs are unchronological, unsorted, anecdotal, and vivid. She enjoys relating clashes or conflicts in which she comes out on top. She describes herself as solidly patriotic, though not one of the Union-Jack-waving Britishers...
Intertextuality and Influence Margaret Atwood
Several stories in Good Bones delight in giving something to say for themselves to literary characters generally understood to be beyond sympathy (the stepmother, the ugly sister, Gertrude in Shakespeare 's Hamlet). Others employ...
Intertextuality and Influence Rhoda Broughton
A Beginner tells the story of Emma Jocelyn, a young woman who writes a novel called Miching Mallecho. (The title, drawn from Hamlet, elicits the following exchange between Emma and her aunt in...
Intertextuality and Influence Sarah Scudgell Wilkinson
The title-page quotes Shakespeare 's Macbeth. A vivid, to-the-moment opening introduces a tale of revenge and restored inheritance. Add another fagot [sic] to the fire, and replenish the flask, said the aged Martin to...
Intertextuality and Influence Henrietta Camilla Jenkin
The subtitle of this novel (which in earlier centuries had been the title of a bawdy song) here alludes to a proverb about the impossible perfections of maids' husbands and bachelors' children. This first novel...
Intertextuality and Influence Regina Maria Roche
Critic Amanda Burgess sees this as perhaps the earliest example of the Irish national tale, and of a shift in RMR 's literary focus from England to Ireland which coincided with her own move in...
Intertextuality and Influence Pamela Hansford Johnson
This is a satirical novel set on a US campus—though not, PHJ insists, embodying any identifiable place or people. The title, from Shakespeare 's Midsummer Night's Dream, suggests that the campus of the story...
Intertextuality and Influence Anna Maria Mackenzie
The title-page bears a quotation from Shakespeare ; the dedication argues that the rebel Monmouth was wrong but deserving of pity. The story traces the fate of a family named Bruce; it opens with a...
Intertextuality and Influence Elizabeth Sarah Gooch
In this version of her life-story, ESG traces her fall back to her mother's refusal to allow her to marry her first love. She accords this refusal a passage of purple prose beginning Ah! wherefore...
Intertextuality and Influence Frances Jacson
Chapters are headed with a lavish array of quotations. Among the better-known authors are Ariosto (in the original), Shakespeare , Drayton , Milton , Pope (on the title-page), Young , Gray , Collins , Johnson
Intertextuality and Influence Bryony Lavery
Ophelia: A Comedy, a rewriting of the play-within-a-play in Shakespeare 's Hamlet, mercilessly scrambles the plot, and has assimilated characters from other plays: Portia, Goneril, Lady Capulet, Juliet's Nurse, and Cleopatra's Charmian. Charmian...

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