Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson.
278-9
Connections Sort descending | Author name | Excerpt |
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Friends, Associates | E. Nesbit | EN
began to dabble, around 1908, in the Baconian question (whether the plays of Shakespeare
were actually written by Francis Bacon
). Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson. 278-9 |
Friends, Associates | Clemence Dane | Toasts were proposed by suffragist Philippa Strachey
and by Ethel Watts
(chair of the Junior Council of the London and National Society for Women's Service
), the latter of whom hoped that in the future... |
Health | Anna Eliza Bray | In the first months of 1834 AEB
found herself again in ill-health. She lost her sight and was confined to her bedroom, where she amused herself by repeating passages from Shakespere
[sic], or inventing plots... |
Intertextuality and Influence | Clemence Dane | Will Shakespeare is written in blank verse, but does not imitate Elizabethan language. Subtitled an invention, the play dramatises Shakespeare
's early career as a writer, focusing on his move from Stratford to London... |
Intertextuality and Influence | Lesley Storm | The title is a near-quotation from Shakespeare
's A Midsummer Night's Dream—the working man who is about to play the role of the lion promises not to frighten the ladies in the audience: I... |
Intertextuality and Influence | Ann Hatton | Here AH
opens by quoting Shakespeare
, and applies her usual vivacious style and sense of immediacy to the story of a man who is wrongfully imprisoned, and eventually released only to find his wife... |
Intertextuality and Influence | Liz Lochhead | LL
thoroughly enjoyed working on this production, though she admits that it was a bit everything-but-the kitchen-sink on sexual politics. Lochhead, Liz. True Confessions and New Clichés. Polygon Books. 58 Lochhead, Liz. True Confessions and New Clichés. Polygon Books. 58 |
Intertextuality and Influence | Ella Hepworth Dixon | EHD
took the title for the collection (and for the first story) from a line in Shakespeare
's Henry IV: Were it good / To set the exact wealth of all our states /... |
Intertextuality and Influence | Mary Sidney Herbert, Countess of Pembroke | This play provoked Samuel Daniel
to respond with The Tragedy of Cleopatra (published in another work in 1594), and influenced Shakespeare
's Antony and Cleopatra. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Hannay, Margaret P. Philip’s Phoenix: Mary Sidney, Countess of Pembroke. Oxford University Press, http://U of A HSS. 253n106 |
Intertextuality and Influence | Elizabeth Thomas | |
Intertextuality and Influence | Mary Elizabeth Braddon | MEB
's Hostages to Fortune, also published in 1875, gives a more sustained view of the theatre milieu than did A Strange World. It tells the story of Herman Westray's struggle to succeed... |
Intertextuality and Influence | Susan Du Verger | The titles, however, reveal that romance is to be countered with romance: The Generous Poverty, The Honourable Infidelity, The Fortunate Misfortune, The Double Rape, etc., sound like novels, and they employ... |
Intertextuality and Influence | Eleanor Sleath | The chapter headings quote a range of canonical or contemporary writers, including Shakespeare
, Milton
, Pope
, Thomson
, Goldsmith
, William Mason
, John Langhorne
, Burns
, Erasmus Darwin
, Edward Young |
Intertextuality and Influence | Bryher | |
Intertextuality and Influence | U. A. Fanthorpe | The title poem explains the implications of the title: I was set here / To watch. So I do, / And report, in cipher, to headquarters, / Which is an hypothesis. Wainwright, Eddie. Taking Stock, A First Study of the Poetry of U.A. Fanthorpe. Peterloo Poets. 28 |
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