Hirshfield, Claire. “The Woman’s Theatre in England: 1913-1918”. Theatre History Studies, Vol.
15
, June 1995, pp. 123-37. 124
Connections Sort descending | Author name | Excerpt |
---|---|---|
Occupation | Inez Bensusan | The Play Department of the Actresses' Franchise League
, directed by IB
, helped to raise suffrage funds with matinees of short plays and sketches at the Kingsway
, Royalty
and Lyceum
theatres in London. Hirshfield, Claire. “The Woman’s Theatre in England: 1913-1918”. Theatre History Studies, Vol. 15 , June 1995, pp. 123-37. 124 |
Occupation | Edith Craig | EC
both performed in and made the costumes for Henry Irving
's Lyceum Theatre
production of Victorien Sardou
's Robespierre. Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell, 1998. 41, 218 St John, Christopher. “Biographical Note”. Edy: Recollections of Edith Craig, edited by Eleanor Adlard, 1st ed., Frederick Muller, 1949. 10 |
Occupation | Jean Rhys | Her aunt Clarice wrote to the Williams parents, and it was presumably her father, before his death in 1910, who gave permission for her to remain in England. Her stage name was Gray, with usually... |
Performance of text | Joanna Baillie | JB
's The Election, skilfully revised as an opera by Carhart, Margaret S. The Life and Work of Joanna Baillie. Reprint of 1923, Archon Books, 1970. 158 Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press, 1999, 2 vols. 1: 168 |
Performance of text | Marianne Chambers | MC
's second five-act play, Ourselves, A Comedy, opened at the Lyceum
in London with actors from the Theatre Royal
. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press, 1996. 383 Lamb, Charles, 1775 - 1834, and Mary, 1764 - 1847 Lamb. The Letters of Charles and Mary Anne Lamb. Editor Marrs, Edwin J., Jr, Cornell University Press, 1975, 3 vols. 3: 73n5 |
Performance of text | Mary Shelley | In 1823 William Godwin
(inspired by a successful dramatisation of his daughter's novel, playing at the Lyceum Theatre
in London as Presumption; or, The Fate of Frankenstein) arranged a second edition for MS
's... |
Performance of text | Evelyn Glover | The play's vivid characters and snappy dialogue, alongside its minimal staging requirements, made it one of the most popular plays in the AFL's suffrage repertoire. Holledge, Julie. Innocent Flowers: Women in the Edwardian Theatre. Virago, 1981. 88 |
Reception | John Oliver Hobbes | The Ambassador proved to be JOH
's most successful dramatic work. On opening night, when the delighted audience called for the author, many of them were staggered at the appearance on stage of a young... |
Reception | John Oliver Hobbes | After the opening of Journeys End in Lovers' Meeting, JOH
invited by Gladstone
to read it to him while he was recovering from a cataract operation. Ellen Terry
purchased the acting rights to the... |
Textual Production | Edith Craig | EC
's articles on theatre include Producing a Play in Munsey's Magazine (June 1907) and Notes on the Costumes in The Kensington (undated). Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell, 1998. 233 |
Textual Production | Christopher St John | It was part of a triple bill with Cicely Hamilton
's Jack and Jill and a Friend and Margaret Wynne Nevinson
's In the Workhouse. Another performance, again directed by Edith Craig, was staged... |
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