Riley, Patricia. Looking for Githa. New Writing North, 2009.
102-3
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Githa Sowerby | Through her husband she acquired a circle of friends including E. V. Lucas
, Kenneth Bird (professionally the cartoonist Fougasse
), Granville-Barker
, and Cyril Hogg
(owner of the music publishing firm Samuel French
). Riley, Patricia. Looking for Githa. New Writing North, 2009. 102-3 |
Publishing | Muriel Box | In financial panic at the outbreak of the Second World War, Muriel and Sydney Box
sold the copyright in practically all the plays we had written to date to Samuel French, Ltd. for a thousand... |
Publishing | Kate Parry Frye | The play was published in French's Acting Edition in London and New York. Frye, Kate Parry. “Introduction”. Campaigning for the Vote: Kate Parry Frye’s Suffrage Diary, edited by Elizabeth Crawford, Francis Boutle Publishers, 2013, pp. 9 - 34. 215 Crawford, Elizabeth, and Kate Parry Frye. The Great War: The People’s Story—Kate Parry Frye: The Long Life of an Edwardian Actress and Suffragette. ITV, 2014. |
Publishing | Harold Pinter | Faber
printed the two plays together this year; Samuel French
issued an edition of Celebration alone in 2002. Solo: Search Oxford University Libraries Online. |
Publishing | Constance Smedley | CS
had moved smoothly from writing one-act plays for the Cotswold Players
to writing them for the first, Chelsea, incarnation of the Greenleaf Players. She wrote a number of plays for performance by the... |
Publishing | Githa Sowerby | It ran for sixty-three performances, and was published by Samuel French
in 1913. OCLC WorldCat. Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press, 1973. 959 |
Publishing | Lesley Storm | The play opened on Broadway on 27 September 1950, at the 48th Street Theatre
. John Wildberg
produced it, Charles Hickman
did the staging, and Larry Eggleton
designed the sets. Storm, Lesley. Black Chiffon. Samuel French, 1951. 4 |
Publishing | Amy Levy | Published with Samuel French
in 1883, it had an extended life when anthologised in 1898 in French's Fairy Plays for Home Production. Beckman, Linda Hunt. Amy Levy: Her Life and Letters. Ohio University Press, 2000. 14n6 |
Publishing | Josephine Tey | The play was published that year by Victor Gollancz
in London and by Little, Brown
in Boston. Tey, Josephine. Richard of Bordeaux. Little, Brown, 1934. prelims Harben, Niloufer. Twentieth-Century English History Plays: from Shaw to Bond. Macmillan, 1988. 93 |
Publishing | Dorothy Whipple | This was re-issued by, among other publishers, the Peoples Book Club
in Chicago (undated but probably in the original year of publication) and by Samuel French
in March 1991. OCLC WorldCat. “Bowker’s Global Books in Print”. globalbooksinprint.com. |
Reception | F. Tennyson Jesse | |
Textual Production | Elizabeth Baker | Sidgwick and Jackson
published Miss Tassey in 1913. Cupid in Clapham did not appear in print until several years later, in French
's series One-Act Plays for Stage and Study, 1927. |
Textual Production | George Paston | The production transferred to Wyndham's
in February to complete its run of 135 performances. It was published the same year by Samuel French
. Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press, 1973. 875 Wearing, J. P. The London Stage 1910-1919. Scarecrow Press, 1982. 10.7 |
Textual Production | Elizabeth Baker | It was published by French
in 1921. |
Textual Production | George Paston | The play was performed alongside Cicely Hamilton
's Pageant of Great Women as part of a fundraising event organised by Inez Bensusan
on behalf of the Actresses' Franchise League
and the Women Writers' Suffrage League |