Collier, Jane et al. Common Place Book.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Clara Reeve | In this ground-breaking study CR
provides the first full critical and historical account of the modern novel form (the one most used by women writers), and defends the genre of romance against its many attackers... |
Intertextuality and Influence | Jane Collier | Perhaps JC
's most pressing concern here is with women's issues: Women live most part of their lives in the office of Nursing, either Parents Husbands or Children. Collier, Jane et al. Common Place Book. 7 |
Intertextuality and Influence | Elizabeth Tollet | The long epistle mentioned on the title-page, a philosophical poem On the Origin of the World, and the two Latin psalms are the works that show most revision since the earlier volume. Londry, Michael, and Elizabeth Tollet. The Poems of Elizabeth Tollet. Oxford University. 37 |
Intertextuality and Influence | Phebe Gibbes | In addition to its over-riding themes of colonialism and the marriage market, this novel, set in early British Calcutta (and incorporating a good deal of travel book material), is much concerned with literature and with... |
Intertextuality and Influence | Anna Maria Mackenzie | Dryden
's Virgil
translation supplies an epigraph for the title-page. An authorial Advertisement, apologetic in tone, says the book will be realistic, moral, and well-intentioned. Louisa Jenkins writes the first letter while staying with her... |
Intertextuality and Influence | Mrs Ross | Southampton turns out to be too bashful to speak in parliament, and also too weak to withstand the mockery of rakish friends for his fidelity to his wife. He suffers agony of conscience over his... |
Intertextuality and Influence | Anne Grant | |
Intertextuality and Influence | Elizabeth Meeke | The title-page quotes from Dryden
. The story opens in 1800 with Mr Hamilton left guardian to Lenmore, the son of his dead correspondent in Jamaica. Early scenes are set among a group of... |
Intertextuality and Influence | Anna Seward | The sonnets are written in strict Milton
ic form. One of their favourite themes is love of nature and the countryside; one or two deal with Seward's love for Honora Sneyd
. In rendering Horace... |
Intertextuality and Influence | Anna Miller | Along with works of art she describes, but more briefly, the way of life of places she passes through. She has, however, little sympathy with working people's needs. She remarks that actresses and dancers have... |
Intertextuality and Influence | Michelene Wandor | It proclaims: this is the story of two people // this is the story of two peoples // and one God / your God or mine? Wandor, Michelene. The Music of the Prophets. Arc Publications. 34 |
Intertextuality and Influence | Elizabeth Hamilton | EH
seeks to raise the canonical status of the novel in this work not only by serious politico-philosophical content, but also by chapter-heading quotations from the classics (from Horace
, Shakespeare
, and Milton
to... |
Intertextuality and Influence | Susan Smythies | The novel offers in passing an amusing catalogue of an old-fashioned library, whose first items are heroic romances like Ibraham; Cassandra; Cleopatra [by Madeleine de Scudéry
and Gauthier de La Calprenède
]. Several... |
Intertextuality and Influence | Eliza Haywood | This was the first periodical for women to take advantage of the monthly format, which was still fairly new. Unlike other magazines, it used fiction as its staple, while also including advice on behaviour, relationships... |
Intertextuality and Influence | Lady Mary Wortley Montagu | This poem suggests that women are culpably hungry for flattery (as the poet's husband felt she often was); she declares herself willing to bear sole responsibility for her sexual reputation: it will be her own... |
No bibliographical results available.