McLeod, Deborah. The Minerva Press. University of Alberta, 1997.
Virgil
Standard Name: Virgil
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Henrietta Rouviere Mosse | The widely varied quotations heading the chapters include some in Latin (Virgil
, Cicero
, Lucretius
, Horace
) and some in French (Rousseau
, Voltaire
, Marmontel
, and Manon Roland
). The English writers quoted include Mary Robinson
. |
Intertextuality and Influence | Mary Scott | The poem, appropriately, is written in heroic couplets. Its opening boldly echoes Virgil
only to distance itself from the project of the Aeneid: Arms and the men for deeds of arms renown'd .... |
Intertextuality and Influence | Mary Herberts | Further disconnected tales accumulate, one contrasting two priests, Father Coeurdroit (or Goodheart), who serves the poor rather than the Church, and Father Predatore, whose name is self-explanatory. The flow is finally interrupted by Proteus placing... |
Intertextuality and Influence | Jane West | JW
's preface invokes Shakespeare
, Virgil
, Homer
, and Sir Walter Scott
(she later adds Thomas Percy
) as more acceptable exemplars for romance than either the French romances (implicitly those of Madeleine de Scudéry |
Intertextuality and Influence | Vita Sackville-West | The Land irresistibly recalls Virgil
's Georgics, the poem which gave its name to the genre of which it remains the best-known example; indeed, for some time VSW
intended to call her poem Georgics... |
Intertextuality and Influence | Anne Irwin | AI
praises both her father
and his estate, the baroque mansion and landscaped grounds recently completed to the designs of Sir John Vanbrugh
. Carlisle appears as a practitioner of ideal gentlemanly retirement: having... |
Intertextuality and Influence | Vita Sackville-West | Virgil
, once thought of, became the poem's tutelary deity. He supplies an epigraph. VSW
opens in the epic manner—I sing the cycle of my country's year, / I sing the tillage Sackville-West, Vita. The Land. Heinemann, 1948. 1 |
Intertextuality and Influence | Susanna Haswell Rowson | The title-page quotes Samuel Johnson
asserting that an author has nothing but his own merits to stand or fall on. The Birth of Genius, an irregular ode, offers advice to my son to love... |
Literary responses | Anne Francis | Critic Jacqueline M. Labbe
has discussed the first poem in this volume, Saham Gardens (at Saham Toney in Norfolk). She approved AF
's claiming the garden for specifically female power and delighting in her... |
Literary responses | Arabella Shore | Oscar Wilde
offered slightly faint praise. AS
, he wrote, had tried to guide modern readers through Dante's great poem as Virgil
guided Dante through the afterworld, and her modest literary guide-book was unlike many... |
Literary Setting | Lady Charlotte Bury | Opening in Lyons, the story moves through a whole list of places personally known to LCB
: England (where Bertha goes to be a governess after her husband deserts her), Scotland, Switzerland... |
Occupation | Frances Arabella Rowden | FAR
was clearly a key element, perhaps the key element, in the success of the Hans Place school. She taught the general curriculum there for nearly twenty-five years, from its founding until 1818, and she... |
Occupation | R. D. Blackmore | He published several volumes of poetry and translated works by Theocritus
and Virgil
. He found the occupation of novelist extremely profitable, and used most of his revenue from writing to fund his horticultural endeavours... |
Publishing | Penelope Lively | PL
's more recent work for children includes almost every imaginable kind of fiction. Some of her titles are futuristic, like Judy and the Martian, 1992, and A Martian Comes to Stay, 1995.... |
Textual Features | Helen Waddell | HW
's preface reflects her wide reading, addresses the various traditions—from pagan to Virgil
ian—that went into the lyrics she translates, and makes it clear that she envisages her anthology as a companion to The... |
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