Concanen, Matthew, editor. The Flower-Piece. Walthoe, 1731.
130
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Anne Grant | |
| Intertextuality and Influence | Anna Maria Mackenzie | Dryden
's Virgil
translation supplies an epigraph for the title-page. An authorial Advertisement, apologetic in tone, says the book will be realistic, moral, and well-intentioned. Louisa Jenkins writes the first letter while staying with her... |
| Intertextuality and Influence | Judith Cowper Madan | The poem in its later version, headed with a quotation from Virgil
, opens: Unequal, how shall I the search begin, / Or paint with artless hand the awful scene? Concanen, Matthew, editor. The Flower-Piece. Walthoe, 1731. 130 |
| Intertextuality and Influence | Elizabeth Isabella Spence | The title-page quotes are from Nicholas Rowe
's Jane Shore and an unidentified old play. Spence, Elizabeth Isabella. Dame Rebecca Berry. Longman, Rees, Orme, Brown and Green , 1827, 3 vols. prelims |
| Intertextuality and Influence | Ann Eliza Bleecker | She used the writing of the pastoral to build a relationship with Tomhanick, Americanizing the topographical tradition to create a suitable backdrop for the life of a poet. Her work includes meditations on death... |
| Intertextuality and Influence | Mrs Martin | Indeed, as in MM
's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator... |
| Intertextuality and Influence | Anne Francis | |
| Intertextuality and Influence | Seamus Heaney | The title refers to, and applies to poems about, family relationships (often those spanning generations), literary relatedness over still larger spans of time, and links between the human and other parts of the creation. In... |
| Intertextuality and Influence | Eavan Boland | Here she retains her focus on history and on women's lives. The relation between the two is paradoxical. Mise Eire (meaning I am Ireland) McEvoy, Anne, and Isobel Grundy. Conversation about Eavan Boland with Isobel Grundy. 23 Sept. 1999. Boland, Eavan. Outside History. Norton, 1990. 78-9 |
| Intertextuality and Influence | Henrietta Rouviere Mosse | The widely varied quotations heading the chapters include some in Latin (Virgil
, Cicero
, Lucretius
, Horace
) and some in French (Rousseau
, Voltaire
, Marmontel
, and Manon Roland
). The English writers quoted include Mary Robinson
. McLeod, Deborah. The Minerva Press. University of Alberta, 1997. |
| Intertextuality and Influence | Mary Herberts | Further disconnected tales accumulate, one contrasting two priests, Father Coeurdroit (or Goodheart), who serves the poor rather than the Church, and Father Predatore, whose name is self-explanatory. The flow is finally interrupted by Proteus placing... |
| Intertextuality and Influence | Mary Scott | The poem, appropriately, is written in heroic couplets. Its opening boldly echoes Virgil
only to distance itself from the project of the Aeneid: Arms and the men for deeds of arms renown'd .... |
| Intertextuality and Influence | Anne Irwin | AI
praises both her father
and his estate, the baroque mansion and landscaped grounds recently completed to the designs of Sir John Vanbrugh
. Carlisle appears as a practitioner of ideal gentlemanly retirement: having... |
| Intertextuality and Influence | Jane West | JW
's preface invokes Shakespeare
, Virgil
, Homer
, and Sir Walter Scott
(she later adds Thomas Percy
) as more acceptable exemplars for romance than either the French romances (implicitly those of Madeleine de Scudéry |
| Intertextuality and Influence | Vita Sackville-West | The Land irresistibly recalls Virgil
's Georgics, the poem which gave its name to the genre of which it remains the best-known example; indeed, for some time VSW
intended to call her poem Georgics... |
No timeline events available.
No bibliographical results available.