Lewis Melville
and Alexander Meyrick Broadley
included some of EMA
's poems, most of them occasional and many of them from manuscript, in The Beautiful Lady Craven, 1914. They call a reply to a verse compliment from the Rev. Charles Jenner
(written at twenty-one and later printed in The Monthly Mirrorand The New Foundling Hospital for Wit) one of her earliest pieces.Because of her position in the public eye, her sonnets, rebuses [i.e. picture puzzles], charades, epilogues, and songs
Anspach, Elizabeth, Margravine of. “Introduction”. The Beautiful Lady Craven, edited by Lewis Saul Benjamin and Alexander Meyrick Broadley, Bodley Head, 1914, p. i - cxxxviii.
xxiii
circulated in manuscript even when they escaped print.
Anspach, Elizabeth, Margravine of. “Introduction”. The Beautiful Lady Craven, edited by Lewis Saul Benjamin and Alexander Meyrick Broadley, Bodley Head, 1914, p. i - cxxxviii.
The novelist Rhoda Broughton
was an early supporter of and influence on EA's writing. She helped EA place two early short stories, Mrs Verrinder (1886) and Edged Tools (1887) in Temple Bar through her publisher Richard Bentley
.
Wachter, Phyllis E. Surname Arnold; Occupation: Spinster; Avocation: New Victorian Woman. Temple University, Apr. 1984.
Before beginning work on The Dressmaker, BB
had begun on a novel set in the USA entitled He's the Captan of the Team. This seems to have no connection with The Dressmaker, but Brendan King notes a link between them in source-material drawn from the lives of Bainbridge's two aunts. She composed The Dressmaker at breakneck speed. Before it appeared she wrote, at the invitation of the editor Karl Miller
, a piece for the Listener about her background.
During the same year Eugene Jolas
published in the June number of transition Beckett's short story entitled Assumption, and on 14 November the Trinity College, Dublin
, student newspaper, A College Miscellany, published his satirical dialogue Che Sciagura (titled from a sentence in Voltaire
's Candide).
Federman, Raymond, and John, 1937 - Fletcher. Samuel Beckett. University of California Press, 1970.
At about the age of eight PB
decided to channel her general desire to excel into the determination to be a poet: this without any models of such a life being presented to her, and although she saw it as a choice that excluded being married, it meant to her at that time being happy. Hymns, she wrote, were the first kind of poetry I heard, and I heard them in my cradle.
At eight she began writing poetry, indeed practically filled the school magazine with it and of course it was all rhyme and traditional scansion.
Beer, Patricia. “Where’er You Walk”. London Review of Books, 2 Sept. 1999, p. 6.
6
At ten she wrote a poem then printed in the Grammar School magazine, Exmothiensis, entitled Cottages by the Sea; as an adult she dismissed it as relatively simple and sparse lack of perception.
PB
, especially as she grew older, published many short stories set in Yorkshire; most originally appeared in periodicals before being collected in volume form.
July 1876, CB
's first published work, a short story titled The Troubles of an Automaton, appeared in the New Quarterly Magazine.
Glage, Liselotte. Clementina Black: A Study in Social History and Literature. Carl Winter, 1981.
18
Houghton, Walter E., and Jean Harris Slingerland, editors. The Wellesley Index to Victorian Periodicals 1824-1900. University of Toronto Press, 1966–1989, 5 vols.
Throughout her career Brame continued to contribute short stories and serial novels to various periodicals, including Bow Bells, the New York Weekly, The London Reader, The Saturday Evening Post, and The Family Herald. Her relationship with The Family Herald was especially close, since after contributing several stories and articles to it she became one of its staff writers, a position which she held as long as she lived in London.
She made some editorial changes, for publication, to all her South American writings done while she was actually there, and resolved to omit all quotation from private letters or conversation, though her editor says she occasionally broke this rule. She took great care over the authenticity of her sources, and she made full use of her mastery of both Spanish and Portuguese.
Callcott, Maria. “Introduction”. The Captain’s Wife, edited by Elizabeth Mavor, Weidenfeld and Nicolson, 1993, p. xi - xiv.
xii-xiii
The work was excerpted in the Literary Gazette.
Gotch, Rosamund Brunel. Maria, Lady Callcott, The Creator of ’Little Arthur’. J. Murray, 1937.
243
It is the first book which she illustrated with her own sketches (many now in the British Museum
).
Gotch, Rosamund Brunel. Maria, Lady Callcott, The Creator of ’Little Arthur’. J. Murray, 1937.
185
Waldemar Valente
published a Portuguese translation at Recife in 1974 as Antecipação de Pernambuco no movimento da independência, testemunho de uma inglesa, with detailed study, notes, and illustrations.
Callcott, Maria. Antecipação de Pernambuco no movimento da independência, testemunho de uma inglesa. Translator Valente, Waldemar, Instituto Joaquim Nabuco de Pesquisas Sociais, 1974.
Jane's love of a good story and her tendency to locate herself as the heroine of her epistles may have caused her to embroider the truth. One of her contemporaries, William MacCall
, when responding to her description of him in a letter published posthumously in the Pall Mall Gazette as Almost a Tragedy, charged her with indulging in inaccuracies and exaggerations.
LMC
published in volume form her first collection of Letters from New York, which she had contributed as a weekly column to the National Anti-Slavery Standard from August 1841.
Clifford, Deborah Pickman. Crusader for Freedom. Beacon Press, 1992.
175-6, 180
Osborne, William S. Lydia Maria Child. Twayne, 1980.
Agatha Miller (later AC
) wrote and published (under various pseudonyms) her first poems while she was about eleven. She was paid a guinea for each poem by Poetry Review. Her earliest verses have not surfaced. Poems written when she was seventeen or eighteen were printed in a volume entitled The Road of Dreams (1924) and reprinted by Collins
in her Poems of 1973.
Morgan, Janet. Agatha Christie: A Biography. Collins, 1984, http://Rutherford HSS.
MSC
made the earliest identified (in 2015) of her appearances in the periodical press, anonymously, when her tale Osman was carried by the sixth volume of The Court Miscellany.
Pitcher, Edward W. “Maria Susanna Cooper (1738–1807): The Exemplary Mother from Norfolk”. American Notes and Queries, Vol.
From the age of about ten JC
, a solitary child, was writing poems constantly . . . in secret notebooks with cloth covers.
Couzyn, Jeni. Life by Drowning. Bloodaxe Books, 1985.
216
As an undergraduate she published some of them in a magazine whose editor was Lionel Abrahams
.
Couzyn, Jeni. Life by Drowning. Bloodaxe Books, 1985.
217
The first reading she gave from her poems was in Dublin, where praise from Padraic Colum
confirmed her ambition to be a poet.
Couzyn, Jeni. Life by Drowning. Bloodaxe Books, 1985.
218
But at this stage, during the later 1960s after migrating to London, although she was building much of her life around poetry, she saw this as an alternative to the other desirable choice in life: to attain domestic happiness would mean losing the ability to write; writing might well lead to suicide.
Couzyn, Jeni, editor. The Bloodaxe Book of Contemporary Women Poets. Bloodaxe Books, 1985.
17
It was a revelation when, towards the end of this decade, she discovered women poets (in consequence of a failed anthology project).
Couzyn, Jeni, editor. The Bloodaxe Book of Contemporary Women Poets. Bloodaxe Books, 1985.
When MC
was about seven, she and her sister Lucy Marguerite were writing stories to read to each other at night.
Black, Helen C. Notable Women Authors of the Day. Maclaren, 1906.
216
When May was sixteen they discovered and began secretly to contribute to a paper which kindly offered to print beginners' tales on payment of half-a-crown.
Black, Helen C. Notable Women Authors of the Day. Maclaren, 1906.
218
It was more than a decade after this that she began writing on her own, still in secret.