Congreve, William. Incognita. Scolar Press.
title-page
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Frances, Lady Norton | The reception of this volume, dictated by Gethin's position as her father's only child and heir, and as an exemplary pattern of female excellence, rather than by consideration of the literary quality of her work... |
Literary responses | Mary, Lady Chudleigh | Dryden
showed his copy of the poem to |
Literary responses | Anne Killigrew | AK
's death was lamented in at least three poems. Her father printed in her PoemsDryden
's ode on her death, which links her painting and poetry, and subordinates both arts to her virtue... |
Occupation | William Congreve | Congreve was twenty-one when on 22 December 1691 he licensed his first book, a short novel called Incognita: or, Love and Duty Reconcil'd, which was published the following year. Congreve, William. Incognita. Scolar Press. title-page |
Occupation | John Milton | As to poetry, Paradise Lost was quickly recognised as a classic. In 1674, while it was still a very recent text, Dryden
praised it as undoubtedly one of the greatest, most noble, and most sublime... |
Performance of text | Alison Fell | AF
was a constant source of scenes, burlesques, and improvisations for performance by the Women's Liberation Street Theatre Group
. She also wrote for a number of underground or radical papers: Ink, Islington Gutter... |
Performance of text | Aphra Behn | An amateur performance at Court of Dryden
's The Indian Emperor used a prologue which AB
included in her Covent Garden Drolery, but probably did not write. Mendelson, Sara Heller. The Mental World of Stuart Women: Three Studies. Harvester Press. 210n42 |
Author summary | Elizabeth Thomas | |
Author summary | Anne Killigrew | AK
(also a painter) was a fine Restoration-period poet, who has the misfortune of being better known for Dryden
's praises of her than for her actual work. |
Author summary | Aphra Behn | It is difficult to summarise AB
's immense and complex importance for the history of women's writing. Virginia Woolf
said she deserved from all women a tribute of flowers because she was the first to... |
Textual Features | Lady Mary Wortley Montagu | Her poetry as a whole is conspicuous for its versatility. Her major early influences (Katherine Philips
and Abraham Cowley
) were succeeded by Dryden
. (She always denied any influence from Pope
.) But... |
Textual Features | Marguerite Gardiner, Countess of Blessington | The elderly lady, Lady Arabella, represents a chilly view of the English aristocracy. She opens her story with a paean in praise of past times and in dispraise of the present: How interminably long the... |
Textual Features | Lucy Hutchinson | Lucretius
, as a pagan philosopher and theologian (and, as LH
and her contemporaries believed, insane much of the time and sexually promiscuous), was a daring choice for one of her religious opinions. Lucretius, and Lucretius. “Introduction”. Lucy Hutchinson’s Translation of Lucretius, "De rerum natura", edited by Hugh De Quehen, translated by. Lucy Hutchinson, University of Michigan Press, pp. 1-20. 8, 11 |
Textual Features | Katherine Philips | In some sense, therefore, she dictated the terms of the anthology. Its full title was The Virgin Muse: Being a Collection of Poems from our Most Celebrated English Poets, designed for the use of... |
Textual Features | Samuel Johnson | This was not the first dictionary of English, but its predecessors had remained more or less close to the model of a word-list, omitting common words or any attempt to distinguish one idiomatic usage from... |
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