Craik, Helen. Henry of Northumberland. William Lane, 1800, 3 vols.
1: xi
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Helen Craik | The title-page quotes Virgil
. The preface relates how while staying with a friend in the north the author discovered an ancient manuscript, much torn and defaced in a trunk in a garret. Craik, Helen. Henry of Northumberland. William Lane, 1800, 3 vols. 1: xi |
Intertextuality and Influence | Mary Delany | Janice Thaddeus
discusses the prerogative MD
assumed in giving names of her own invention to people and places. Her uncle Lansdowne was Alcander (a violent man mentioned in Plutarch
's Lives, who was forgiven... |
Intertextuality and Influence | Catharine Parr Traill | Many of CPT
's early works were published with the Quaker publishing firm Harvey and Darton
. Peterman sees in these works the influence of Virgil
, Izaak Walton
, Mary Russell Mitford
, and Gilbert White
. New, William H., editor. Dictionary of Literary Biography 99. Gale Research, 1990. 332 |
Intertextuality and Influence | Margaret Drabble | The protagonist of The Seven Sisters, published in 2002, is a woman in her fifties whose husband and grown children have all abandoned her. Her own somewhat grumpy impressions of her newly single life... |
Intertextuality and Influence | Edith Templeton | |
Intertextuality and Influence | Anne Grant | |
Intertextuality and Influence | Anna Maria Mackenzie | Dryden
's Virgil
translation supplies an epigraph for the title-page. An authorial Advertisement, apologetic in tone, says the book will be realistic, moral, and well-intentioned. Louisa Jenkins writes the first letter while staying with her... |
Intertextuality and Influence | Judith Cowper Madan | The poem in its later version, headed with a quotation from Virgil
, opens: Unequal, how shall I the search begin, / Or paint with artless hand the awful scene? Concanen, Matthew, editor. The Flower-Piece. Walthoe, 1731. 130 |
Intertextuality and Influence | Elizabeth Isabella Spence | The title-page quotes are from Nicholas Rowe
's Jane Shore and an unidentified old play. Spence, Elizabeth Isabella. Dame Rebecca Berry. Longman, Rees, Orme, Brown and Green , 1827, 3 vols. prelims |
Intertextuality and Influence | Ann Eliza Bleecker | She used the writing of the pastoral to build a relationship with Tomhanick, Americanizing the topographical tradition to create a suitable backdrop for the life of a poet. Her work includes meditations on death... |
Intertextuality and Influence | Mrs Martin | Indeed, as in MM
's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator... |
Intertextuality and Influence | Anne Francis | |
Intertextuality and Influence | Seamus Heaney | The title refers to, and applies to poems about, family relationships (often those spanning generations), literary relatedness over still larger spans of time, and links between the human and other parts of the creation. In... |
Intertextuality and Influence | Eavan Boland | Here she retains her focus on history and on women's lives. The relation between the two is paradoxical. Mise Eire (meaning I am Ireland) McEvoy, Anne, and Isobel Grundy. Conversation about Eavan Boland with Isobel Grundy. 23 Sept. 1999. Boland, Eavan. Outside History. Norton, 1990. 78-9 |
Intertextuality and Influence | Henrietta Rouviere Mosse | The widely varied quotations heading the chapters include some in Latin (Virgil
, Cicero
, Lucretius
, Horace
) and some in French (Rousseau
, Voltaire
, Marmontel
, and Manon Roland
). The English writers quoted include Mary Robinson
. McLeod, Deborah. The Minerva Press. University of Alberta, 1997. |
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