Boyd, Ernest. Ireland’s Literary Renaissance. Grant Richards, 1922.
104-5
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Ann Hatton | This novel is well supplied with quotations: Macpherson
's Ossian
on the title-page and Robert Blair
(The Grave) to open the first volume, with Shakespeare
and Milton
for the succeeding volumes. It opens... |
Intertextuality and Influence | Jane Loudon | In prose the opening tale, Julia de Clifford, presents a well-meaning but thoughtless and impulsive heroine who progresses from dressing up as a ghost to scare the servants, to plunging her lover into despair... |
Intertextuality and Influence | Katharine Tynan | KT
's second poetry volume, Shamrocks (dedicated to William
and Christina Rossetti
), was said to be one of the earliest attempts to make use of Ossianic
material in Anglo-Irish poetry. Boyd, Ernest. Ireland’s Literary Renaissance. Grant Richards, 1922. 104-5 Tynan, Katharine. Shamrocks. Kegan Paul, Trench, 1887. prelims Yeats, W. B. Letters to Katharine Tynan. Editor McHugh, Roger, Clonmore and Reynolds, 1953. 26-7, 29 |
Intertextuality and Influence | Mrs Showes | This novel is far more conventional in plot than MS
's own. A heroine of mysterious origins discovers the truth about her birth, goes through many trials including threatened incest and madness, and achieves happy... |
Intertextuality and Influence | Anne Grant | When it was printed, each of its five parts was headed with a prose Argument. In a style reminiscent of James Thomson
(whose name is invoked Grant, Anne. Poems on Various Subjects. Printed for the Author by J. Moir, 1803. 40 |
Textual Features | Charlotte Brooke | CB
took various steps to guard against association with the project of James Macpherson
, whose Ossian
ic poems which purported to be ancient Scottish works were more fabricated than adapted. She includes in her... |
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