qtd. in
Jones, Mary Gwladys. Hannah More. Cambridge University Press, 1952.
90
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
Intertextuality and Influence | Ann Taylor Gilbert | The poems are lively and entertaining, despite a steady the prevalence of accounts of penalties (up to and including death) naturally consequent on bad behaviour. The most famous of Ann's poems in the volume is... |
Leisure and Society | Hannah More | Once an omnivorous reader, HM
restricted her choice of books in later life, in line with her religious convictions. She delighted in William Cowper
as a poet whom I can read on Sunday. qtd. in Jones, Mary Gwladys. Hannah More. Cambridge University Press, 1952. 90 |
Literary responses | Catherine Fanshawe | CF
's immediately posthumous reputation rested, like her writings themselves, on oral tradition. She had the admiration of William Cowper
and Walter Scott
, as well as Joanna Baillie
, Anne Grant
, and Mary Berry |
Literary responses | Lydia Howard Sigourney | Edgar Allan Poe
, reviewing this book for the Southern Literary Messenger, thought that LHS
did too much borrowing: from Hannah More
, William Cowper
, William Wordsworth
, and Byron
. Critic Emily Stipes Watts |
Literary responses | Hannah More | The Critical Review approved the poem, but remarked that amelioration might do as well as abolition as a means of addressing the abuses it describes. Critical Review. W. Simpkin and R. Marshall, 5 series. 65 (1788): 226 |
Literary responses | Caroline Bowles | CB
was praised for this volume both in Blackwood's (her publisher's own journal) and in the London Quarterly Review. Allibone, S. Austin, editor. A Critical Dictionary of English Literature and British and American Authors Living and Deceased. Gale Research, 1965. |
Literary responses | Caroline Bowles | John Wilson
's review for Blackwood's, March 1837, deemed the title poem an autobiography of the childhood of Genius. qtd. in Blain, Virginia. Caroline Bowles Southey, 1786-1854. Ashgate, 1998. 123 |
Literary responses | Mary Robinson | The same year Broadview Press
issued her Selected Poems, with four portraits and the illustrations by Maria Cosway
, engraved by Caroline Watson
, to her poem A Wintry Day. These were followed... |
Literary responses | Mary Leapor | This volume attracted attention from Samuel Richardson
, Christopher Smart
, and the young William Cowper
, as well as from its chief promoters, John Duncombe
and Susanna Highmore
. Rizzo, Betty. “Molly Leapor: An Anxiety for Influence”. The Age of Johnson, edited by Paul J. Korshin, Vol. 4 , 1991, pp. 313-43. 327-8 |
Literary responses | Jane Taylor | The Critical Review, quoting several poems in full, equally approved JT
's lively facility and her graver moral style, Critical Review. W. Simpkin and R. Marshall, 5 series. 5th ser. 4 (1816): 269 |
Literary responses | Mary Leapor | ML
was by no means forgotten after her first discovery. She was praised in John Duncombe
's Feminiadand accorded the largest share of space in Poems by Eminent Ladies.William Cowper
, who... |
Material Conditions of Writing | Catherine Fanshawe | In 1793, William Cowper
's friend Lady Hesketh
sent CF
a poem of Cowper's, with the request that she should not copy or circulate it. CF learned it by heart, then sent back the original... |
Material Conditions of Writing | Charlotte Smith | She wrote The Old Manor House while staying with a congenial group of friends (including Cowper
, William Hayley
, and George Romney
). The latter reported, in awed tones, that she would write a... |
Publishing | Elizabeth Bentley | 1,935 copies of the book were subscribed for. Names on the list include those of BluestockingsElizabeth Carter
and Hester Mulso Chapone
, William Cowper
, and a number of those men who later wrote... |
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