Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press, 1999, 2 vols.
1: 168
Connections Sort descending | Author name | Excerpt |
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Occupation | Mary Elizabeth Braddon | MEB
's theatre career peaked with her run at the Surrey Theatre
, London, in pieces like J. B. Johnstone
's The Sailor of France and How We Live in the World of London... |
Occupation | Mary Elizabeth Braddon | Her life as an actress took her, with her mother along as chaperone, out of London by the spring of 1853 to such places as Aberdeen, Bath (where she worked at the Theatre Royal |
Performance of text | Joanna Baillie | It was published with a dedication to Walter Scott
. Produced as a melodrama at the Surrey Theatre
in summer 1817, it had an excellent run of thirty-four nights. Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press, 1999, 2 vols. 1: 168 |
Performance of text | Emma Robinson | A version of this novel adapted for the stage by W. Thompson Townsend
was given at the Royal Surrey Theatre
on 4 April 1844, and subsequently printed as number 40 in Lacy's Acting Edition of... |
Reception | Sydney Owenson Lady Morgan | The virtues of this powerful Irish novel were not fully appreciated in England. Mary Russell Mitford
thought that Morgan would be all right without the politics: she would be worth reading and praising if only... |
Textual Production | Sarah Scudgell Wilkinson | SSW
published The Ruffian Boy; or, Castle of Waldemar. A Venetian Tale, which came from Amelia Opie
by way of a stage adaptation in melodrama form that did well at the new Surrey Theatre |
Textual Production | Jane Porter | The preface is dated in December 1809 at Long Ditton in Surrey—a country retirement which, she said, turned her thoughts back to childhood memories. This was one inspiration for the book, and another was... |
Textual Production | Amelia Opie | Despite the volume's title, The Ruffian Boy had been in print well before this, and had spawned several theatrical incarnations. These included one based on the story, written by Edward Ball
and produced at Norwich... |
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