Winegarten, Renee. Mme de Staël. Berg.
6
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Germaine de Staël | Rousseau
, along with Montesquieu
, was one of the formative influences on the young GS
. Winegarten, Renee. Mme de Staël. Berg. 6 |
Intertextuality and Influence | Germaine de Staël | Among other things this is an answer to Rousseau
's Julie; ou, La nouvelle Héloïse, 1761 (in which GS
found the famous line about the soul having no sex). It is also a response... |
Intertextuality and Influence | George Eliot | As she moved on intellectually from her religious youth, she became steeped in the Higher Criticism of the Bible, and increasingly interested in alternative explanatory systems, particularly those of social science—including Herbert Spencer
... |
Intertextuality and Influence | Catharine Macaulay | The letters are addressed to Hortensia (the name of a Roman matron who acted against gender convention by speaking publicly in the Forum against a proposed tax on women). O’Brien, Karen. Women and Enlightenment in Eighteenth-Century Britain. Cambridge University Press. 115 This name had been used... |
Intertextuality and Influence | Ann Thicknesse | Richard Graves may have been disappointed, for the introduction and early lives are substantially the same as in the 1778 version which he had already read (though Hester Mulso Chapone
has been added to the... |
Intertextuality and Influence | Eliza Fenwick | This epistolary novel, set mainly in a castle with secret passages connecting to a monastic ruin , deals with strictly contemporary issues of power and independence. It reflects the influence of EF
's friend Wollstonecraft |
Intertextuality and Influence | Stéphanie-Félicité de Genlis | This work of pedagogy takes the form of an epistolary novel: a picture of contemporary culture, since its range of reference to other texts is wide. It assumes, like Rousseau
's Nouvelle Héloïse, the... |
Intertextuality and Influence | Helen Maria Williams | This novel re-writes Rousseau
's Julie; ou, La nouvelle Héloise in the sentimental style of Frances Sheridan
's Sidney Bidulph or Henry Mackenzie
's Julia de Roubigné. Kelly, Gary. Women, Writing, and Revolution 1790-1827. Clarendon. 33 |
Intertextuality and Influence | Sarah Green | |
Intertextuality and Influence | Henrietta Rouviere Mosse | The widely varied quotations heading the chapters include some in Latin (Virgil
, Cicero
, Lucretius
, Horace
) and some in French (Rousseau
, Voltaire
, Marmontel
, and Manon Roland
). The English writers quoted include Mary Robinson
. McLeod, Deborah. The Minerva Press. University of Alberta. |
Intertextuality and Influence | Helen Maria Williams | |
Intertextuality and Influence | Elizabeth Griffith | He describes her with a line from Donne
's Second Anniversary. EG
's range of reference here includes Rousseau
, Milton
, Frances Greville
, and Lady Mary Wortley Montagu
. Characters discuss and... |
Intertextuality and Influence | Mary Wollstonecraft | Again the novel centres on its heroine; again the message is dark; again Rousseau
's Julie, ou La Nouvelle Héloise is an important presence in the text. This time, however, it is complex rather than... |
Literary responses | Amelia Opie | The Critical Review, which had praised AO
's earlier work, thought this novel equally well done, and that the description of the heroine's death could stand comparison with those of Richardson
's Clarissa or... |
Literary responses | E. Arnot Robertson | J. B. Priestley
, focussing on the noble-savage aspects of this story, complained that its characters do not really come from Borneo, they come from Rousseau
and cloud-cuckoo land. Devlin, Polly, and E. Arnot Robertson. “Introduction”. Four Frightened People, Virago, p. vii - xix. ix |
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