Duffy, Maureen. Memorials of the Quick and the Dead. Hamish Hamilton, 1979.
64, 85
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Anne Bradstreet | This book appeared in a publisher's catalogue of 1657 listing the most marketable books in England. (The list included all the great male names, from Shakespeare
and Donne
to Crashaw
and Vaughan
, but only... |
Literary responses | Cicely Bulstrode | During CB
's lifetime Ben Jonson
attacked her by calling her both a fool and a whore. After her death, both he and John Donne
eulogized her morals and also her wit. |
Occupation | Lady Anne Clifford | |
Reception | Mary Astell | Astell's late twentieth-century reputation as a feminist foremother led to a biography by Ruth Perry
(1986), a one-volume selection of her work edited by Bridget Hill
(The First English Feminist, 1986), and editions... |
Residence | Gertrude Thimelby | This convent was linked with that of the nun and writer Gertrude More
(who died in 1633) and her sister and cousins, all of whom were closely related to John Donne
. It had been... |
Textual Features | Carol Ann Duffy | Many poems here feature women answering back to canonical male voices: Liz Lochhead
to Donne
, Jenny Joseph
to W. S. Gilbert
, U. A. Fanthorpe
to Walt Whitman
, Wendy Cope
to A. E. Housman |
Textual Features | Maureen Duffy | Dates given to poems in the volume range from August 1970 to December 1978. Duffy, Maureen. Memorials of the Quick and the Dead. Hamish Hamilton, 1979. 64, 85 |
Textual Features | Ephelia | Among the poems of praise, To Madam Bhen [sic] (then a not uncommon rendering of Behn) adapts from Cowley
's famous praise of Philips
the idea of uniting the Strong and Sweet. Ephelia,. Female Poems on Several Occasions. James Courtney, 1679. 73 |
Textual Features | Adrienne Rich | |
Textual Features | Eiléan Ní Chuilleanáin | The poem The Witch in the Wardrobe, as ENC
explained to Colette Bryce
, comes in part from the The Lion, the Witch and the Wardrobe by C. S. Lewis
, in which a... |
Textual Features | Christine Brooke-Rose | |
Textual Features | Katherine Philips | In this piece Orinda tells Lucasia: For thou art all that I can prize, / My Joy, my Life, my rest. Philips, Katherine. Collected Works. Editors Thomas, Patrick et al., Stump Cross Books, 1990–1993, 3 vols. 1: 121 |
Textual Production | Susan Hill | The new publishing firm of Sinclair-Stevenson
issued SH
's first novel in seventeen years, besides The Woman in Black: it was entitled Air and Angels, after a poem by Donne
. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. Hill, Susan. Mrs. de Winter. Sinclair-Stevenson, 1993. end pages |
Textual Production | Gertrude Thimelby | GT
exchanged original poetry with one of her Jesuit brothers-in-law, Edward Thimelby
, who travelled secretly in England and who hoped to translate Donne
into Italian. Latz, Dorothy L., editor. “Neglected Writings by Recusant Women”. Neglected English Literature: Recusant Writings of the 16th-17th Centuries, Institut für Anglistik und Amerikanistik, Universität Salzburg, 1997. 16 |
Textual Production | Anne Lady Southwell | Both are replies to writing by men: the certain Southwell ascription answers Donne
's Newes from the very Country, and the almost-certain one to Overbury
's own Newes from Court. Details in the... |
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