Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press.
97
Connections Sort descending | Author name | Excerpt |
---|---|---|
Occupation | Anne Damer | AD
appeared in private theatricals first at her brother-in-law the Duke of Richmond
's, and later at Strawberry Hill. Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press. 97 |
Occupation | Clemence Dane | The posters, she later wrote, made her nice pocket-money. Dane, Clemence. London Has a Garden. Michael Joseph. 108 |
Occupation | Charlotte Charke | Colley Cibber
retired abruptly from managing Drury Lane
, passing it not to his son Theophilus
but to John Highmore
; Theophilus, CC
, and other performers defected to the illicit Little Theatre in the Haymarket
. Baruth, Philip E. “Who Is Charlotte Charke?”. Introducing Charlotte Charke: Actress, Author, Enigma, edited by Philip E. Baruth, University of Illinois Press, pp. 9-62. 18 Morgan, Fidelis, and Charlotte Charke. The Well-Known Troublemaker: A Life of Charlotte Charke. Faber and Faber. 52-3 |
Occupation | Charlotte Lennox | Charlotte Ramsay (later CL
) first appeared on stage in London: at Drury Lane
, as Lavinia in The Fair Penitent by Nicholas Rowe
. The London Stage 1660-1800. Southern Illinois University Press. 3: 1214 |
Performance of text | Elizabeth, Margravine of Anspach | Elizabeth (Berkeley), Lady Craven
(later Margravine of Anspach), defied social convention by having her comedy The Miniature Picture (Larpent MS 525) acted at Drury Lane
, with a prologue by Richard Brinsley Sheridan
, and... |
Performance of text | Elizabeth Griffith | EG
's comedy The Platonic Wife (based on one of Marmontel
's tales, L'heureux divorce) opened at Drury Lane
. Griffith, Elizabeth. “Introduction”. The Delicate Distress, edited by Cynthia Booth Ricciardi and Susan Staves, University Press of Kentucky, p. vii - xviii. xxx Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Rizzo, Betty. “’Depressa Resurgam’: Elizabeth Griffith’s Playwriting Career”. Curtain Calls, edited by Mary Anne Schofield and Cecilia Macheski, Ohio University Press, pp. 120-42. 126 |
Performance of text | Frances Burney | FB
's tragedy Edwy and Elgiva, the only one of her plays to reach the stage in her lifetime, had its single performance at Drury Lane
, starring Sarah Siddons
. The London Stage 1660-1800. Southern Illinois University Press. |
Performance of text | Frances Sheridan | FS
's first play, the comedy The Discovery (which had been in rehearsal the previous November), opened at Drury Lane
. The London Stage 1660-1800. Southern Illinois University Press. 4: 976 Sheridan, Frances. “Introduction”. Memoirs of Miss Sidney Bidulph, edited by Jean Coates Cleary et al., World’s Classics, Oxford University Press. xiv |
Performance of text | Elizabeth Griffith | EG
's comedy The School for Rakes opened at Drury Lane
; it was adapted from Eugénie by P. A. Caron de Beaumarchais
, and had a highly satisfactory run. Griffith, Elizabeth. “Introduction”. The Delicate Distress, edited by Cynthia Booth Ricciardi and Susan Staves, University Press of Kentucky, p. vii - xviii. xxx-xxxi |
Performance of text | Mary Robinson | MR
's comic opera The Lucky Escape opened at Drury Lane
, given for her benefit at its first appearance. Pascoe differs from the London Stage and from Mann and Garnier as to the exact date. Robinson, Mary. “Introduction”. Mary Robinson: Selected Poems, edited by Judith Pascoe, Broadview, pp. 19-64. 59 Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press. 397 The London Stage 1660-1800. Southern Illinois University Press. 5: 167 |
Performance of text | Frances Sheridan | FS
's second comedy, The Dupe (called by editor Joyce Coates Cleary
an interesting cross between a farce and a morality play), opened at Drury Lane
; but it flopped. The London Stage 1660-1800. Southern Illinois University Press. 4: 1025 Sheridan, Frances. “Introduction”. Memoirs of Miss Sidney Bidulph, edited by Jean Coates Cleary et al., World’s Classics, Oxford University Press. xiv |
Performance of text | Joanna Baillie | De Monfort, JB
's tragedy about hatred, one of her first Plays on the Passions, had its opening at Drury Lane Theatre
, London. Library catalogues also list this play as De Montfort. Carhart, Margaret S. The Life and Work of Joanna Baillie. Archon Books. 110 |
Performance of text | Dorothea Celesia | DC
's Almide, an adaptation of Tancrede by Voltaire
, opened at Drury Lane
in London. It proved a success, and ran for ten nights. The London Stage 1660-1800. Southern Illinois University Press. |
Performance of text | Delarivier Manley | DM
's Lost Lover was produced at Drury Lane
; it was published the same year. Manley, Delarivier. “Introduction”. New Atalantis, edited by Ros Ballaster, Pickering and Chatto, p. v - xxviii. xi Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press. 393 |
Performance of text | Hannah Cowley | HC
's first play, the comedy The Runaway, opened at Drury Lane
, as the only new mainpiece of David Garrick
's final season; it had the successful run of seventeen nights. The London Stage 1660-1800. Southern Illinois University Press. 4: 1952 Link, Frederick M., and Hannah Cowley. “Introduction”. The Plays of Hannah Cowley, Vol. 1 , Garland, p. v - xlxx. vii, x |
No bibliographical results available.