Greer, Germaine. “Horror like Thunder”. London Review of Books, 21 June 2001, pp. 22-4.
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Connections Sort descending | Author name | Excerpt |
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Textual Features | Elaine Feinstein | The poet-narrator revisits the Russia of the 1930s and meets the great writers who rule her imagination, under the guidance of Marina Tsvetayeva or Tsvetaeva
, as |
Textual Features | Lucy Hutchinson | In the later cantos the biblical narrative is handled less didactically, more dramatically and psychologically. Some of the digressions, personifications, and descriptions suggest Virgil
ian epic. Greer, Germaine. “Horror like Thunder”. London Review of Books, 21 June 2001, pp. 22-4. 24 |
Textual Features | Susanna Watts | Ephemera of all kinds have been bound in: family anecdotes, a letter of William Cowper
of 1788, a Hindu Primer (or alphabet), a railway ticket of 1839, women's parliamentary petitions against slavery of 1833 (one... |
Textual Features | Helen Waddell | HW
's preface reflects her wide reading, addresses the various traditions—from pagan to Virgil
ian—that went into the lyrics she translates, and makes it clear that she envisages her anthology as a companion to The... |
Textual Features | Ursula K. Le Guin | The trouble comes from a sorcerer, Cob, an old enemy of Ged, who has found a way to evade death. All over the Earthsea world people are obsessed with the idea of living for ever... |
Textual Features | Clara Reeve | |
Textual Features | Marie-Catherine de Villedieu | |
Textual Features | Alethea Lewis | She heads her novel with a prefatory letter to the Rev. William Johnstone
, who, she says, has asked why she chooses to write fiction and not moral essays. She answers that novels offer opportunities... |
Textual Features | Alexander Pope | Pope's thesis here (for which he evades responsibility by attributing it to Blount
) is that women are too changeable to have any lasting character or personality. The fickleness of women was of course a... |
Textual Production | Maria Barrell | This was Printed for the Author, with a quotation from Prior
on the title-page. Barrell, Maria. Reveries du Coeur. Dodsley, Walter, Owen, and Yeats, 1770. prelims |
Textual Production | Sarah Lewis | SL
began her writing career with contributions to The Family Magazine. Her first publication was said to be a poem which appeared around 1838, when she was just fourteen years old. Mainiero, Lina, editor. American Women Writers. Vol. II, Unger, 1979, 5 vols. 2: 572 Walsh, Thomas. “Stella and Her Brooklyn Salon”. The Bookman, Vol. 56 , No. 5, Jan. 1923, pp. 578-83. 580 |
Textual Production | Elizabeth Gilding | Her title-page quotes Thomson
on the young mind fed by the light of truth, and Virgil
on being made a poet. The book cost half a crown and was sold by the author herself at... |
Textual Production | Annie Besant | AB
published through the Freethought Publishing Company
the pamphlet Sic Itur ad Astra; or, Why I Became a Theosophist. The Latin quotation which opens the title comes from Virgil
's Aeneid. It means... |
Textual Production | Ann Fisher | No copy of the first edition is known to be extant. The extremely long title continues An Accurate New Spelling Dictionary and Complete English Expositor: containing a much larger collection of words than any book... |
Textual Production | Constantia Grierson | Constantia Crawley (later CG
) published the first of her small, Elsevir-format editions of classical authors (written in Latin throughout): the works of Virgil
, as P. Virgilii Maronis opera. Nunc emendatiora. English Short Title Catalogue. http://estc.bl.uk/. Elias, A. C., Jr. “A Manuscript of Constantia Grierson’s”. Swift Studies, Vol. 2 , 1987, pp. 33-56. 42n20 |
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