Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Lady Mary Wortley Montagu | Her poetry as a whole is conspicuous for its versatility. Her major early influences (Katherine Philips
and Abraham Cowley
) were succeeded by Dryden
. (She always denied any influence from Pope
.) But... |
Textual Features | Marguerite Gardiner Countess of Blessington | The elderly lady, Lady Arabella, represents a chilly view of the English aristocracy. She opens her story with a paean in praise of past times and in dispraise of the present: How interminably long the... |
Textual Features | Lucy Hutchinson | Lucretius
, as a pagan philosopher and theologian (and, as LH
and her contemporaries believed, insane much of the time and sexually promiscuous), was a daring choice for one of her religious opinions. Lucretius, and Lucretius. “Introduction”. Lucy Hutchinson’s Translation of Lucretius, "De rerum natura", edited by Hugh De Quehen, translated by. Lucy Hutchinson, University of Michigan Press, 1996, pp. 1-20. 8, 11 |
Textual Features | Anna Maria Porter | The novel ranges over Barbary, Persia, and Brazil, qtd. in Stevens, Anne. “Tales of Other Times: A Survey of British Historical Fiction, 1770-1812”. Cardiff Corvey: Reading the Romantic Text, Vol. 7 , Dec. 2001. |
Textual Features | Samuel Johnson | This was not the first dictionary of English, but its predecessors had remained more or less close to the model of a word-list, omitting common words or any attempt to distinguish one idiomatic usage from... |
Textual Features | Anne Francis | An Argument explains the poem's source in Plutarch. AF
's hero, whose father was an associate of Alexander the Great
, is dead after many vicissitudes. His ashes make a triumphal progress by sea from... |
Textual Features | Katherine Philips | In some sense, therefore, she dictated the terms of the anthology. Its full title was The Virgin Muse: Being a Collection of Poems from our Most Celebrated English Poets, designed for the use of... |
Textual Features | Mary Lady Chudleigh | MLC
's occasions include the public and private. She opens with an ode on the recent death of the queen's only surviving child
, in which the speaker, unconventionally, rejects the consolation duly offered by... |
Textual Features | Sarah Fyge | The volume nicely mixes the personal and political. SF
shows daring in expressions of love and of refusal to accept conventional restraints of all kinds. She reprints all four of her poems on Dryden
's... |
Textual Features | Sarah Green | M. G. Lewis
is a more complicated case, treated with some nuance. SG
admires The Monk but feels that after that Lewis's real talent was obscured by the baneful influence of German fiction: she agrees... |
Textual Production | Constance Smedley | The American title echoes Dryden
's All for Love (Act 4, scene 1): Men are but children of a larger growth. The book is dedicated To Another Father and Mother in gratitude for a wide... |
Textual Production | Cicely Hamilton | The title is a complex allusion to traditional gender roles, specifically to the sex appeal of male martial prowess. John Dryden
's line None but the brave deserve the fair (itself in context a propaganda... |
Textual Production | Michelene Wandor | MW
has adapted two German plays for English productions: Heinrich von Kleist
's Penthesilea, about the Amazons (1977), and Ernst Toller
's The Blind Goddess (1981). She also adapted Githa Sowerby
's Rutherford and... |
Textual Production | Charlotte Despard | CD
's second novel, Wandering Fires (titled from John Dryden
), appeared the same year as Chaste as Ice, Pure as Snow. |
Textual Production | Mary Matilda Betham | Like most of her peers, MMB
maintained a lively correspondence. Some of it is reproduced in A House of Letters, edited by Ernest Betham
(though he prints more letters to than from her). She... |
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